{"id":1765,"date":"2010-12-08T16:11:36","date_gmt":"2010-12-08T16:11:36","guid":{"rendered":"https:\/\/blog.zhdk.ch\/sfex\/?p=1765"},"modified":"2024-05-23T09:38:36","modified_gmt":"2024-05-23T09:38:36","slug":"guido-haas-2","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/sfex\/2010\/12\/08\/guido-haas-2\/","title":{"rendered":"Guido &amp; Eva Haas"},"content":{"rendered":"<h2>List of Films<\/h2>\n<p><b><i>Abstrakt Nr. 1<\/i><\/b>, Guido und Eva Haas, CH 1958, vernichtet<\/p>\n<p><b><i>Abstrakt Nr. 2<\/i><\/b>, Guido und Eva Haas, CH 1958, vernichtet<\/p>\n<p><b><i>Declinations I<\/i><\/b>, Guido und Eva Haas, CH 1959, vernichtet<\/p>\n<p><b><i>Carceri<\/i><\/b>, Guido Haas, CH 1959\/60, vernichtet, Material seit 2012 &#8220;in Bearbeitung&#8221; f\u00fcr einen Neuschnitt<\/p>\n<p><i><b>Declinations II<\/b><\/i>, Guido Haas, 1960, vernichtet<\/p>\n<p><b><i>Fabula<\/i><\/b>, Guido Haas, CH 1962, vernichtet<\/p>\n<p><b><i>Inclinations I<\/i><\/b>, Guido und Eva Haas, CH 1962\/63, 16mm, ca. 6 Min.<\/p>\n<p><em><a title=\"Inclinations (zweite Version)\" href=\"https:\/\/blog.zhdk.ch\/sfex\/2010\/12\/01\/inclinations-zweite-version\/\"><b>Inclinations II<\/b><\/a><\/em>, Guido und Eva Haas, CH 1964, 6 Min.<\/p>\n<p><b><i>Ruptures<\/i><\/b>, Guido Haas, CH 1965\/66, vernichtet<\/p>\n<p><a title=\"Anamorphosis\" href=\"https:\/\/blog.zhdk.ch\/sfex\/2012\/06\/21\/anamorphosis\/\"><b><i>Anamorphosis<\/i><\/b><\/a>, Guido Haas, CH 1967, 16mm, 6 Min.<\/p>\n<p>\u00a0<\/p>\n<h2>Bio<\/h2>\n<p>\u00a0<\/p>\n<p>Eva Haas, *1933; \u2020 1998<br \/>Guido Haas, *1931, Bern;\u00a0 ; \u2020 19.8.2020<\/p>\n<p>Nach einer Ausbildung an den Kunstgewerbeschulen in Biel und Z\u00fcrich, studierte Guido Haas 1951 ein Jahr bei Fernand L\u00e9ger in Paris. Ab 1958 produzierte er auch experimentelle Filme, viele davon gemeinsam mit seiner Ehefrau Eva Haas. Guido Haas lebt in Kaltacker bei Bremgarten.<\/p>\n<p>\u00a0<\/p>\n<h2>Articles about (and from) the Author and his Work<\/h2>\n<p>\u00a0<\/p>\n<p>Portrait von Guido Haas in der Schweizer Illustrierten, 1968\u00a0<a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/Haas_Guido_SI_6.5.681.pdf\">Haas_Guido_SI_6.5.68<\/a><\/p>\n<p>Portrait des Sohnes Gorgon Haas:\u00a0Aus der Werkstatt der Schweizer Cineasten\u00a0<a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/Animationsfilm_RadioUndFernsehen_1971.pdf\">Animationsfilm_RadioUndFernsehen_1971<\/a><\/p>\n<p>Radio und Fernsehen Nr. 35\u00a029. August bis 4. September 1971<\/p>\n<p>Div. Materialien zu Guido Haas (K\u00fcnstlerportraits, Kurzgeschichte)\u00a0<a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/Materalien_Guido_Haas.pdf\">Materalien_Guido_Haas<\/a><a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/Materialien_Eva_Haas.pdf\"><br \/><\/a><\/p>\n<p><a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/Haas_SpielfilmExposee_ArchivHaas.pdf\">Haas_SpielfilmExposee_ArchivHaas<\/a><br \/><a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/Haas_Vortrag_InclinationsAnamorphosis.pdf\">Haas_Vortrag_InclinationsAnamorphosis<\/a> <a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/ZentralstelleLehrerfortbildung_Ank_Trickfilmkurse_Haas.pdf\">ZentralstelleLehrerfortbildung_Ank_Trickfilmkurse_Haas<\/a><\/p>\n<h2>\u00a0<\/h2>\n<h2>Screenings (Places and Dates)<\/h2>\n<p>\u00a0<\/p>\n<p>Exprmntl 63\/64 and 67\/67 (Exerpts from the catalogues <a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/Haas_KatEXPRMNTL_63_64_2kopie.pdf\">63\/64<\/a> and <a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/Haas_KatEXPRMNTL_67_68_2kopie.pdf\">67\/68<\/a>)<\/p>\n<p>\u00a0<\/p>\n<p>Solothurner Filmtage 1968\u00a0<a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/Guido_Haas_Solothurn.pdf\">Guido_Haas_Solothurn<\/a><\/p>\n<p><a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/690919_BielerTagblatt_16mmFilm_Klopfenstein_Archiv_32.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6799\" src=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/690919_BielerTagblatt_16mmFilm_Klopfenstein_Archiv_32-184x300.jpg\" alt=\"690919_BielerTagblatt_16mmFilm_Klopfenstein_Archiv_32\" width=\"184\" height=\"300\" srcset=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/690919_BielerTagblatt_16mmFilm_Klopfenstein_Archiv_32-184x300.jpg 184w, https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/690919_BielerTagblatt_16mmFilm_Klopfenstein_Archiv_32-630x1024.jpg 630w\" sizes=\"auto, (max-width: 184px) 100vw, 184px\" \/><\/a>\u00a0Information \u00fcber ein Filmprogramm im Th\u00e9\u00e2tre de Poche in Biel am 19.9.69<\/p>\n<p>\u00a0<\/p>\n<h2>Awards and residencies<\/h2>\n<p>\u00a0<\/p>\n<p>51\/52, 58, 59 und 61 bekam Guido Haas das Eidgen\u00f6ssische Kunststipendium<\/p>\n<p>\u00a0<\/p>\n<h2>Miscellaneous<\/h2>\n<p>\u00a0<\/p>\n<h5>Interview von Thomas Sch\u00e4rer und Fred Truniger. Kaltacker, March 17, 2013. Transcript here: <a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/130417_Haas_Guido_Interview_def.pdf\">130417_Haas_Guido_Interview_def<\/a><\/h5>\n<p>Stills aus seinen Filmen und Fotografien an der Expo 1964 Lausanne (Scans aus verschiedenen, teilweise unidentifizierten Quellen, u.a. Offizieller F\u00fchrer der Expo 1964, Serielle Manifeste)\u00a0<a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/Guido_Haas_Expo64.pdf\">Guido_Haas_Expo64<\/a><\/p>\n<p>Serielle Manifeste, Manifest X: Guido Haas. Informationen \u00fcber die Arbeitsweise von G+E Haas und Hinweis auf ein Wandbild (14.08m x 2.4m) in derselben Technik, das f\u00fcr die Expo 1964 ausgef\u00fchrt wurde. <a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/Haas_serielle_manifeste_X_StGallen_1966.pdf\">Haas_serielle_manifeste_X_StGallen_1966<\/a><\/p>\n<p>Dokumentation eines Kunst am Bau-Projektes (http:\/\/www.schloss-muenchenwiler.ch\/fileadmin\/user_upload\/pdfs\/kunstambau-guidohaas.pdf):\u00a0<a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/kunstambau-guidohaas.pdf\">kunstambau-guidohaas<\/a><\/p>\n<p>\u00a0<\/p>\n<figure id=\"attachment_8075\" aria-describedby=\"caption-attachment-8075\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/P1000821.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8075\" src=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/P1000821-300x168.jpg\" alt=\"Guido Haas in seinem Haus in Kaltacker, 16.8.2008\" width=\"300\" height=\"168\" srcset=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/P1000821-300x168.jpg 300w, https:\/\/blog.zhdk.ch\/sfex\/files\/2010\/12\/P1000821-1024x576.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-8075\" class=\"wp-caption-text\">Guido Haas in seinem Haus in Kaltacker, 16.8.2008<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<p>Materials from the Archive of the Cinemath\u00e8que Belge:<br \/><a href=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2011\/04\/EXPRMNTL69_Haas_BriefAnLedoux_690529.pdf\">EXPRMNTL69_Haas_BriefAnLedoux_690529<\/a><\/p>\n\n\n<h2 class=\"wp-block-heading\">Guido Haas: A short filmic portrait<\/h2>\n\n\n\n<p>The painter and filmmaker Guido Haas was one of the first genuine avant-garde filmmakers in Switzerland. Born in 1931, he attended art classes in Biel and Zurich and went to Paris in 1951. There he became a student in Fernand L\u00e9ger\u2019s atelier. After painting he began \u2013 together with his wife Eva Haas \u2013 to experiment with film and to scratch directly onto the celluloid. Their second work&nbsp;<em>Inclinations&nbsp;<\/em>was shown in 1963\/64 in the third avant-garde-film festival Exprmntl in Knokke (Belgium). His whole family \u2013 his wife Eva and his sons Gorgon and Rhaban \u2013 were making films in the late 1960s and early 1970s. Haas abandoned filmmaking, but still paints and has also published poetry. We met him in April 2013 in his house in the remote Fuchsloch (Foxhole) in Emmental (Switzerland).<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"576\" style=\"aspect-ratio: 786 \/ 576;\" width=\"786\" controls src=\"https:\/\/blog.zhdk.ch\/sfex\/files\/2020\/06\/Portrait_Guido_Haas-2.mov\"><\/video><figcaption>Short Portrait Guido Haas (3 Min)<\/figcaption><\/figure>\n\n\n\n<p>What we learn out of this filmic note is the tremendous importance of materiality and hand(craft) for the work of Guido Haas. He looks at the 16mm-filmstrips and asks himself how and with what tool they have achieved the scratches. While examining the film and single frames, we are guessing if they had used a razor blade, nails or a comb. Later in the conversation Haas remembers clearly that they used a hammer after he destabilized the celluloid by salt acid, water or heat by a hair-dryer to achieve the \u201cfantastic microstructures\u201d in&nbsp;<em>inclinations.&nbsp;<\/em>He used different pressures of the hammer in scratching over the film und ripping layers (Filmschicht). How exactly and why these microstructures exactly originated remained a mystery even to Haas. He once wanted to talk about it with a chemist about it. But the fascination about the artistic power of this \u201cabsurd primitive way\u201d&nbsp;to produce complex visual structures prevailed his scientific curiosity. However, looking and touching the material \u2013 the praxis based research \u2013 facilitated or enabled talking and thinking and stimulated his memory. \/ts<\/p>\n","protected":false},"excerpt":{"rendered":"<p>List of Films Abstrakt Nr. 1, Guido und Eva Haas, CH 1958, vernichtet Abstrakt Nr. 2, Guido und Eva Haas, CH 1958, vernichtet Declinations I, Guido und Eva Haas, CH 1959, vernichtet Carceri, Guido Haas, CH 1959\/60, vernichtet, Material seit 2012 &#8220;in Bearbeitung&#8221; f\u00fcr einen Neuschnitt Declinations II, Guido Haas, 1960, vernichtet Fabula, Guido Haas, CH 1962, vernichtet Inclinations I, Guido und Eva Haas, CH 1962\/63, 16mm, ca. 6 Min. Inclinations II, Guido und Eva Haas, CH 1964, 6 Min. Ruptures, Guido Haas, CH 1965\/66, vernichtet Anamorphosis, Guido Haas, CH&hellip;<\/p>\n","protected":false},"author":367,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40087,5692,6147,6146,22],"tags":[],"class_list":["post-1765","post","type-post","status-publish","format-standard","hentry","category-female-filmmaker","category-filmmakers","category-eva-haas","category-guido-haas","category-people"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/sfex\/wp-json\/wp\/v2\/posts\/1765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/sfex\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/sfex\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/sfex\/wp-json\/wp\/v2\/users\/367"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/sfex\/wp-json\/wp\/v2\/comments?post=1765"}],"version-history":[{"count":43,"href":"https:\/\/blog.zhdk.ch\/sfex\/wp-json\/wp\/v2\/posts\/1765\/revisions"}],"predecessor-version":[{"id":11950,"href":"https:\/\/blog.zhdk.ch\/sfex\/wp-json\/wp\/v2\/posts\/1765\/revisions\/11950"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/sfex\/wp-json\/wp\/v2\/media?parent=1765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/sfex\/wp-json\/wp\/v2\/categories?post=1765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/sfex\/wp-json\/wp\/v2\/tags?post=1765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}