{"id":414,"date":"2015-11-01T14:14:48","date_gmt":"2015-11-01T13:14:48","guid":{"rendered":"https:\/\/blog.zhdk.ch\/disabilityonstage\/?page_id=414"},"modified":"2019-03-27T09:45:44","modified_gmt":"2019-03-27T08:45:44","slug":"beitraege","status":"publish","type":"page","link":"https:\/\/blog.zhdk.ch\/disabilityonstage\/beitraege\/","title":{"rendered":"Posts"},"content":{"rendered":"<p><strong>2018<\/strong><\/p>\n<p><em>Il teatro: un linguaggio senza barriere<\/em><\/p>\n<p>(Testo: Paola, Delc\u00f2 \/ Foto: Nicol\u00f2 Baggio e Dante Carbini, Insieme, Num\u00e9ro 3, September 2018)<\/p>\n<p><strong>2017<\/strong><\/p>\n<ul>\n<li><em><a href=\"https:\/\/gallery.mailchimp.com\/5ac00b3eaccde58a941e78c61\/files\/ef48fcc0-6d07-4ed1-8381-06cf1643a43b\/TEATRI_DD_73_76_PROMO.pdf?ct=t(Campagna_abbonamenti8_14_2017)&amp;mc_cid=eb713dbc93&amp;mc_eid=fe76e5dea3\" target=\"_blank\" rel=\"noopener noreferrer\">DisAbility on Stage. Un\u2019indagine tra teatro fisico, disabilit\u00e0 e complessit\u00e0 condotta presso l\u2019Accademia Teatro Dimitri della Scuola Universitaria Professionale della Svizzera Italiana di Verscio<\/a>&nbsp;&nbsp;<\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 30px\">(Demis Quadri, Teatri delle diversit\u00e0, Dezember 2016 &#8211; Mai 2017)<\/p>\n<ul>\n<li><a href=\"http:\/\/www.dansesuisse.ch\/index.php?id=13&amp;L=0&amp;tx_ttnews%5Btt_news%5D=10575&amp;cHash=27305965216cb82a6e659705f8908617\" target=\"_blank\" rel=\"noopener noreferrer\"><em>IntegrART<\/em><\/a><\/li>\n<\/ul>\n<p style=\"padding-left: 30px\">(Danse Suisse, 10. April 2017)<\/p>\n<ul>\n<li><em><a href=\"https:\/\/blaubartdancewebzine.com\/2017\/04\/05\/gigli-fucsia-a-zurigo-stage-lab-2_emanuel-gat-per-disability-on-stage\/\" target=\"_blank\" rel=\"noopener noreferrer\">Gigli fucsia a Zurigo. Stage Lab 2_Emanuel Gat per \u201cDisAbility on&nbsp;Stage<\/a><\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 30px\">(Camilla Guarino,&nbsp;<em><a href=\"https:\/\/blaubartdancewebzine.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">BlaubART &#8211; Dance webzine<\/a><\/em>, 29. M\u00e4rz 2017)<\/p>\n<p><strong>2016<\/strong><\/p>\n<ul>\n<li>The the presentations of our&nbsp;guests and speakers during the colloquium &#8222;Disability and Performer Training&#8220; (Powerpoint Presentations, 25. Oktober 2016):<\/li>\n<\/ul>\n<p style=\"padding-left: 30px\"><strong>J\u00fcrg Koch: &nbsp;<\/strong><a href=\"https:\/\/blog.zhdk.ch\/disabilityonstage\/files\/2016\/11\/Koch-ZHDK-Presentation-Notes-BW-min.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Perspectives on Disability and Access to Dance Training<\/em><\/a><\/p>\n<p style=\"padding-left: 30px\"><strong>Kris De Visscher and :&nbsp;<\/strong><em><a href=\"https:\/\/blog.zhdk.ch\/disabilityonstage\/files\/2016\/11\/zurich_LR.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">The virtuosity of imperfection<\/a><\/em><\/p>\n<p style=\"padding-left: 30px\"><strong>Sarah Whatley:&nbsp;<\/strong><em><a href=\"https:\/\/blog.zhdk.ch\/disabilityonstage\/files\/2016\/11\/Zurich_Oct_16-min.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Moving Matters &#8211; Supporting disabled students in higher education<\/a><\/em><\/p>\n<p style=\"padding-left: 30px\">Addtional informations: <a href=\"https:\/\/blog.zhdk.ch\/artschooldifferences\/\" target=\"_blank\" rel=\"noopener noreferrer\">&#8222;Art.School.Differences&#8220;<\/a><\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li><em><a href=\"https:\/\/blog.zhdk.ch\/disabilityonstage\/files\/2016\/10\/ProgettoMese-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Intervista a Demis Quadri, ricercatore e responsabile DisAbility on Stage presso l\u2019Accademia Teatro Dimitri.<\/a><\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 30px\">(Progetto del Mese &#8211; a section of <em>SUPSI&#8217;s ClickIn<\/em>, Oktober 2016)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p style=\"padding-left: 30px\"><a href=\"https:\/\/blog.zhdk.ch\/disabilityonstage\/files\/2016\/10\/Englische-Flagge.gif\" rel=\"lightbox[414]\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4503 alignnone\" src=\"https:\/\/blog.zhdk.ch\/disabilityonstage\/files\/2016\/10\/Englische-Flagge.gif\" alt=\"englische-flagge\" width=\"23\" height=\"17\"><\/a> An interview with Demis Quadri about &#8222;DisAbility on Stage&#8220;.<\/p>\n<ul>\n<li><em><a href=\"https:\/\/blog.zhdk.ch\/disabilityonstage\/files\/2016\/10\/Rivista-DisAbility-on-Stage.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Quando la disabilit\u00e0 incontra il teatro fisico<\/a> <\/em>(<a href=\"https:\/\/blog.zhdk.ch\/disabilityonstage\/files\/2016\/10\/Impressum.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">+ Impressum<\/a>)<\/li>\n<\/ul>\n<p style=\"padding-left: 30px\">(La Rivista, Oktober 2016)<\/p>\n<ul>\n<li><em><a href=\"http:\/\/www.disabilityartsinternational.org\/blogs\/2016\/reflection-on-practice-un-label-new-grounds-for-inclusive-performing-arts\">Reflection on practice: Un-Label &#8211; New Grounds for inclusive Performing Arts<\/a><\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 30px\">Lisette Reuter explains how Un-Label is working to consolidate the leadership abilities of a Europe-wide group of performing artists by providing training experience in producing workshops to support live production events.<\/p>\n<p style=\"padding-left: 30px\">(British Council\/Disability Arts International &#8211; 2016)<\/p>\n<ul>\n<li><em><a href=\"https:\/\/blog.zhdk.ch\/disabilityonstage\/files\/2015\/11\/UNI_16.04.20.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">GESTUALIT\u00c0 RIVELATRICI &#8211; Il gesto tra teatro e disabilit\u00e0<\/a><\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 30px\">(L&#8217;Universo &#8211; 20. April 2016)<\/p>\n<p><strong><br \/>\n2015<\/strong><\/p>\n<ul>\n<li><em><a href=\"https:\/\/blog.zhdk.ch\/disabilityonstage\/files\/2016\/09\/Remo-B_Hitchcock.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Interview mit Remo Beuggert \u00fcber seine Regiearbeit zu Hitchcocks &#8222;Die V\u00f6gel&#8220;<\/a><\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 30px\">(Z\u00fcrich, 25. November 2015)<\/p>\n<ul>\n<li><em><a href=\"https:\/\/blog.zhdk.ch\/disabilityonstage\/files\/2016\/09\/Remo-Z_Workshop.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Gespr\u00e4ch mit Remo Zarantonello \u00fcber seine Funktion als Workshopleiter<\/a><\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 30px\">(Berlin, 10. November 2015)<\/p>\n<ul>\n<li><em><a href=\"https:\/\/blog.zhdk.ch\/disabilityonstage\/files\/2016\/09\/Coventry.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Kurzer R\u00fcckblick_Beyond the Tipping Point? Dance, Disability and Law<\/a><\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 30px\">(Coventry, 7. November 2015)<\/p>\n<ul>\n<li><em><a href=\"https:\/\/www.kulturinklusiv.ch\/admin\/data\/files\/page_editorial_block_file\/file\/25\/inklusive-kultur-n-handbuch_web.pdf?lm=1446748408\" target=\"_blank\" rel=\"noopener noreferrer\">Forschungsprojekt zu Behinderung auf der B\u00fchne<\/a><\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 30px\">(Ein Artikel \u00fcber unser Forschungsprojekt im <a href=\"https:\/\/www.kulturinklusiv.ch\/de\/startseite\/redaktionelles\/handbuch-inklusive-kultur-25.html\" target=\"_blank\" rel=\"noopener noreferrer\">Inklusive Kultur &#8211; Handbuch<\/a>, Seite 89, November 2015)<\/p>\n<ul>\n<li><em><a href=\"https:\/\/drive.google.com\/drive\/folders\/0B15x7OalnRZBWGYzTUZrdE96bDQ\" target=\"_blank\" rel=\"noopener noreferrer\">Disability on Stage &#8211; Un nuovo progetto di ricerca su teatro e disabilit\u00e0<\/a><\/em><\/li>\n<\/ul>\n<p style=\"padding-left: 30px\">(L&#8217;Universo &#8211; 14. Oktober 2015 )<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2018 Il teatro: un linguaggio senza barriere (Testo: Paola, Delc\u00f2 \/ Foto: Nicol\u00f2 Baggio e Dante Carbini, Insieme, Num\u00e9ro 3, September 2018) 2017 DisAbility on Stage. Un\u2019indagine tra teatro fisico, disabilit\u00e0 e complessit\u00e0 condotta presso l\u2019Accademia Teatro Dimitri della Scuola &hellip; <a href=\"https:\/\/blog.zhdk.ch\/disabilityonstage\/beitraege\/\">Weiterlesen <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3008,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-414","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/disabilityonstage\/wp-json\/wp\/v2\/pages\/414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/disabilityonstage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/disabilityonstage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/disabilityonstage\/wp-json\/wp\/v2\/users\/3008"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/disabilityonstage\/wp-json\/wp\/v2\/comments?post=414"}],"version-history":[{"count":69,"href":"https:\/\/blog.zhdk.ch\/disabilityonstage\/wp-json\/wp\/v2\/pages\/414\/revisions"}],"predecessor-version":[{"id":6827,"href":"https:\/\/blog.zhdk.ch\/disabilityonstage\/wp-json\/wp\/v2\/pages\/414\/revisions\/6827"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/disabilityonstage\/wp-json\/wp\/v2\/media?parent=414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}