{"id":1075,"date":"2018-02-20T13:44:56","date_gmt":"2018-02-20T13:44:56","guid":{"rendered":"https:\/\/blog.zhdk.ch\/revisit\/?p=1075"},"modified":"2018-04-10T09:19:10","modified_gmt":"2018-04-10T09:19:10","slug":"gehoersam-silence-as-a-medium-of-disempowerment","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/revisit\/gehoersam-silence-as-a-medium-of-disempowerment\/","title":{"rendered":"Geh\u00f6rsam. Silence as a medium of (dis)empowerment"},"content":{"rendered":"<p><strong>20. April 2018, 18 \u2013 ca. 20 Uhr<\/strong><br \/>\nKaskadenhalle<\/p>\n<p>Artist Talk<br \/>\nOpen Call Studierende<\/p>\n<p>Tanja Sokolnykova &amp; Hiwa K<br \/>\nDKV, MA Art Education<\/p>\n<hr \/>\n<p><strong> Conversation with the artist Hiwa K<br \/>\nModerated by Tanja Sokolnykova, Student of Master in Curatorial Studies<br \/>\n<\/strong> In the frame of familiar atmosphere alike in told myths of Black Mountain College, we exchange thoughts and stillness, tell anecdotes and listen life stories, exploring the phenomena of silence and its dual nature \u2013 as a form of resistance and obedience contrariwise. Through the artistic work of German-Kurdish artist Hiwa K, his understanding of being \u201egeh\u00f6rsam\u201c as well his approach toward vernacular forms of knowledge, we rethink institutionalized forms of learning and modes of knowledge production. We discuss what potential meanings does silence carry in our time of overproduction, neoliberalization of education, noise and information infusion, hostility and civic passivity. Can we reach a change of mind and foster an engaged awareness at the limits of language and activities, using a space between thoughts, words or tunes?<\/p>\n<p>John Cage placed silence at the heart of his artistic-pedagogical practice as well of his lectures during the happening \u201eUntitled Event\u201c at the BMC (1952). We expand the idea of silence and contextualize it in the political framework with a view to its value in Art Education.<\/p>\n<p>Image: Arbeitsplatz (Workspace), 2005. Courtesy of Hiwa K<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"post-excerpt\">20. April 2018, 18 \u2013 ca. 20 Uhr<\/p>\n","protected":false},"author":3702,"featured_media":1301,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[534804,8223,10547],"tags":[],"class_list":["post-1075","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kw-16","category-sonstiges","category-vortrag"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/revisit\/wp-json\/wp\/v2\/posts\/1075","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/revisit\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/revisit\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/revisit\/wp-json\/wp\/v2\/users\/3702"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/revisit\/wp-json\/wp\/v2\/comments?post=1075"}],"version-history":[{"count":6,"href":"https:\/\/blog.zhdk.ch\/revisit\/wp-json\/wp\/v2\/posts\/1075\/revisions"}],"predecessor-version":[{"id":1635,"href":"https:\/\/blog.zhdk.ch\/revisit\/wp-json\/wp\/v2\/posts\/1075\/revisions\/1635"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/revisit\/wp-json\/wp\/v2\/media\/1301"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/revisit\/wp-json\/wp\/v2\/media?parent=1075"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/revisit\/wp-json\/wp\/v2\/categories?post=1075"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/revisit\/wp-json\/wp\/v2\/tags?post=1075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}