{"id":3910,"date":"2019-02-19T19:09:11","date_gmt":"2019-02-19T18:09:11","guid":{"rendered":"https:\/\/blog.zhdk.ch\/iaejournal\/?p=3910"},"modified":"2019-02-26T20:31:02","modified_gmt":"2019-02-26T19:31:02","slug":"sofia-olascoaga","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/iaejournal\/2019\/02\/19\/sofia-olascoaga\/","title":{"rendered":"Sof\u00eda\u00a0Olascoaga"},"content":{"rendered":"

Sof\u00eda Olascoaga <\/b>studierte Bildende Kunst an der Kunstakademie<\/span> La Esmeralda <\/span><\/i>in Mexiko-Stadt <\/span>und Kuratieren am <\/span>Independent Studies Program<\/span><\/i> des <\/span>Whitney Museum of American Art<\/span><\/i> in New York (2010). Sie war Stipendiatin f\u00fcr forschungsbasiertes Kuratieren bei <\/span>Independent Curators International<\/span><\/i> (2011), Co-Kuratorin der 32. <\/span>Biennale von S\u00e3o Paulo<\/span><\/i> (2016), wissenschaftliche Kuratorin am <\/span>Museo Universitario Arte Contempor\u00e1neo <\/span><\/i>(2014-2015) und Koordinatorin f\u00fcr Bildung und \u00f6ffentliche Programme des <\/span>Carrillo Gil Kunstmuseums<\/span><\/i> (2007-2010). Ihre Untersuchung <\/span>Entre utop\u00eda y desencanto<\/span><\/i> (<\/span>Zwischen Utopie und Entt\u00e4uschung<\/span><\/i>) besch\u00e4ftigt sich mit Modellen internationaler Gemeinschaften und alternativen Bildungskonzepten, die zwischen den 1950er und 1980er Jahren in Mexiko entstanden, insbesondere mit der Entwicklung des <\/span>Centro Intercultural de Documentaci\u00f3n <\/span><\/i>(Interkulturelles Dokumentationszentrum) (CIDOC) und dem Wirken von Ivan Illich. Sie ist Mitglied im Netzwerk <\/span>Another Roadmap School<\/span><\/i>.<\/span><\/p>\n

\u2192N\u00b015_Crianza, oder die Kunst des F\u00fcreinandersorgens \u2013 Andine Kosmovisionen in gemeinschaftsorientierten Bildungsprogrammen<\/strong><\/a><\/p>\n

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Sof\u00eda Olascoaga, <\/b>studied plastic arts at the National School of Painting, Sculpture and Engraving <\/span>La Esmeralda<\/span><\/i> and Curatorial Studies at the <\/span>Independent Studies Program<\/span><\/i> of the <\/span>Whitney Museum of American Art <\/span><\/i>in New York (2010). She was a curatorial research fellow at<\/span> Independent Curators International<\/span><\/i> (2011), co-curator of the 32nd <\/span>S\u00e3o Paulo Biennial <\/span><\/i>(2016), academic curator at the <\/span>Museo Universitario Arte Contempor\u00e1neo <\/span><\/i>(2014-2015) and coordinator for Education and Public Programs at the <\/span>Carrillo Gil Art Museum<\/span><\/i> (2007-2010). Her research <\/span>Entre utop\u00eda y desencanto<\/span><\/i> (<\/span>Between Utopia and Disenchantment<\/span><\/i>) deals with models of intentional communities and alternative notions of education, created in Mexico between the 1950s and 1980s, particularly the development of the <\/span>Centro Intercultural de Documentaci\u00f3n<\/span><\/i> (CIDOC) and the repercussions of Ivan Illich’s ideas. She is a member of the network<\/span> Another Roadmap School<\/span><\/i>.<\/span><\/p>\n

\u2192 N\u00b015: Crianza Or The Art of Nurtining \u2013 Andean Cosmovisions In Community Education<\/span><\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Sof\u00eda Olascoaga studierte Bildende Kunst an der Kunstakademie La Esmeralda in Mexiko-Stadt und Kuratieren am Independent Studies Program des Whitney Museum of American Art in New York (2010). Sie war Stipendiatin f\u00fcr forschungsbasiertes Kuratieren bei Independent Curators International (2011), Co-Kuratorin der 32. Biennale von S\u00e3o Paulo (2016), wissenschaftliche Kuratorin am Museo Universitario Arte Contempor\u00e1neo (2014-2015) und […]<\/p>\n","protected":false},"author":3221,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[531616],"tags":[],"class_list":["post-3910","post","type-post","status-publish","format-standard","hentry","category-aer15_kurzbiografien-der-autor_innen"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/posts\/3910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/users\/3221"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/comments?post=3910"}],"version-history":[{"count":4,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/posts\/3910\/revisions"}],"predecessor-version":[{"id":4243,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/posts\/3910\/revisions\/4243"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/media?parent=3910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/categories?post=3910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/tags?post=3910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}