{"id":3335,"date":"2018-04-03T11:16:54","date_gmt":"2018-04-03T10:16:54","guid":{"rendered":"https:\/\/blog.zhdk.ch\/iaejournal\/?p=3335"},"modified":"2018-04-03T11:16:54","modified_gmt":"2018-04-03T10:16:54","slug":"christian-kravagna","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/iaejournal\/2018\/04\/03\/christian-kravagna\/","title":{"rendered":"Christian Kravagna"},"content":{"rendered":"<p><strong>Christian Kravagna<\/strong> ist Kunsthistoriker, Kritiker und Kurator. Professor f\u00fcr Postcolonial Studies an der Akademie der bildenden K\u00fcnste Wien. Herausgeber der B\u00fccher <em>Privileg Blick: Kritik der visuellen Kultur<\/em>, Berlin 1997; <em>Agenda: Perspektiven kritischer Kunst<\/em>, Wien\/Bozen 2000 und <em>Das Museum als Arena: Institutionskritische Texte von K\u00fcnstlerInnen<\/em>, K\u00f6ln 2001. Er ist Kurator der Ausstellungen <em>Routes: Imaging Travel and Migration<\/em>, Grazer Kunstverein 2002; <em>Migration: Globalisation of Cultural Space and Time<\/em>, Max Mueller Bhavan, New Delhi 2003 (mit Amit Mukhopadhyay); <em>Planetary Consciousness<\/em>, Kunstraum der Leuphana Universit\u00e4t L\u00fcneburg 2008 und <em>Living Across: Spaces of Migration<\/em>, Akademie der bildenden K\u00fcnste Wien 2010. Gemeinsam mit Hedwig Saxenhuber leitet Christian Kravagna den Kunstraum Lakeside in Klagenfurt.<\/p>\n<hr>\n<p><a href=\"https:\/\/blog.zhdk.ch\/iaejournal\/2012\/12\/08\/n6_the-originality-of-modernism-and-other-western-myths-art-in-the-post-colonial-interstice\/\"><strong>\u2192 N\u00b06:&nbsp;The originality of modernism and other western myths: Art in the (post-) colonial interstice<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Christian Kravagna ist Kunsthistoriker, Kritiker und Kurator. Professor f\u00fcr Postcolonial Studies an der Akademie der bildenden K\u00fcnste Wien. Herausgeber der B\u00fccher Privileg Blick: Kritik der visuellen Kultur, Berlin 1997; Agenda: Perspektiven kritischer Kunst, Wien\/Bozen 2000 und Das Museum als Arena: Institutionskritische Texte von K\u00fcnstlerInnen, K\u00f6ln 2001. Er ist Kurator der Ausstellungen Routes: Imaging Travel and [&hellip;]<\/p>\n","protected":false},"author":3221,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[531601,530870],"tags":[],"class_list":["post-3335","post","type-post","status-publish","format-standard","hentry","category-aer6_kurzbiografien-der-autor_innen","category-kurzbiografien-der-autor_innen"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/posts\/3335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/users\/3221"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/comments?post=3335"}],"version-history":[{"count":1,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/posts\/3335\/revisions"}],"predecessor-version":[{"id":3337,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/posts\/3335\/revisions\/3337"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/media?parent=3335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/categories?post=3335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/tags?post=3335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}