Farbe und Licht – im Kontext
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Farbe im Film
Oscar Nominees, Life of Pi, 2012
Oscar Nominees, Anna Karenina, 2012
Wes Anderson, The Darjeeling Limited, 2007
Wes Anderson, The Life Aquatic with Steve Zissou, 2004 Cinematography: Robert D. Yeoman
Wes Anderson, The Royal Tenenbaums, 2001
Coen Brothers, A Serious Man, 2009
Quentin Tarantino, Pulp Fiction, 1994
Quentin Tarantino, Kill Bill Vol.1, 2003 Cinematography: Robert Richardson
Stanley Kubrick, Eyes Wide Shut, 1999
Stanley Kubrick, 2001: A Space Odyssey, 1968
Stanley Kubrick, 2001: A Space Odyssey, 1968
Alfred Hitchcok, Rear Window, 1954
Michelangelo Antonioni, Red Desert, 1964
David Lynch, Blue Velvet, 1986
David Lynch, Wild At Heart, 1990
David Lynch, Mulholland Dr., 2001
Michel Gondry, The Science of Sleep, 2006
Michel Gondry, The Green Hornet, 2011
Michel Gondry, Eternal Sunshine of the Spotless Mind, 2004
Jim Jarmusch, Ghost Dog: The Way of the Samurai, 1999
Jim Jarmusch, The Limits of Control, 2009
Jim Jarmusch, Night on Earth, 1991
Andrei Tarkovsky, Solaris, 1972
Andrei Tarkovsky, The Sacrifice, 1986
Andrei Tarkovsky, Stalker, 1979
Andrei Tarkovsky, The Mirror, 1975
Spike Jonze, Adaptation, 2002