{"id":27,"date":"2018-03-31T16:59:01","date_gmt":"2018-03-31T14:59:01","guid":{"rendered":"https:\/\/blog.zhdk.ch\/performancestudygroup\/?page_id=27"},"modified":"2018-04-02T18:53:03","modified_gmt":"2018-04-02T16:53:03","slug":"references-inspirations","status":"publish","type":"page","link":"https:\/\/blog.zhdk.ch\/performancestudygroup\/references-inspirations\/","title":{"rendered":"References &amp; Inspirations"},"content":{"rendered":"<h4><a href=\"https:\/\/blog.zhdk.ch\/performancestudygroup\/files\/2018\/03\/Schechner-Performance-Theory-Chapter-5.pdf\">Richard Schechner &#8211; <em>Performance Theory<\/em>, Chapter 5<\/a><\/h4>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/performancestudygroup\/files\/2018\/03\/Amelia-Jones-Performing-the-subjekt-Introduction.pdf\">Amelia Jones &#8211; <em>Body Art, Performing the Subjekt<\/em>, Introduction<\/a><\/h4>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-187\" src=\"https:\/\/blog.zhdk.ch\/performancestudygroup\/files\/2018\/04\/11-300x202.png\" alt=\"\" width=\"374\" height=\"252\" srcset=\"https:\/\/blog.zhdk.ch\/performancestudygroup\/files\/2018\/04\/11-300x202.png 300w, https:\/\/blog.zhdk.ch\/performancestudygroup\/files\/2018\/04\/11-768x516.png 768w, https:\/\/blog.zhdk.ch\/performancestudygroup\/files\/2018\/04\/11-1024x688.png 1024w, https:\/\/blog.zhdk.ch\/performancestudygroup\/files\/2018\/04\/11.png 1307w\" sizes=\"auto, (max-width: 374px) 100vw, 374px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-189\" src=\"https:\/\/blog.zhdk.ch\/performancestudygroup\/files\/2018\/04\/12-300x201.png\" alt=\"\" width=\"374\" height=\"251\" srcset=\"https:\/\/blog.zhdk.ch\/performancestudygroup\/files\/2018\/04\/12-300x201.png 300w, https:\/\/blog.zhdk.ch\/performancestudygroup\/files\/2018\/04\/12-768x514.png 768w, https:\/\/blog.zhdk.ch\/performancestudygroup\/files\/2018\/04\/12-1024x686.png 1024w, https:\/\/blog.zhdk.ch\/performancestudygroup\/files\/2018\/04\/12.png 1301w\" sizes=\"auto, (max-width: 374px) 100vw, 374px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Richard Schechner &#8211; Performance Theory, Chapter 5 Amelia Jones &#8211; Body Art, Performing the Subjekt, Introduction &nbsp;<\/p>\n","protected":false},"author":3809,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-27","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/performancestudygroup\/wp-json\/wp\/v2\/pages\/27","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/performancestudygroup\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/performancestudygroup\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/performancestudygroup\/wp-json\/wp\/v2\/users\/3809"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/performancestudygroup\/wp-json\/wp\/v2\/comments?post=27"}],"version-history":[{"count":9,"href":"https:\/\/blog.zhdk.ch\/performancestudygroup\/wp-json\/wp\/v2\/pages\/27\/revisions"}],"predecessor-version":[{"id":353,"href":"https:\/\/blog.zhdk.ch\/performancestudygroup\/wp-json\/wp\/v2\/pages\/27\/revisions\/353"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/performancestudygroup\/wp-json\/wp\/v2\/media?parent=27"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}