{"id":275,"date":"2014-05-04T22:13:36","date_gmt":"2014-05-04T20:13:36","guid":{"rendered":"https:\/\/blog.zhdk.ch\/academy\/?p=275"},"modified":"2014-05-04T22:13:36","modified_gmt":"2014-05-04T20:13:36","slug":"skein","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/academy\/2014\/05\/04\/skein\/","title":{"rendered":"SKEIN"},"content":{"rendered":"<p><strong>SKEIN<\/strong>:<br \/>\nTextile, algorithm, flock of geese;\u00a0Entanglement of matter and meaning.<\/p>\n<p>Skein is the self-defined lens through which \u00a0Stephanie is approaching her work. This allows her to see the work from 3 sides: as a fabric, algorithm, and flocking pattern. Skein\u00a0incorporates both corporeality, the material manifestation and carnality, the socially built space.<\/p>\n<p>She is specifically oriented to minimalist tendencies and the emphasis on neutrality emerging from Yvonne Rainer&#8217;s study. When the dominant form is extracted, the indexical sign is revealed. Awareness of what is removed becomes the surplus product.<\/p>\n<p><span style=\"line-height: 1.5\"><b>How do we use neutrality<\/b>?<\/span><\/p>\n<p><b>Can I give form to this neutrality?<\/b><\/p>\n<p><b>How to queer the frame of neutrality? How to subvert he neutral?<\/b><\/p>\n<p><b>Exercise<\/b>:<\/p>\n<p>We played a type of charades with iconic works testing out on the others if they could still guess the work after stripping it down to neutral.<\/p>\n<p><b>What are personal observations of \u00a0what neutrality is?<\/b><\/p>\n<p><b>Examples of what might be removed to arrive at a neutral index sign:<\/b><\/p>\n<p>Attitude, angle of the look, perspective of seduction, presenting the body, constellation of the sexes, moving from the pelvis, emphasis on territory, stylized walk<\/p>\n<p>The amplification\u00a0of symbolic tragic dimension, intention, consciousness of gaze, removing emotional gestures, \u00a0dynamics, cultural meanings of movements<\/p>\n<p>Color, make-up, costume, dynamics, gravity, control of pli\u00e9<\/p>\n<p>Excessive arm patterns and movements, looking at own body as expression removed but including audience focus. Walk like falling, not articulated. Hesitation removed, lifted shoulders removed because it&#8217;s emotional. Facial expression removed.<\/p>\n<p><a href=\"https:\/\/blog.zhdk.ch\/academy\/files\/2014\/05\/image-e1399234389423.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-279\" src=\"https:\/\/blog.zhdk.ch\/academy\/files\/2014\/05\/image-e1399234389423-300x224.jpg\" alt=\"Indexes\" width=\"300\" height=\"224\" srcset=\"https:\/\/blog.zhdk.ch\/academy\/files\/2014\/05\/image-e1399234389423-300x224.jpg 300w, https:\/\/blog.zhdk.ch\/academy\/files\/2014\/05\/image-e1399234389423-1024x764.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SKEIN: Textile, algorithm, flock of geese;\u00a0Entanglement of matter and meaning. Skein is the self-defined lens through which \u00a0Stephanie is approaching her work. This allows her to see the work from 3 sides: as a fabric, algorithm, and flocking pattern. Skein\u00a0incorporates both corporeality, the material manifestation and carnality, the socially built space. She is specifically oriented &hellip; <a href=\"https:\/\/blog.zhdk.ch\/academy\/2014\/05\/04\/skein\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">SKEIN<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2539,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[76],"tags":[],"class_list":["post-275","post","type-post","status-publish","format-image","hentry","category-allgemein","post_format-post-format-image"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/academy\/wp-json\/wp\/v2\/posts\/275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/academy\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/academy\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/academy\/wp-json\/wp\/v2\/users\/2539"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/academy\/wp-json\/wp\/v2\/comments?post=275"}],"version-history":[{"count":3,"href":"https:\/\/blog.zhdk.ch\/academy\/wp-json\/wp\/v2\/posts\/275\/revisions"}],"predecessor-version":[{"id":293,"href":"https:\/\/blog.zhdk.ch\/academy\/wp-json\/wp\/v2\/posts\/275\/revisions\/293"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/academy\/wp-json\/wp\/v2\/media?parent=275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/academy\/wp-json\/wp\/v2\/categories?post=275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/academy\/wp-json\/wp\/v2\/tags?post=275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}