{"id":491,"date":"2019-07-02T15:15:24","date_gmt":"2019-07-02T15:15:24","guid":{"rendered":"https:\/\/blog.zhdk.ch\/grinm\/?p=491"},"modified":"2019-07-02T15:16:30","modified_gmt":"2019-07-02T15:16:30","slug":"monika-zyla","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/grinm\/?p=491","title":{"rendered":"Monika \u017by\u0142a"},"content":{"rendered":"\n<p style=\"font-size:22px\">Monika \u017by\u0142a is a musicologist, cultural theorist, author, and pianist. She is working on her Ph.D. dissertation \u201cContemporary Music and Its Others: Female Composers, Gender Politics and Constructions of National Identity at the Warsaw Autumn Festival\u201d (working title) in the Department of Musicology and Dance Studies at the University of Salzburg. <\/p>\n\n\n\n<p style=\"font-size:22px\">\u017by\u0142a gives workshops and lectures on gender issues in contemporary music and sound art both in the academic and festival context. She taught at the University of Vienna, Salzburg and Berlin University of the Arts. She has published articles in Glissando, Ruch Muzyczny, Dwutygodnik, Odra, Krytyka Polityczna, Circuit-Musiques Contemporaines, and Contemporary Music Review. Her peer-reviewed article &#8220;The Need for Otherness: Hispanic Music at \u2018Warsaw Autumn\u2019\u201d was published recently in Contemporary Music Review, Volume 38 Issue 1-2. Her first peer-reviewed article \u201cCornelius Carew behind the Iron Curtain\u201d appeared in the Canadian musicological journal Circuit \u2014 Musiques Contemporaines (Volume 28, Issue 3) published by the University of Montreal. <\/p>\n\n\n\n<p style=\"font-size:22px\">\u017by\u0142a is an author and producer of the series of podcasts about contemporary music and sound art. In the season 2018\/2019, she artistically directed a series of 24-hour staged performances VEXATIONS: REVISITED based on Eric Sate\u2019s Vexations from 1893. She is a president of Frankfurter Gesellschaft f\u00fcr Neue Musik.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Monika \u017by\u0142a is a musicologist, cultural theorist, author, and pianist. She is working on her Ph.D. dissertation \u201cContemporary Music and Its Others: Female Composers, Gender Politics and Constructions of National Identity at the Warsaw Autumn Festival\u201d (working title) in the Department of Musicology and Dance Studies at the University of Salzburg. \u017by\u0142a gives workshops and [&hellip;]<\/p>\n","protected":false},"author":4196,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-491","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/grinm\/index.php?rest_route=\/wp\/v2\/posts\/491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/grinm\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/grinm\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/grinm\/index.php?rest_route=\/wp\/v2\/users\/4196"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/grinm\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=491"}],"version-history":[{"count":2,"href":"https:\/\/blog.zhdk.ch\/grinm\/index.php?rest_route=\/wp\/v2\/posts\/491\/revisions"}],"predecessor-version":[{"id":497,"href":"https:\/\/blog.zhdk.ch\/grinm\/index.php?rest_route=\/wp\/v2\/posts\/491\/revisions\/497"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/grinm\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/grinm\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/grinm\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}