Processus,<\/em><\/strong> Ren\u00e9 Bauermeister, CH 1972, 16mm, 43 Min.<\/p>\n Visual Connection,<\/em><\/strong> Ren\u00e9 Bauermeister, CH 1972, 16mm, 7 Min.<\/p>\n Transvid\u00e9o<\/i>,\u00a0Ren\u00e9 Bauermeister, CH 1974<\/p>\n Layla in camp, Majnun lying without<\/em><\/strong>, <\/em>Herbert Distel, Ren\u00e9 Bauermeister, CH 1975, S-8 \/ 16mm, 29 Min.<\/p>\n Bougies v\u00e9nitiennes, <\/i>Ren\u00e9 Bauermeister,\u00a0s\/w, Ton, CH 1975, 5 Min.<\/p>\n High Fidelity, <\/i>CH\u00a0<\/i>1975<\/p>\n Hommage \u00e0 Duchamp, <\/i>Ren\u00e9 Bauermeister,\u00a0s\/w, Ton, CH 1976, 6.17 Min.<\/p>\n Vid\u00e9oflore<\/b><\/i>, CH, 1976, 5 Min.<\/p>\n \u00e0 Elvis<\/b><\/i>, Ren\u00e9 Bauermeister, s\/w, Ton, 1977, 8.26 Min.<\/p>\n Ego<\/b><\/i>, CH 1977<\/p>\n Al\u00e9atoire I et II<\/i><\/b>, Ren\u00e9 Bauermeister, s\/w, Ton, CH 1978, 8.12 Min.<\/p>\n V comme v\u00e9lo, <\/i>Ren\u00e9 Bauermeister,\u00a0s\/w, Ton, CH 1980, 6.03 Min.<\/p>\n Landscape<\/i><\/b>, Ren\u00e9 Bauermeister, CH 1984, 10 Min.<\/p>\n <\/p>\n * 1930 in Neuch\u00e2tel CH; \u2020 1985 in Gland CH<\/p>\n After studying Applied Arts the Ecole d’Art in Biel and at the \u0116cole d’Art in La Chaux-de-Fonds, Ren\u0117 Bauermeister worked in the studios of Andr\u00e9 Lhote et At\u00e9lier Fernand L\u00e9ger in Paris before returning back to Switzerland in 1954.\u00a0Next to his profession as a teacher in secondary schools in Neuch\u00e2tel and La Chaux-de-Fonds, Bauermeister started working as artist in the late 1960s producing sculpture, photographs, videos and films.<\/p>\n <\/p>\n <\/p>\n Ren\u00e9 Bauermeister, “Quelques r\u00e9flexions au sujet de l’art vid\u00e9o”, in: CLEG, April 1975, Brussels<\/p>\n Ren\u00e9 Baumeister, Studio International, May\/June 1976, London<\/p>\n Ren\u00e9 Baumeister, “Vid\u00e9ographie et cr\u00e9ativit\u00e9, March 1979 (unpublished)<\/p>\n Contribution to Video Corpus, Institut de l’Etude et de Recherche en Formation Visuelle<\/i>, Dossier No. 10, Lausanne, 1979.<\/p>\n Jacques Monnier-Raball, “Bauermeister, Ren\u00e9”, in: Biografisches Lexikon der Schweizer Kunst, hrsg. vom Schweizerischen Institut f\u00fcr Kunstwissenschaft, Z\u00fcrich, 1998, S. 82.<\/p>\n Ren\u00e9 Bauermeister, “Un cin\u00e9ma inscrit dans la mouvance d’un courant international”, Cin\u00e9mAction. Cin\u00e9mas d’avant-garde, ex<\/em>p\u00e9rimental et militant, D<\/i>ossier r\u00e9uni par Guy Hennebelle et Rapha\u00ebl Bassan<\/em>, No 10-11, 142-147, 1980. cinemaction bauermeister-bross Manuscript of a text which was published in Cin\u00e9mAction<\/em>\u00a0(CSZ, file Bauermeister): Bauermeister_SituationCinemaExperimental<\/a><\/p>\n Two articles on the screening of Bauermeisters films\u00a0in “Club 44”, La Chaux-de-Fonds, September\/October 1972: Press release “Visual Connection & Processus”, catalogue of the films\u00a0Suisse du Centre Suisse du Cinema<\/i><\/p>\n <\/p>\n <\/p>\n Galerie Daniel Templon, Paris, France, 1969<\/p>\n Galerue Club 44, La Chaux-de-Fonds, Switzerland, 1972<\/p>\n Galerie Impact, Lausanne, Switzerland, 1973<\/p>\n Kulturt\u00e4ter, Biel, Switzerland, 1974<\/p>\n EXPRMTL 5<\/i>, video section, Knokke-Heist, Belgium, 1974<\/p>\n Art Vid\u00e9o<\/i>, Palais des expositions, Brussels, Belgium, 1975<\/p>\n The Video Show<\/i>, Serpentine Gallery, London, United Kingdom, 1975<\/p>\n Towards Defining an Aesthetic<\/i>, Third Eye Center, Glasgow, United Kingdom, 1976<\/p>\n Artists Video Tapes<\/i>, Biddik Farm Arts Centre, Glasgow, United Kingdom, 1977<\/p>\n Espace 78\/1, Paris, France, 1978<\/p>\n Video Art 78<\/i>, Herbert Art Gallery and Museum, Coventry, United Kingdom, 1978<\/p>\n Videowochen 79<\/i>, Museum Folkwang, Essen, Germany, 1979<\/p>\n Video 79, The First Decade<\/i>, Rome, Italy, 1979<\/p>\n Espace 80<\/i>, Paris, France, 1980<\/p>\n Video<\/i>, Kunsthaus Zurich, Switzerland, 1980<\/p>\n Swiss Art of the seventies and eigthies<\/i>, Kunstmuseum Luzern 1981\u00a070_80_Intro_Rene_Bauermeister<\/a><\/p>\n Jornadas de la critica 81, Videoarte suiza<\/i>, Buenos Aires, Argentina, 1981<\/p>\n Art vid\u00e9o, Retrospective et perspective<\/i>, Charleroi, Belgium, 1983<\/p>\n Kulturt\u00e4ter, Biel, Switzerland, 1983<\/p>\n Galerie Jonas, Cortaillod, Switzerland, 1983<\/p>\n <\/p>\n <\/p>\n Support-Surface<\/i>, 1969, Kunstmuseum Luzern<\/p>\n Bougies v\u00e9nitienne<\/i>, 1975, Kunstmuseum Luzern<\/p>\n Hommage \u00e0 Duchamps<\/i>, 1976,\u00a0Kunstmuseum Luzern<\/p>\n \u00c0 Elvis<\/i>, 1977, Kunstmuseum Luzern<\/p>\n Al\u00e9atoire I et II, <\/i>1978, Kunstmuseum Luzern<\/p>\n V comme v\u00e9lo<\/i>, 1980, Kunstmuseum Luzern<\/p>\n <\/p>\n Point Z\u00e9ro gewinnt den Preis in Nyon 1971. (\u00fcberpr\u00fcfen!)<\/span><\/p>\n Wins a prize at the first festival for video art\u00a0in Locarno 1980.<\/p>\n <\/p>\n Bauermeister_Gazette_Litt\u00e9raire_19720930<\/a> (Mappe Bauermeister CSZ)<\/p>\nBio<\/h2>\n
Articles about (and from) the Author and his Work<\/h2>\n
\n<\/a><\/p>\n
\nBauermeister_Gazette_Litt\u00e9raire_19720930
\n<\/a>Bauermeister_TribuneDeLausanne_LeMatin_19721007<\/a><\/p>\n![\"\"](\"https:\/\/blog.zhdk.ch\/sfex\/files\/2011\/03\/Bauermeister-CS050-701x1024.jpg\"){kind=spacer}
<\/a><\/p>\n![\"\"](\"https:\/\/blog.zhdk.ch\/sfex\/files\/2011\/03\/Bauermeister-CS051-701x1024.jpg\"){kind=spacer}
<\/a><\/h2>\nScreenings (Places and Dates)<\/h2>\n
Holdings of Films in Collections<\/h2>\n
Miscellaneous<\/h2>\n
Awards and residencies<\/h5>\n
Other sources<\/h5>\n