We are pleased to have been able to win experts from various fields of expertise and regional affiliation. The International Advisory Board critically supervises major phases of Art.School.Differences and is decisive for facilitating knowledge exchange and identifying pivotal results and outcomes. The members of our International Advisory Board are:<\/p>\n
Nana Adusei-Poku (Rotterdam University\/Zurich University of the Arts)<\/strong> Research Professor in Visual Culture at Willem de Kooning Academie at Rotterdam University of Applied Sciences and Lecturer in Media Arts at the University of the Arts, Zurich. Nana was a scholarship doctoral student at Humboldt University, Berlin, working on the curatorial concept post-black in relation to contemporary Black artists, following degrees in African studies and gender studies at Humboldt University, and in media and communications at Goldsmiths College, University of London. She has been a visiting scholar at the University of Ghana, Legon; the London School of Economics; and Columbia University, New York. She published \u201cThe Challenge to Conceptualise the Multiplicity of Multiplicities\u2014Post-Black Art and Its Intricacies\u201d in Post-racial Imaginaries, a special issue of Dark Matter, among other articles. Her research interests are in cultural studies, visual culture, Black diaspora art history, postcolonial and critical race theory. See also WDKA makes a difference<\/a>.<\/p>\n Marie Buscatto (Universit\u00e9 Paris 1 Panth\u00e9on Sorbonne)<\/strong> Professeure en Sociologie \u00e0 l\u2019Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne, Marie Buscatto est chercheure \u00e0 l\u2019IDHES (Paris 1 \u2013 CNRS). Sociologue du travail, du genre et des arts, elle s\u2019int\u00e9resse \u00e9galement aux questions de m\u00e9thode. Fond\u00e9s sur ses premi\u00e8res recherches sur la place des femmes dans le monde du jazz, ses travaux actuels portent sur les difficult\u00e9s d\u2019acc\u00e8s, de maintien et de promotion des femmes dans les mondes de l\u2019art, et plus largement dans les professions prestigieuses encore tr\u00e8s masculines. Elle s\u2019interroge encore sur les mani\u00e8res dont la cr\u00e9ation artistique est affect\u00e9e par des processus genr\u00e9s. Elle \u00e9tudie aussi les pratiques, les trajectoires et les professionnalit\u00e9s artistiques. Elle d\u00e9veloppe enfin une r\u00e9flexion \u00e9pist\u00e9mologique sur les m\u00e9thodes qualitatives.<\/p>\n Jackie McManus<\/strong> was educated at Newcastle University, and the Institute of Education, University College London. She lives in London where she is an independent education consultant. She previously worked as the Head of Widening Participation Programmes at University of the Arts London, and as a researcher for the social policy unit Youthaid (now part of the Learning and Work Trust). She is the author of “Every Word Starts with ‘dis'” and the co-author of “Art for a Few”. Jackie has worked extensively with London’s world class galleries; is an adviser to the Courtauld Institute of Art on widening participation and equalities, and sits on the board of Tate’s National Youth programme to widen participation in the arts. She is a Fellow of the Royal Society of the Arts.<\/p>\n Olivier Moeschler (Universit\u00e9 de Lausanne)<\/strong> Sociologue, chercheur associ\u00e9 l\u2019Institut des sciences sociales (ISS) de l\u2019Universit\u00e9 de Lausanne, s\u2019int\u00e9resse aux diff\u00e9rents aspects soulev\u00e9s par l\u2019analyse de la culture et des arts. Il enseigne \u00e0 la Haute \u00e9cole de gestion (HEG) \u00e0 Gen\u00e8ve. Il est \u00e9galement le responsable du domaine \u201cculture\u201d \u00e0 l\u2019Office f\u00e9d\u00e9ral de la statistique (OFS), o\u00f9 il s\u2019occupe des statistiques culturelles de la Conf\u00e9d\u00e9ration. Il a notamment travaill\u00e9 sur les politiques culturelles des villes en mati\u00e8re \u201cd\u2019exportation culturelle\u201d \u00e0 l\u2019\u00e9tranger (1999), la fr\u00e9quentation culturelle dans une grande agglom\u00e9ration (2000), le devenir professionnel des artistes du spectacle (2004) et des dipl\u00f4m\u00e9s d\u2019une \u00e9cole d\u2019art (th\u00e9\u00e2tre, 2014, avec Val\u00e9rie Rolle), sur les publics du cin\u00e9ma (2006) et les pratiques culturelles en Suisse (2011, 2016) ou encore sur la politique culturelle suisse du septi\u00e8me art (2011, 2013). Il a codirig\u00e9 avec Olivier Th\u00e9venin \u201cLes territoires de la d\u00e9mocratisation culturelle\u201d (L\u2019Harmattan, 2009), avec Andr\u00e9 Ducret \u201cNouveaux regards sur les pratiques culturelles\u201d (L\u2019Harmattan, 2011) et, avec Dagmar Danko et Florian Schumacher, \u201cL\u2019art en public\u201d (Springer, 2015). Il vient de publier un article sur la r\u00e9ception des cultural studies en France (Sociologies, mars 2016). Actuellement, il co-organise un colloque international sur le th\u00e8me \u201cArts et march\u00e9s\u201d en novembre 2016 \u00e0 l\u2019Universit\u00e9 de St. Gall et co-\u00e9dite un num\u00e9ro sp\u00e9cial de la Revue suisse de sociologie sur \u201cArt, travail et d\u00e9r\u00e9gulation\u201d (\u00e9t\u00e9 2017). Il est le pr\u00e9sident du Comit\u00e9 de recherche Sociologie des arts et de la culture (Foko-KUKUSO) de la Soci\u00e9t\u00e9 suisse de sociologie (SSS).<\/p>\n Ruth Sonderegger (Akademie der Bildenden K\u00fcnste, Wien) <\/strong>Ruth Sonderegger ist Professorin f\u00fcr Philosophie und \u00e4sthetische Theorie an der Akademie der bildenden K\u00fcnste Wien. Ihre Arbeitsschwerpunkte sind \u00c4sthetik, Cultural Studies, kritische Theorien und Resistance Studies. Letzte Buchver\u00f6ffentlichungen: Hg. (gemeinsam mit Karin de Boer), Conceptions of Critique in Modern and Contemporary Philosophy, Houndmills Basingstroke: Palgrave Macmillan 2012; Hg. (gemeinsam mit Eva Birkenstock, Max Jorge Hinderer Cruz und Jens Kastner), Art and the Critique of Ideology After 1989 | Kunst und Ideologiekritik nach 1989, Bregenz und K\u00f6ln, 2013; Hg. (mit Jens Kastner), Pierre Bourdieu und Jacques Ranci\u00e8re. Emanzipatorische Praxis denken, Wien: Turia+Kant (erscheint im Herbst 2014); Hg. (mit Pascal Gielen, Thijs Lijster und Suzana Milevska), Spaces for Criticism (= Art in Society book series) Amsterdam: Valiz 2015; Foucaults Gegenwart. Sexualit\u00e4t \u2013 Sorge \u2013 Revolution (gem. mit Gundula Ludwig und Isabell Lorey), Wien: transversal texts 2016. Sie ist Mitinitiantin von Die Akademie geht in die Schule. Gleichere Chancen durch interkulturelle Bildung<\/a>, ein Partnerprojekt von Art.School.Differences.<\/p>\n Melissa Steyn (Wits Centre for Diversity Studies, University of the Witwatersrand, Johannesburg)<\/strong> Melissa Steyn is the founding director of the Wits Centre for Diversity Studies. She holds the DST-NRF National Chair in Critical Diversity Studies. Her work engages with intersecting hegemonic social formations, but she is best known for her publications on whiteness and white identity in post-apartheid South Africa. Her book, Whiteness just isn\u2019t what it used to be: White identity in a changing South Africa<\/em> (2001, SUNY Press,) won the 2002 Outstanding Scholarship Award in International and Intercultural Communication from the National Communication Association in the United States. Her co-edited books include The Prize and the Price: Shaping Sexualities in South Africa (Vol 2)<\/em> (2009, HSRC), Performing Queer: Shaping Sexualities in South Africa (Vol 1)<\/em> (2005, Kwela), Under construction: Race and identity in South Africa Today <\/em>(2004, Heinemann) and Cultural Synergy in South Africa: Weaving Strands of Africa and Europe<\/em> (1996, Knowledge Resources). Melissa was named as one of Routledge\u2019s Sociology Super Authors for 2013.<\/p>\n Ulf Wuggenig (Leuphana Universit\u00e4t, L\u00fcneburg)<\/strong> studied at the University of Vienna and at the Vienna University of Economics and Business (philosophy, sociology, political science and economics), Austria. He holds a PhD from Vienna University and delivered his habilitation at the University of Erlangen-N\u00fcrnberg, Germany. He is Professor of Sociology of Art at the Institute of Philosophy and Sciences of Art, director of the Kunstraum and Dean of the Faculty of Humanities and Social Sciences of Leuphana University of L\u00fcneburg, Germany. Before he taught in Austria and Germany at the universities of Hannover, Erlangen-N\u00fcrnberg, Hildesheim and Osnabr\u00fcck, as well as at the University of Applied Arts Vienna. His recent research refers to the field of contemporary art, the creativity and creative industries discourse and Pierre Bourdieu\u2019s theory of cultural production (cf. Das Kunstfeld, Zurich: JRP-Ringier 2011, ed. with Heike Munder; Art in the Periphery of the Center. Berlin: Sternfeld 2015, ed. with Christoph Behnke, Cornelia Kastelan and Val\u00e9rie Knoll; Critique of Creativity. London: mayfly 2011, ed. with Gene Ray and Gerald Raunig).<\/p>","protected":false},"excerpt":{"rendered":" We are pleased to have been able to win experts from various fields of expertise and regional affiliation. The International Advisory Board critically supervises major phases of Art.School.Differences and is decisive for facilitating knowledge exchange and identifying pivotal results and outcomes. 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