{"id":81,"date":"2021-01-21T18:30:01","date_gmt":"2021-01-21T17:30:01","guid":{"rendered":"https:\/\/blog.zhdk.ch\/environmentallisteningsessions\/?page_id=81"},"modified":"2021-01-29T21:25:55","modified_gmt":"2021-01-29T20:25:55","slug":"els-5-environmental-sounding","status":"publish","type":"page","link":"https:\/\/blog.zhdk.ch\/environmentallisteningsessions\/els-5-environmental-sounding\/","title":{"rendered":"ELS #5: Environmental Sounding"},"content":{"rendered":"\n
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How to open a dialogue between our sonic environment, scientific datas and musical approaches?<\/em><\/p>\n\n\n\n

Environmental sounding is the online presentation of the artworks created during the Acoustic Ecology seminar and Sound & Environment course of Marcus Maeder in autumn 2020. <\/p>\n\n\n\n

The works were inspired by scientific measurements, field recordings and musical approaches exploring environmental questions and impressions from a sonic perspective. How the soundscape can give us scientific knowledge but also artistic perspectives? What are the political possibilities of environmental listening?<\/p>\n\n\n\n

From ambient music to sound mapping in Z\u00fcrich (CH), the works bring an artistic approach to a scientific way to listen to our soundscape.

Online opening 21.01, 20:00 (ZH time).<\/p>\n\n\n\n

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Soundmap<\/strong> of Glattpark (Z\u00fcrich, CH)
The sounds were gatherd by the students from the Acoustic Ecology course (ZhdK and ETH students), in order to contribute to the soundmap of Marcus Maeder.
link: https:\/\/www.soundmap.kentai.ch\/<\/a><\/p>\n\n\n\n

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screenshot of the collaborative soundmap of Z\u00fcrich, Ken Gubler<\/figcaption><\/figure><\/div>\n\n\n\n
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Aline Stadler<\/strong> – presentation text Journal of Acoustic Ecology<\/em> 2020<\/p>\n\n\n\n

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Journal Acoustic Ecology, Aline Stadler, Sept. 2020 : first look with the sound recorders<\/figcaption><\/figure><\/div>\n\n\n\n
(DE) Journal-Acoustic-Ecology, Aline Stadler<\/a>Download<\/a><\/div>\n\n\n\n
(EN) Journal-Acoustic-Ecology, Aline Stadler<\/a>Download<\/a><\/div>\n\n\n\n
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Ernesto Coba Antequera<\/strong> – \u00ab Ayaa \u00bb
ayaa <\/em>is a composition based on field recordings, some of them made in confinement and others taken from personal archives. It was therefore defined by current Covid-19’s conditions. It is a \u201esonogenic\u201c piece, a term coined by composer Francisco L\u00f3pez to refer to a creative approach in which sound itself suggests and leads the compositional decisions, structure and nature. <\/p>\n\n\n\n

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