{"id":4425,"date":"2016-10-06T14:44:02","date_gmt":"2016-10-06T12:44:02","guid":{"rendered":"https:\/\/blog.zhdk.ch\/disabilityonstage\/?page_id=4425"},"modified":"2017-03-07T18:09:34","modified_gmt":"2017-03-07T17:09:34","slug":"zuerich","status":"publish","type":"page","link":"https:\/\/blog.zhdk.ch\/disabilityonstage\/zuerich\/","title":{"rendered":"B\u00fchnenlabor\/Stage Lab 2"},"content":{"rendered":"

Die Performance bietet einen Einblick in ein B\u00fchnenlabor mit Studierenden des Bachelor Contemporary Dance der Z\u00fcrcher Hochschule der K\u00fcnste sowie Performer_innen aus dem Umfeld der inklusiven Kompanien BewegGrund in Bern und Teatro DanzAbile im Tessin unter der k\u00fcnstlerischen Leitung des israelischen Choreografen Emanuel Gat. Das zweiw\u00f6chige B\u00fchnenlabor im Februar 2017 ist eine von zwei modellhaften Zusammenarbeiten in Kontext des SNF-Forschungsprojektes DisAbility on Stage<\/em> (2015-2018) am Institute for the Performing Arts and Film der Z\u00fcrcher Hochschule der K\u00fcnste, dessen Ziel es ist, einen Diskurs um Behinderung an den Schweizer Kunsthochschulen und Universit\u00e4ten in der Schweiz zu initiieren und die daraus resultierenden Forschungserkenntnisse in der Praxis weiterzuentwickeln. Das spezifische Bewegungsrepertoire der T\u00e4nzer_innen trifft auf ein Interesse an der Musikalit\u00e4t des Tanzes in den Arbeiten Emanuel Gats, dessen Choreografien ein franz\u00f6sischer Kritiker als \u201cvisual music, interpreted through the body\u201d beschrieben hat.<\/p>\n

\"\"<\/a><\/strong>The performance offers an insight into a stage laboratory with students of the Bachelor Contemporary Dance of the Zurich University of the Arts as well as with performers from the inclusive company BewegGrund in Bern and Teatro DanzAbile in Ticino under the artistic direction of the Israeli choreographer Emanuel Gat. The two-week stage laboratory in February 2017 is one of two model collaborations in the context of the research project DisAbility on Stage<\/em> (2015-2018), funded by the Swiss National Science Foundation, at the Institute for the Performing Arts and Film of the Zurich University of the Arts, whose aim is to create a discussion about disability at art schools and universities in Switzerland to further develop the research results in practice. The specific repertoire of movements by the dancers meets the interest in musicality of dance in Emanuel Gats work, whose choreography has been described by a French critic as „visual music, interpreted through the body“.<\/p>\n

Beteiligte\/Paricipants:<\/strong><\/p>\n

K\u00fcnstlerische Leitung<\/b>: Emanuel Gat \/ Mentoring<\/b>: Emanuel Rosenberg (Teatro DanzAbile), Susanne Schneider (BewegGrund) \/ Assistenz<\/b>: Luca Signoretti \/ Assistenz Teatro DanzAbile<\/b>: Mariateresa Diomedes.
\nForschungsteam<\/b>: Sarah Marinucci \/ Projektleitung<\/b>: Dr. Yvonne Schmidt.
\nT\u00e4nzer_innen<\/b>: Sophie Annen, Jay Ari\u00ebs, Sophie Bertschy, Emmy Blein, Giorgia D’Amico, Alice D’Angelo, Giorgia Lolli, Gina Andrea Maag, Selene Martello, Viktorija Semakait\u00e9, Antonio Spatuzzi, Dario Theiler, Elisa Scarselli, Joelle Petrini, Miriam Kotlaris, Laura Coda Cant\u00f9, Giuseppe Comuniello, Sylvie Chen, Lua Leirner.<\/p>\n

Emanuel Gat \u2013 Biografie\/Biography:<\/strong><\/p>\n

Emanuel Gat Artistic Director and Choreographer<\/em>, was born in Israel in 1969. His first encounter with dance was at the age of 23 during a workshop led by Israeli choreographer Nir Ben Gal. Few months later he joined the Liat Dror Nir Ben Gal Company with whom he toured internationally. He started working as an independent choreographer in 1994. Ten years later Emanuel founded his company Emanuel Gat Dance at the Suzanne Dellal Centre in Tel Aviv, with whom he has created several pieces of which \u00abWinter Voyage\u00bb (2004) and \u00abThe Rite of Spring\u00bb (2004) won a Bessy Award; \u00abK626\u00bb in 2006 and \u00ab3for2007\u00bb in 2007, before choosing to settle in France, at the Maison Intercommunale de la Danse in Istres. \u00abSilent Ballet\u00bb (2008) was the first piece created in France, followed by \u00abWinter variations\u00bb in 2009 and \u00abBrilliant Corners\u00bb in 2011. In 2013, Emanuel Gat was associated artist to the Montpellier Danse Festival for which the company developed the project \u00abUp Close Up\u00bb proposing four new works : \u00abThe Goldlandbergs\u00bb and \u00abCorner Etudes\u00bb, a photographic installation called \u00abIt\u2019s people, how abstract can it get?\u00bb and a choreographic event \u00abDanses de Cour\u00bb. In 2014 Emanuel Gat creates \u00abPlage Romantique\u00bb, a one hour work for 9 dancers, in the Agora courtyard during the 34th Festival Montpellier Danse. Emanuel is regularly invited to set his work and create new choreographies for dance companies around the world including: The Paris Opera Ballet, Sydney Dance Company, Tanztheater Bremen, Le Ballet du Grand Th\u00e9\u00e2tre de Gen\u00e8ve, Ballet de Marseille, The Royal Swedish Ballet, Polish National Ballet, Ballet de Lorraine and Cedar Lake among others. Emanuel has also worked with the UK-based leading integrative dance Company, CandoCo (\u201c In Translation\u201d 2010).<\/p>\n

Auftritte\/Performances – Stage Lab 2:<\/strong><\/p>\n