{"id":3940,"date":"2019-02-21T13:13:14","date_gmt":"2019-02-21T12:13:14","guid":{"rendered":"https:\/\/blog.zhdk.ch\/iaejournal\/?p=3940"},"modified":"2019-02-26T20:27:30","modified_gmt":"2019-02-26T19:27:30","slug":"emma-wolukau-wanambwa","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/iaejournal\/2019\/02\/21\/emma-wolukau-wanambwa\/","title":{"rendered":"Emma Wolukau-Wanambwa"},"content":{"rendered":"<p><b>Emma Wolukau-Wanambwa<span style=\"font-weight: 400\"> wurde 1976 in Glasgow geboren und studierte Literatur an der Cambridge University und Kunst an der Slade School of Fine Art am University College London. Nach ihrer Teilnahme am LUX Associate Artist Program und ihrer Arbeit als Wissenschaftlerin an der Jan van Eyck Academie, ist sie derzeit Doktorandin in Fine Art an der Universit\u00e4t von Bergen, Norwegen, und Vorsitzende des Afrika-Clusters der Another Roadmap Scho<\/span><span style=\"font-weight: 400\">ol (<\/span><a href=\"https:\/\/colivre.net\/another-roadmap\"><i><span style=\"font-weight: 400\">https:\/\/colivre.net\/another-roadmap<\/span><\/i><\/a><span style=\"font-weight: 400\">). Wolu<\/span><span style=\"font-weight: 400\">kau-Wanambwa arbeitet in einer Vielzahl von Medien, Formaten und Kontexten. Aktuelle \/ kommende Ausstellungen umfassen u.a.: <\/span><i><span style=\"font-weight: 400\">Actually, the Dead Are Not Dead: Bergen Assembly <\/span><\/i><span style=\"font-weight: 400\">2019 (Bergen, NO); <\/span><i><span style=\"font-weight: 400\">62nd BFI London Film Festival<\/span><\/i><span style=\"font-weight: 400\"> (GB); <\/span><i><span style=\"font-weight: 400\">Women on Aeroplanes <\/span><\/i><span style=\"font-weight: 400\">(<\/span><i><span style=\"font-weight: 400\">The Showroom Gallery, GB &amp; Museum of Modern Art,<\/span><\/i><span style=\"font-weight: 400\"> Warsaw PL); <\/span><i><span style=\"font-weight: 400\">We Don\u2019t Need Another Hero<\/span><\/i><span style=\"font-weight: 400\"> (<\/span><i><span style=\"font-weight: 400\">10th Berlin Biennale of Contemporary Art<\/span><\/i><span style=\"font-weight: 400\">, DE); <\/span><i><span style=\"font-weight: 400\">A Thousand Roaring Beasts: Display Devices for a Critical Modernity<\/span><\/i><span style=\"font-weight: 400\"> (<\/span><i><span style=\"font-weight: 400\">Centro Andaluz de Arte Contemporaneo-CAAC<\/span><\/i><span style=\"font-weight: 400\">, Seville, ES); und <\/span><i><span style=\"font-weight: 400\">Kabbo Ka Muwala<\/span><\/i><span style=\"font-weight: 400\"> (<\/span><i><span style=\"font-weight: 400\">National Gallery of Zimbabwe<\/span><\/i><span style=\"font-weight: 400\">, ZW, <\/span><i><span style=\"font-weight: 400\">Makerere University Art Gallery<\/span><\/i><span style=\"font-weight: 400\">, UG &amp; <\/span><i><span style=\"font-weight: 400\">Kunsthalle Bremen<\/span><\/i><span style=\"font-weight: 400\">, DE). <\/span><span style=\"font-weight: 400\">Eine verk\u00fcrzte Fassung des Essays, das in diesem eJournal erscheint, wurde 2018 im <\/span><i><span style=\"font-weight: 400\">Palgrave Handbook of Race and the Arts in Education <\/span><\/i><span style=\"font-weight: 400\">ver\u00f6ffentlicht. Sie lebt und arbeitet zwischen London und Bergen. (www.wolukau-wanambwa.net)<\/span><\/b><\/p>\n<p><a href=\"https:\/\/blog.zhdk.ch\/iaejournal\/2019\/02\/26\/3960\/\"><strong>\u2192 N\u00b015: <span lang=\"DE\">Margaret Trowells Kunstschule. Eine Fallstudie <\/span>\u00fc<span lang=\"DE\">ber koloniale Subjektivierung<\/span><\/strong><\/a><\/p>\n<hr>\n<p><b>Emma Wolukau-Wanambwa<\/b><span style=\"font-weight: 400\"> was born in Glasgow in 1976 and studied Literature at <\/span><i><span style=\"font-weight: 400\">Cambridge University <\/span><\/i><span style=\"font-weight: 400\">and Art at the <\/span><i><span style=\"font-weight: 400\">Slade School of Fine Art<\/span><\/i><span style=\"font-weight: 400\">, <\/span><i><span style=\"font-weight: 400\">University College London<\/span><\/i><span style=\"font-weight: 400\">. Formerly a participant in the<\/span><i><span style=\"font-weight: 400\"> LUX Associate Artist Programme<\/span><\/i><span style=\"font-weight: 400\"> and a researcher at the <\/span><i><span style=\"font-weight: 400\">Jan van Eyck Academie<\/span><\/i><span style=\"font-weight: 400\">, she is currently a doctoral candidate in Fine Art at the <\/span><i><span style=\"font-weight: 400\">University of Bergen<\/span><\/i><span style=\"font-weight: 400\">, Norway and Convener of the Africa Cluster of the <\/span><i><span style=\"font-weight: 400\">Another Roadmap School <\/span><\/i><span style=\"font-weight: 400\">(<\/span><a href=\"http:\/\/colivre.net\/another-roadmap\"><span style=\"font-weight: 400\">http:\/\/colivre.net\/another-roadmap<\/span><\/a><span style=\"font-weight: 400\">). Wolukau-Wanambwa works in a wide range of media, formats and contexts. Recent\/upcoming exhibitions include: <\/span><i><span style=\"font-weight: 400\">Actually, the Dead Are Not Dead: Bergen Assembly <\/span><\/i><span style=\"font-weight: 400\">2019 (Bergen, NO); <\/span><i><span style=\"font-weight: 400\">62nd BFI London Film Festival<\/span><\/i><span style=\"font-weight: 400\"> (GB); <\/span><i><span style=\"font-weight: 400\">Women on Aeroplanes <\/span><\/i><span style=\"font-weight: 400\">(<\/span><i><span style=\"font-weight: 400\">The Showroom Gallery, GB &amp; Museum of Modern Art,<\/span><\/i><span style=\"font-weight: 400\"> Warsaw PL); <\/span><i><span style=\"font-weight: 400\">We Don\u2019t Need Another Hero<\/span><\/i><span style=\"font-weight: 400\"> (<\/span><i><span style=\"font-weight: 400\">10th Berlin Biennale of Contemporary Art<\/span><\/i><span style=\"font-weight: 400\">, DE); <\/span><i><span style=\"font-weight: 400\">A Thousand Roaring Beasts: Display Devices for a Critical Modernity<\/span><\/i><span style=\"font-weight: 400\"> (<\/span><i><span style=\"font-weight: 400\">Centro Andaluz de Arte Contemporaneo-CAAC<\/span><\/i><span style=\"font-weight: 400\">, Seville, ES); and <\/span><i><span style=\"font-weight: 400\">Kabbo Ka Muwala<\/span><\/i><span style=\"font-weight: 400\"> (<\/span><i><span style=\"font-weight: 400\">National Gallery of Zimbabwe<\/span><\/i><span style=\"font-weight: 400\">, ZW, <\/span><i><span style=\"font-weight: 400\">Makerere University Art Gallery<\/span><\/i><span style=\"font-weight: 400\">, UG &amp; <\/span><i><span style=\"font-weight: 400\">Kunsthalle Bremen<\/span><\/i><span style=\"font-weight: 400\">, DE). A shortened version of the essay that appears in this journal was published in 2018 in the <\/span><i><span style=\"font-weight: 400\">Palgrave Handbook of Race and the Arts in Education<\/span><\/i><span style=\"font-weight: 400\">. She lives and works between London and Bergen. (www.wolukau-wanambwa.net)<\/span><\/p>\n<p><a href=\"https:\/\/blog.zhdk.ch\/iaejournal\/2019\/02\/26\/3960\/\"><strong>\u2192 N\u00b015: <span lang=\"EN-US\">Margaret Trowell\u2019s School of Art A Case Study in Colonial Subject Formation<\/span><\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Emma Wolukau-Wanambwa wurde 1976 in Glasgow geboren und studierte Literatur an der Cambridge University und Kunst an der Slade School of Fine Art am University College London. Nach ihrer Teilnahme am LUX Associate Artist Program und ihrer Arbeit als Wissenschaftlerin an der Jan van Eyck Academie, ist sie derzeit Doktorandin in Fine Art an der [&hellip;]<\/p>\n","protected":false},"author":3221,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[531616],"tags":[],"class_list":["post-3940","post","type-post","status-publish","format-standard","hentry","category-aer15_kurzbiografien-der-autor_innen"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/posts\/3940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/users\/3221"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/comments?post=3940"}],"version-history":[{"count":3,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/posts\/3940\/revisions"}],"predecessor-version":[{"id":4235,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/posts\/3940\/revisions\/4235"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/media?parent=3940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/categories?post=3940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/iaejournal\/wp-json\/wp\/v2\/tags?post=3940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}