{"id":1196,"date":"2020-10-16T23:53:18","date_gmt":"2020-10-16T23:53:18","guid":{"rendered":"https:\/\/blog.zhdk.ch\/soundinmotion\/?page_id=1196"},"modified":"2026-03-04T19:13:37","modified_gmt":"2026-03-04T19:13:37","slug":"composers-and-participants-index","status":"publish","type":"page","link":"https:\/\/blog.zhdk.ch\/soundinmotion\/composers-and-participants-index\/","title":{"rendered":"Index Composers and Participants"},"content":{"rendered":"

Composers:<\/h1>\n

A<\/h1>\n

Antequera, Ernesto Coba:
\n<\/strong>— Matroska<\/a><\/span><\/strong>\u00a0<\/strong>SIM1
\n<\/span><\/span>SIM1 – Lautsprecherbewegung:\u00a0Standing Waves with mobile Speakers<\/em><\/span><\/span><\/span><\/p>\n

Apartien (Friedli), Houry Dora:
\n<\/strong>— Together in Solitude<\/a><\/span><\/strong>\u00a0<\/strong>SIM6
\n— The First –\u00a0<\/a><\/span><\/strong><\/span>A Walk With Legends <\/span><\/strong><\/span><\/a><\/span><\/span>SIM7
\nSIM6 – Performer, Spoken Word: \u00abTogether in Solitude\u00bb |\u00a0<\/em>Lautsprecherbewegung:\u00a0Desmophone in motion<\/em>
\n<\/em><\/span><\/span><\/p>\n

B<\/h1>\n

Belfiore, Rapha\u00ebl:
\n<\/strong>— Study for moving speaker in open spaces<\/a><\/span><\/strong>\u00a0<\/strong>SIM3<\/span><\/span>
\n<\/span><\/b><\/span><\/span>SIM3 –<\/span><\/span>Live-Elektronik: Study for moving speaker in open spaces<\/em><\/span>\u00a0|\u00a0<\/em><\/em>Speaker Swinging: ‚Doppler Waves‘<\/em>
\n<\/span><\/span><\/p>\n

Bentschik, Lyn:
\n<\/strong>— MIP (Masterpiece in Progress)<\/small><\/cite><\/strong><\/a><\/span> SIM4&5
\n<\/span><\/span>— Biomorphil<\/strong><\/span><\/a>\u00a0<\/span>SIM6 <\/span><\/span>
\nSIM4&5 – Choreographie und k\u00fcnstlerische Leitung: MIP (Masterpiece in Progress<\/small>)
\n<\/i>SIM6 – Choreographie und Tanz: Biomorphil
\n<\/i><\/span><\/span><\/p>\n

Borich<\/a>,<\/span> Dana:
\n— ‚Mourning Meditation‘<\/a> SIM9<\/span><\/strong><\/span><\/p>\n

Bruecker<\/a><\/span>, Franziska:<\/strong>
\n— spr><><><ngs<\/a><\/span> SIM4&5
\nSIM4&5 – Lautsprecherbewegung 2: \u00abSong of myself\u00bb<\/em><\/span><\/span><\/strong><\/span><\/p>\n

Bruggmann<\/a>, Kornelia<\/strong>:
\n— Meine Ruh‘ ist hin SIM11
\n<\/span><\/strong><\/span>SIM11 – Stimme & Lautsprecherbewegungen: Meine Ruh‘ ist hin<\/em>\u00a0<\/span><\/span><\/p>\n

B\u00fcchi<\/span><\/span><\/a><\/strong>,<\/span> No\u00e9mi:
\n<\/strong>— Impromptu<\/a><\/strong>\u00a0SIM1
\n<\/span>— Danse modullique<\/a><\/strong>\u00a0SIM3
\nSIM1 – Live-Elektronik: Impromptu<\/em> |\u00a0Lautsprecherbewegung:\u00a0Standing Waves with mobile Speakers
\n<\/em>SIM3 – Modular-Synthesizer:\u00a0Danse moduillque
\n<\/em><\/span><\/span><\/span><\/p>\n

D<\/h1>\n

D’Amato, Antonio:
\n<\/strong>— Un certain vertige<\/b><\/a>\u00a0SIM2<\/span><\/span><\/p>\n

E<\/h1>\n

Eberli, Michael „Koko“:
\n<\/strong><\/span>— Draufgang – Farruca Deconstruido<\/a><\/b>\u00a0SIM3
\n<\/span><\/span>SIM3 – Speaker Swinging: ‚Doppler Waves‘<\/em><\/span><\/span><\/i><\/p>\n

Estrada, Jamira:
\n<\/strong><\/span>—\u00a0<\/b><\/span>\u00a0\u00abin the wake of echoes in space, the stars still fall\u00bb<\/a><\/b><\/span> <\/span><\/b>SIM6
\nSIM6 – Technik:\u00a0EXPLORER<\/em><\/span><\/span>
\n<\/span><\/span><\/p>\n

F<\/h1>\n

F\u00e4rber, <\/strong><\/a>Peter:
\n<\/strong><\/span>— Standing Waves with Mobile Speakers<\/a><\/b>\u00a0SIM1
\n<\/span>— RK3<\/a><\/b>\u00a0SIM2
\n<\/span><\/span>— Meine Ruh‘ ist hin<\/a> SIM11
\n<\/span><\/b><\/span><\/b>— RKK SIM11<\/span>
\n<\/b><\/span>— Oblique sounds SIM11<\/span>
\n<\/b><\/span>SIM1 – Lautsprecherbewegung: Standing Waves with Mobile Speakers<\/em><\/span>
\n<\/em>SIM2 – Performance: RK3<\/em><\/span>\u00a0|<\/em>\u00a0<\/em>Technische Einrichtung<\/span>: Verlagern
\n<\/i>SIM1 bis SIM10 – Kursleitung
\nSIM11 – Technik: Meine Ruh‘ ist hin<\/em>\u00a0<\/em>|\u00a0RKK | Oblique sounds<\/em><\/span><\/b><\/span>
\n<\/span><\/p>\n

G<\/h1>\n

Greco<\/a>, Tiziana Alice:<\/strong>
\n—\u00a0L’acqua che mi porta<\/a><\/strong>\u00a0SIM3
\nSM3 – Performance: L’acqua che mi porta<\/em><\/span><\/span><\/p>\n

Luc<\/a>, Gut (Oszilot<\/a>):<\/strong>
\n— Altar verlorener Dinge<\/strong>\u00a0SIM11<\/span><\/span><\/p>\n

H<\/h1>\n

Holzer, Tobias:<\/strong>
\n— synthesis for 3 voices<\/strong><\/a>\u00a0SIM1
\n<\/span><\/span>SIM1 – Modular-Synthesizer: synthesis for 3 voices<\/em> | Lautsprecherbewegung:\u00a0Standing Waves with mobile Speakers<\/em><\/span><\/span><\/p>\n

Hulley, Giles Stewart:<\/strong>
\n— In Memoriam<\/span><\/strong><\/a>\u00a0SIM3<\/span><\/span>
\n— Into the Light<\/a><\/span><\/strong> SIM4&5
\n<\/span><\/span>— EXPLORER <\/span><\/a><\/strong>SIM6
\n<\/strong><\/span><\/span><\/span>—<\/span> THE FALL<\/span><\/strong><\/a>\u00a0<\/span>SIM7
\n<\/span><\/span>—<\/span><\/strong><\/a> \u00abRe-Genetic\u00bb<\/span><\/strong><\/a>\u00a0<\/span>SIM8
\n<\/span><\/span>SIM3 – Speaker Swinging: ‚Doppler Waves‘<\/em>
\n<\/em>SIM6 – Composer and Performer:\u00a0EXPLORER
\n<\/em>SIM7 –\u00a0Speaker turner:<\/span><\/small>\u00abMourning\u00bb
\n<\/span><\/small><\/em><\/span><\/span>SIM8 – Composer<\/span><\/span><\/h4>\n

K<\/h1>\n

Kawabata<\/span>, Kenichi:
\n<\/strong>— Reminiscence Capriccio – A Hommage to Stravinsky<\/strong>\u00a0SIM10<\/span><\/span><\/p>\n

Kriegleder, Maximilian (Oszilot<\/a>):<\/strong>
\n— Altar verlorener Dinge<\/strong>\u00a0SIM11<\/span><\/span><\/p>\n

L<\/h1>\n

Larrieux<\/span><\/a>, Eric:
\n<\/strong>— If ain’t got that swing<\/strong><\/a>\u00a0SIM1
\n<\/span><\/span>— It<\/strong> don’t<\/strong> mean<\/strong> a<\/strong> thing<\/strong><\/a>\u00a0<\/span>SIM2 <\/span>
\n— Play\u00a0&\u00a0Rec v2.0 <\/strong><\/a>SIM4&5
\n<\/span><\/span>SIM1 – Live-Elektronik: \u00a0If ain’t got that swing\u00a0<\/em>| Lautsprecherbewegung: \u00a0Rundgang mit Wasser,<\/em> Sounding Blood,\u00a0<\/em>Standing Waves with mobile Speakers
\n<\/em>SIM2<\/span>\u00a0– Live Elektronik: It don’t mean a thing<\/em> |\u00a0<\/span>Lautsprecher- und Mikrofonbewegung<\/span>:\u00a0<\/span>Change Signalling<\/em>
\n<\/em><\/span><\/span><\/span><\/p>\n

Lund-Jensen, Pascal:<\/span>
\n<\/span><\/strong>—<\/span> Searching\u2026 Installation\u00a0SIM7<\/span><\/span><\/span><\/span><\/a>
\nSIM7<\/span>\u00a0– Speaker turner: \u00abMourning\u00bb<\/em> | Programmierung Bewegungen der Aggregat-Lautsprecher: Uma esperan\u00e7a – die Hoffnung<\/em><\/span><\/span><\/span><\/p>\n

M<\/h1>\n

Magni, Luca:
\n<\/strong><\/span>—<\/strong> In the Eyes<\/strong><\/a><\/strong><\/span>\u00a0<\/span>SIM2<\/span>
\nSIM2<\/span>\u00a0–\u00a0<\/i>Live-Elektronik:<\/span>\u00a0In the Eyes |\u00a0<\/i>Lautsprecher und Mikrofonbewegung<\/span>:\u00a0<\/span>Change Signalling<\/em><\/em><\/p>\n

Masuda<\/span><\/a>, Etsuro:
\n<\/strong>— ‚Doppler Waves‘<\/a><\/strong>\u00a0SIM3
\nSIM3 – Dirigat, Speaker Swinging: ‚Doppler Waves‘<\/em><\/span><\/span><\/p>\n

Molnar, Thekla:<\/strong>
\n<\/span>—<\/strong> Jouissance intense<\/a> <\/span><\/strong>SIM1
\n<\/span><\/span>SIM1 – Performance: Jouissance intense<\/em> | Lautsprecherbewegung:\u00a0Sounding Blood,<\/em>\u00a0Rundgang mit Wasser,<\/em>\u00a0Standing Waves with mobile Speakers<\/em><\/span><\/span><\/p>\n

N<\/h1>\n

Namehshiri, Siavash:
\n<\/span>— \u06a9\u0648\u0632\u0647 _ Kuze<\/a><\/strong> SIM7<\/span><\/span><\/p>\n

P<\/h1>\n

P\u00f6pel<\/span><\/a>, Annkathrin:
\n<\/strong>—<\/big> Sounding Blood<\/strong><\/a>\u00a0SIM1
\n<\/span><\/span>—<\/big> Sounding<\/strong> Blood<\/strong> 2<\/strong><\/a>\u00a0<\/span>SIM2
\n—<\/big><\/strong><\/a> <\/big>\u00a0<\/span><\/span>Sounding<\/span><\/strong><\/a> Blood<\/strong><\/a> 3<\/strong><\/a>\u00a0SIM3
\n<\/span><\/span>— Sounding Influencer: Composition Nr. 1: „decelerating flotation“<\/a><\/span>\u00a0SIM4&5
\n— Metamorphosis<\/a><\/span><\/big>\u00a0SIM6
\n<\/span><\/span><\/strong>— <\/a>Metamorphosis 2 <\/a><\/span><\/big><\/span><\/span><\/strong>SIM7
\n— <\/a>Metamorphosis 3\u00a0<\/a><\/span><\/big><\/strong>SIM8
\n— Liquid Sunshine II <\/a><\/span><\/big><\/strong>SIM9
\n<\/span><\/span>— Planet Mantra <\/span><\/big><\/strong>SIM10
\n<\/span><\/span>— RKK SIM11<\/span>
\n<\/b><\/span>— Oblique sounds SIM11
\n<\/span><\/b><\/span>SIM1 – Live-Elektronik: Sounding Blood |<\/em>\u00a0Klang:\u00a0Rundgang mit Wasser | <\/em>Lautsprecherbewegung:\u00a0Standing Waves with mobile Speakers
\n<\/em>SIM2<\/span>\u00a0– <\/span>Lautsprecher- und Mikrofonbewegung<\/span>:\u00a0<\/span>Change Signalling
\n<\/em><\/em>SIM3 – Speaker Swinging: ‚Doppler Waves‘
\n<\/em><\/em>SIM4&5 – Initial Movement:\u00a0<\/span>spr><><><ngs |<\/span><\/em><\/em> Lautsprecherbewegung 1:\u00a0<\/span>Song of myself
\n<\/span><\/em><\/em>SIM6 – Speaker turner:\u00a0Desmophone in motion
\n<\/em>SIM7\u00a0– Speaker turner:\u00abMourning\u00bb
\n<\/em><\/span><\/small><\/span><\/span>SIM8 – Performer:\u00a0Cycles and Spirals
\n<\/em>SIM10 – Speaker mover: Reminiscence Capriccio – A Hommage to Stravinsky
\n<\/em>SIM11 – Performance: Oblique Sounds<\/em><\/span><\/small><\/span><\/span><\/p>\n

R<\/h1>\n

Reis<\/span><\/a>, Hugo Vasco:
\n<\/span>— A Solid\u00e3o de um P\u00eandulo (The Solitude of a Pendulum)<\/cite><\/small><\/a><\/strong> SIM4&5
\n— Cordas em Ru\u00ednas (Strings in Ruins)<\/small><\/em><\/span><\/a>\u00a0<\/strong>SIM6
\n— Difra\u00e7\u00e3o\u00a0(Diffraction)<\/small><\/em><\/span>\u00a0<\/em><\/strong><\/a>SIM6
\n— <\/span><\/strong><\/a>Manifesto<\/a>\u00a0<\/span><\/strong>SIM8
\n<\/span><\/span>SIM4&5 – Composition and performance
\nSIM6 – Performer | spoken word:\u00a0\u00abTogether in Solitude\u00bb | <\/em>Photos
\nSIM8 – Performer | <\/em>Photos
\n<\/span><\/span><\/p>\n

Rosenthal<\/span>, Darah <\/span>:
\n<\/span>— Ghosts <\/strong>SIM10
\nSIM10 – Speaker mover: Reminiscence Capriccio – A Hommage to Stravinsky<\/em><\/span><\/small>
\n<\/span><\/span><\/p>\n

R\u00fcfenacht<\/a><\/span>, Annie <\/span>:
\n<\/span>— Fragments II <\/a><\/strong>SIM9 | SIM11
\n<\/span><\/span>SIM9 | SIM11 – Composer and Performer<\/span><\/span><\/p>\n

S<\/h1>\n

Schall Stricker, Sophia:
\n—<\/strong><\/a> Cylces and Spiral<\/strong><\/a>\u00a0SIM8
\n<\/span>SIM8 – Composer, Performer<\/span><\/strong><\/span><\/p>\n

Schmied, Markus:<\/strong>
\n<\/span>— Desmophone in motion<\/strong><\/a>\u00a0<\/strong>SIM6
\n<\/span><\/span>SIM8 – Composer, Performer<\/span><\/span><\/p>\n

Schmidt<\/a><\/span>, Paul Taro:
\n— Betwee<\/a><\/span>n 1\/0 SIM9
\nSIM9 – Composer and Performer<\/span><\/strong><\/span><\/p>\n

Siedl, Robin:<\/strong>
\n<\/span>—<\/strong><\/a> OMNI PRESENT<\/strong><\/a>\u00a0<\/strong>SIM8
\n<\/span><\/span>SIM8 – Performer | Performer:\u00a0Cycles and Spirals<\/em><\/span><\/span><\/p>\n

St\u00f6cklin, Angela:<\/strong>
\n<\/span>— RKK SIM11<\/span>
\n<\/b><\/span>— Oblique sounds SIM11
\n<\/span><\/b><\/span>SIM8 – Performer | Performer:\u00a0Cycles and Spirals
\n<\/em>SIM11 – Performer<\/span><\/span><\/p>\n

T<\/h1>\n

Terner, Lev<\/strong>:
\n— Ritual<\/a><\/strong>\u00a0SIM3
\n<\/span><\/span>— Winter light<\/strong><\/a> SIM4&5
\n— \u00abMourning\u00bb<\/a>\u00a0SIM7<\/span><\/span><\/span><\/span><\/p>\n

SIM3 – Klangregie:\u00a0Ritual<\/em><\/em>
\n<\/span><\/span><\/p>\n

Tschiemer, Philip:
\n<\/strong>— Interferenzen<\/a><\/strong>\u00a0SIM1
\n<\/span><\/span>— Change<\/strong> Signalling<\/strong><\/a>\u00a0SIM2
\nSIM1 – Live-Elektronik: Interferenzen<\/em> | Lautsprecherbewegung:\u00a0Sounding Blood,<\/em>\u00a0Rundgang mit Wasser,<\/em>\u00a0Standing Waves with mobile Speakers
\n<\/em>SIM2<\/span>\u00a0– Live-Elektronik:\u00a0<\/span>Change Signalling |\u00a0<\/em><\/em>Tanz:\u00a0Sounding Blood 2
\n<\/em><\/em><\/span><\/span>SIM6 – Technik: Et\u00fcde f\u00fcr zwei Aggregatlautsprecher<\/em><\/span><\/span><\/p>\n

V<\/h1>\n

van Vulpen, Jeroen:
\n<\/strong><\/span>— Aliud<\/strong> f\u00fcr<\/strong> einen<\/strong> Aggregat<\/strong> und<\/strong> Tonband<\/strong><\/a>\u00a0<\/span>SIM3<\/span>
\nSIM3<\/span>\u00a0– Klangregie: Aliud f\u00fcr einen Aggregat und Tonband<\/em><\/span><\/p>\n

W<\/h1>\n

Wang, Vivian:
\n<\/strong><\/span>— Conference of the Rumbling Rice<\/a>\u00a0<\/span>SIM6<\/span>
\nSIM6<\/span>\u00a0– <\/span><\/em>Spoken\u00a0<\/span>Word<\/span>: \u00ab<\/span><\/em>Together in Solitude\u00bb<\/em><\/em><\/span><\/span><\/p>\n

Z<\/h1>\n

Zumeta<\/a> Pe\u00f1a, Yamila:
\n— Dialog mit dem Lautsprecher<\/a> SIM4&5<\/span><\/span><\/strong><\/p>\n

\n

Participants:<\/h1>\n

A<\/h1>\n

Affentranger, Peter
\nSIM3 – Technik und Sicherheit: Sounding Blood 3<\/em><\/span><\/span><\/p>\n

Ambar, Ben
\n<\/span>SIM2<\/span>\u00a0– <\/span><\/em>Lautsprecher- und Mikrofonbewegung<\/span>:\u00a0<\/span>Change Signalling<\/em><\/em><\/span><\/span><\/p>\n

Alexis<\/span><\/a>, Marie
\nSIM4&5 – Outside Eye: MIP (Masterpiece in Progress<\/small>)\u00a0<\/i>| Kamera, Bildregie
\nSIM6 | SIM7 – Kamera, Bildregie
\nSIM9 | SIM10- Videodokumentation
\n<\/span><\/span><\/p>\n

Apartien, Suzan
\n<\/span>SIM6<\/span>\u00a0– <\/span><\/em>Spoken\u00a0<\/span>Word<\/span>: \u00ab<\/span>Together in Solitude\u00bb<\/em><\/em><\/span><\/span><\/p>\n

B<\/h1>\n

Barmet, Dominic
\nSIM7<\/span>\u00a0– <\/span><\/em>Lichtdesign Musikklub<\/span><\/span><\/span><\/p>\n

Behrendt, Tony
\nSIM2<\/span>\u00a0– <\/span><\/em>Lautsprecher- und Mikrofonbewegung<\/span>:\u00a0<\/span>Change Signalling<\/em><\/em><\/span><\/span><\/p>\n

Bircher, David
\nSIM1 – Lautsprecherbewegung:\u00a0Rundgang mit Wasser<\/em><\/span>
\n<\/span><\/span><\/p>\n

Bloch, Pascal
\n<\/span>SIM6<\/span>\u00a0– <\/span><\/em>Spoken\u00a0<\/span>Word<\/span>: \u00ab<\/span><\/em>Together in Solitude\u00bb<\/em><\/em><\/span><\/span><\/p>\n

Bradford, Sara
\nSIM3 – Tanz: Sounding Blood 3<\/em><\/span><\/span><\/p>\n

C<\/h1>\n

Chnozien, Mania
\nSIM6<\/span>\u00a0– <\/span><\/em>Spoken\u00a0<\/span>Word<\/span>: \u00ab<\/span><\/em>Together in Solitude\u00bb<\/em><\/em><\/span><\/span><\/h4>\n

Conteh, Mabintysan:\u00a0Gesang und Herzdirigentin
\nSIM2 – Gesang und Herzdirigentin: Sounding blood 2
\n<\/em>SIM3 –\u00a0<\/span><\/span>Gesang und Herzdirigentin:\u00a0<\/span><\/span>Sounding Blood 3<\/em><\/span><\/span><\/h4>\n

Cornelius, Oliver
\nSIM7<\/span>\u00a0– <\/span><\/em>Musikklub<\/span><\/span><\/span><\/h4>\n

D<\/h1>\n

D\u00e4twiler, Luis Andrea
\nSIM7 – Binaurale Aufnahmen Foyer, Rampe, Musikklub
\nSIM8 – Plakat
\nSIM9 – Plakat, Fotos
\nSIM10 – Plakat, Fotos
\nSIM11 – Plakat<\/span><\/span><\/span><\/p>\n

Diemer, Thomas
\nSIM4&5 – Input Antrieb: sounding influencer<\/em><\/span><\/span><\/span><\/p>\n

Dietrich, Elena
\n<\/span>SIM1 – Lautsprecherbewegung: Rundgang mit Wasser
\n<\/em>SIM4&5 –<\/span><\/span>\u00a0Sprecherin: \u00abSong of myself\u00bb
\n<\/em>SIM7 –\u00a0Sprecherin: Uma esperan\u00e7a – die Hoffnung<\/em><\/span><\/span><\/p>\n

Duijzer, Bea
\n<\/span>SIM6<\/span>\u00a0– <\/span><\/em>Spoken\u00a0<\/span>Word<\/span>: \u00ab<\/span><\/em>Together in Solitude\u00bb<\/em><\/em><\/span><\/span><\/p>\n

E<\/h1>\n

Estivariz Lopez<\/span>,<\/span><\/span>\u00a0Chiara Alissa
\n<\/span>SIM4&5 – Kost\u00fcme: MIP (Masterpiece in Progress)<\/small> | <\/i>Performance: Into the light
\n<\/i>SIM6 – Kost\u00fcme\/Objekte:\u00a0Biomorphil<\/em><\/span><\/span><\/span><\/p>\n

F<\/h1>\n

F\u00e4rber, Peter
\n<\/strong><\/span>SIM1 – Lautsprecherbewegung: Standing Waves with Mobile Speakers<\/em><\/span>
\n<\/em>SIM2 – Performance: RK3<\/em><\/span>\u00a0|<\/em>\u00a0<\/em>Technische Einrichtung<\/span>: Verlagern
\n<\/i>SIM3 – Technische Einrichtung:\u00a0<\/span>Gezeichnet
\n<\/em><\/i>SIM4&5 – Technische Realisation: sounding influencer |\u00a0<\/em>Technik und Programmierung: Into the Light |\u00a0<\/em>Tonmitschnitt, Video
\nSIM6 – Technik: Metamorphosis,<\/em>\u00a0EXPLORER, Et\u00fcde f\u00fcr zwei Aggregatlautsprecher, Conference of the rumbling <\/em>
\nRice<\/em>\u00a0|\u00a0<\/em>Tonmitschnitt, Video
\nSIM7 – <\/em>Technik: Metamorphosis 2 | <\/em>Tonaufnahme und -mastering
\nSIM1 | SIM2 | SIM3 | SIM4&5 | SIM6 | SIM7 | SIM8 | SIM9 – Kursleitung
\nSIM9 – Technik:\u00a0Liquid Sunshine II, Rotoscillombrage | <\/em>Tonaufnahmen und mastering
\nSIM10 – Technik, Tonaufnahme<\/span><\/p>\n

Fl\u00fcckiger, Sabrina
\nSIM6 – Kamera:\u00a0Metamorphosis<\/em><\/span><\/span><\/span><\/p>\n

Friedli, Nathanael
\n<\/span>SIM6<\/span>\u00a0– <\/span><\/em>Performance<\/span>,\u00a0<\/span><\/em>Spoken\u00a0<\/span>Word<\/span>: \u00ab<\/span><\/em>Together in Solitude\u00bb<\/em><\/em><\/span><\/span><\/p>\n

Friedli, Oliver
\n<\/span>SIM6<\/span>\u00a0– <\/span><\/em>MaxMSP<\/span>,\u00a0<\/span><\/em>Performance<\/span>,\u00a0<\/span><\/em>Spoken\u00a0<\/span>Word<\/span>: \u00ab<\/span><\/em>Together in Solitude\u00bb<\/em><\/em><\/span><\/span><\/p>\n

Friedli, Periya
\n<\/span>SIM6<\/span>\u00a0– <\/span><\/em>Performance<\/span>,\u00a0<\/span><\/em>Spoken\u00a0<\/span>Word<\/span>: \u00ab<\/span><\/em>Together in Solitude\u00bb<\/em><\/em><\/span><\/span><\/p>\n

G<\/h1>\n

Giger, Florian
\n<\/span>SIM4&5 | SIM6 | SIM7 – Videotechnik
\n<\/span><\/span><\/p>\n

Glanzmann, Vincent
\n<\/span>SIM4&5 – Initial Movement: spr><><><ngs<\/em><\/span><\/span><\/p>\n

Grenzebach, Thomas
\n<\/span>SIM4&5 – Musikalische Komposition:\u00a0MIP (Masterpiece in Progress)<\/small><\/em>
\nSIM6 – Musik: Biomorphil<\/i>
\n<\/span><\/span><\/p>\n

Grigoryan, Arman
\n<\/span>SIM6<\/span>\u00a0– <\/span><\/em>Kamera: <\/span>Biomorphil<\/span><\/em><\/span><\/span><\/p>\n

H<\/h1>\n

Hofmann, Hansi
\nSIM7 – Material
\nSIM9 – Sicherheit<\/span><\/span><\/p>\n

Holzhey, Constanze
\n<\/span>SIM4&5 – Technik und Programmierung: Into the Light<\/em><\/span><\/p>\n

K<\/h1>\n

Kalt, Roxane
\nSIM3 – Vertikaltanz: Sounding Blood 3
\n<\/em>SIM6 – Tanz:\u00a0Metamorphosis
\n<\/em>SIM7 – Tanz:\u00a0Metamorphosis 2
\n<\/em>SIM8\u00a0– <\/em>Tanz:\u00a0Metamorphosis 3
\n<\/em><\/span><\/span><\/p>\n

Kurylchuk, Valeriya
\nSIM7 – Violine: \u00abMourning\u00bb<\/em><\/span><\/span><\/p>\n

Kohn, Diego
\nSIM1 – Klang: Rundgang mit Wasser<\/em>
\n<\/span><\/span><\/p>\n

K\u00fchne, Sebastian
\nSIM11 – Videos<\/span><\/span><\/p>\n

Kunz, Yvonne
\nSIM3 – Bailaora: Draufgang – Farruca Deconstruido<\/em><\/span><\/span><\/p>\n

L<\/h1>\n

\u00a0<\/span><\/span>Lukas, Ingrid
\n<\/span>SIM1 – Gesang und Herzdirigentin: Sounding Blood<\/em><\/span><\/span><\/p>\n

Lamprecht, Marek
\nSIM9 – Prjojektraum 7.K10<\/span><\/span><\/p>\n

M<\/h1>\n

Marks, Monica
\n<\/span>SIM6<\/span>\u00a0– <\/span><\/em>Performance<\/span>,\u00a0<\/span><\/em>Spoken\u00a0<\/span>Word<\/span>: \u00ab<\/span><\/em>Together in Solitude\u00bb<\/em><\/em><\/span><\/span><\/p>\n

Marks, Scott
\n<\/span>SIM6<\/span>\u00a0– <\/span><\/em>Performance<\/span>,\u00a0<\/span><\/em>Spoken\u00a0<\/span>Word<\/span>: \u00ab<\/span><\/em>Together in Solitude\u00bb<\/em><\/em><\/span><\/span><\/p>\n

Meier, Patricia
\nSIM4&5 | SIM6 | SIM7 | SIM8 – Videoaufnahmen und -schnitt
\n<\/span><\/span><\/p>\n

Milosevic, Bojan
\nSIM1 | SIM2 | SIM 3 – Videoaufnahmen<\/span><\/span><\/p>\n

Mitrovic, David
\nSIM7 – Kontrabass: \u00abMourning\u00bb<\/em><\/span><\/span><\/p>\n

Moskvochuk, Alexandra
\n<\/span>SIM6 – Bildregie:\u00a0Metamophosis<\/em><\/span><\/span><\/p>\n

N<\/h1>\n

Naef, Hansruedi
\nSIM7 – Saaltechnik, Videotechnik
\n<\/span><\/span><\/span><\/p>\n

O<\/h1>\n

Oosterhoff, Marc
\nSIM3 – Kollaboration und Tanz: Danse Modullique<\/em><\/span><\/span><\/p>\n

Obrist, Monika
\nSIM11 – Performance:\u00a0Circling Waters<\/em><\/span><\/span><\/p>\n

P<\/h1>\n

Pedziwiatr, Aga
\nSIM4&5 – Tanz: MIP (Masterpiece in Progress)
\n<\/small><\/i>SIM6 – Tanz: Biomorphil<\/em><\/small><\/i><\/span><\/span><\/span><\/p>\n

Peyer, Ambra
\nSIM4&5 – Tanz: MIP (Masterpiece in Progress)
\n<\/small><\/i>SIM6 – Tanz:\u00a0Biomorphil<\/em>
\n<\/small><\/i><\/span><\/span><\/span><\/p>\n

Pinheiro da Silva, Antonio
\nSIM4&5 – Mixing und Mastering Audio: A Solid\u00e3o de um P\u00eandulo\u00a0<\/em><\/span><\/span><\/span><\/p>\n

R<\/h1>\n

Raselli, Carlo
\nSIM6 – Audiotechnik B\u00fchne A<\/span><\/span><\/p>\n

Richardet, Tonja
\nSIM2 – Tanz: Sounding Blood 2<\/em><\/span><\/span><\/p>\n

Roller, Jochen
\nSIM6 – Bildregie: Biomorphil<\/em><\/span><\/span><\/p>\n

S<\/h1>\n

Santana, Ramon
\n<\/span>SIM2 – Live-Elektronik: Sounding Blood 2<\/em>
\n<\/span><\/span>SIM3 – Live-Elektronik: Sounding Blood 3<\/em><\/span><\/span><\/p>\n

Schillinger, Lino
\n<\/span>SIM1 – Klangregie: synthesis for 3 voices<\/em><\/span><\/span><\/p>\n

Schlessmann, Florian
\n<\/span>SIM6 – Performance: \u00abin the wake of echoes in space, the stars still fall\u00bb<\/em><\/span><\/span><\/p>\n

Selimian, Silva
\nSIM6<\/span>\u00a0– <\/span><\/em>Spoken\u00a0<\/span>Word<\/span>: \u00ab<\/span><\/em>Together in Solitude\u00bb<\/em><\/em><\/span><\/span><\/h4>\n

September, Tracy
\n<\/em>SIM7 – Performer:\u00a0\u06a9\u0648\u0632\u0647 _ Kuze<\/em><\/span><\/span><\/span><\/p>\n

Stauffer<\/span>,\u00a0<\/span><\/span>Olivia<\/span>
\n<\/i>SIM4&5 – Performance: Into the light<\/em><\/span><\/span><\/span><\/p>\n

Stocker<\/span>,\u00a0<\/span><\/span>Bea<\/span>
\n<\/i>SIM11 – Costume: Circling Waters<\/em><\/span><\/span><\/span><\/p>\n

Surbeck, Fiona
\n<\/span>SIM3 – Tanz: Sounding Blood 3<\/em><\/span><\/span><\/p>\n

Su\u0161i\u0107, Matea
\n<\/span>SIM8 – Videoaufnahmen und -schnitt<\/span><\/span><\/p>\n

T<\/h1>\n

Tanner, Momo Fabienne
\nSIM4&5 – Tanz: MIP (Masterpiece in Progress)
\n<\/i>SIM6 – Tanz:\u00a0Biomorphil<\/em><\/i><\/span><\/span><\/span><\/p>\n

U<\/h1>\n

Utzinger, Thomas
\nSIM6 – Lichtdesign:\u00a0Biomorphil<\/em><\/span><\/span><\/span><\/p>\n

V<\/h1>\n

Lo Vasco, Fabio
\n<\/span>SIM6<\/span>\u00a0– <\/span><\/em>Spoken\u00a0<\/span>Word<\/span>: \u00ab<\/span><\/em>Together in Solitude\u00bb<\/em><\/em><\/span><\/span><\/p>\n

Lo Vasco, Sabrina
\n<\/span>SIM6<\/span>\u00a0– <\/span><\/em>Spoken\u00a0<\/span>Word<\/span>: \u00ab<\/span><\/em>Together in Solitude\u00bb<\/em><\/em><\/span><\/span><\/p>\n

Vieira, Mariana
\n<\/span>SIM4&5 – Audio\/Video Recording: A Solid\u00e3o de um P\u00eandulo\u00a0<\/em><\/span><\/span><\/span><\/p>\n

Vogel, Ursula
\n<\/span>SIM7 – Ceramic object design and production:\u00a0\u06a9\u0648\u0632\u0647 _ Kuze<\/em><\/span><\/span><\/span><\/p>\n

W<\/h1>\n

Weber, Michel
\n<\/span>SIM6 – Videotechnik B\u00fchne A<\/span><\/span><\/span><\/p>\n

Winter, Milena
\n<\/span>SIM8 – Licht<\/span><\/span><\/span><\/p>\n

Y<\/h1>\n

Yapova, Ivalina
\n<\/span>SIM4&5 | SIM6 |. SIM7 | SIM8 | SIM9 | SIM10 – Lichtdesign
\n<\/span><\/span><\/span><\/p>\n

Z<\/h1>\n

Zemeckas, Victoras
\n<\/span>SIM4&5 – Lichttechnik KS3
\nSIM6 – Lichttechnik KS1
\nSIM7 – Lichttechnik KS3
\n<\/span><\/span><\/p>\n

Zauter, Lorenz
\n<\/span>SIM1 – Klang: Rundgang mit Wasser<\/em><\/span><\/span><\/p>\n

Zollinger, Sara
\nSIM2 – Tanz: Sounding Blood 2<\/em><\/span><\/span><\/p>\n

<\/h1>\n","protected":false},"excerpt":{"rendered":"

Composers: A Antequera, Ernesto Coba: — Matroska\u00a0SIM1 SIM1 – Lautsprecherbewegung:\u00a0Standing Waves with mobile Speakers Apartien (Friedli), Houry Dora: — Together in Solitude\u00a0SIM6 — The First –\u00a0A Walk With Legends SIM7 SIM6 – Performer, Spoken Word: \u00abTogether in Solitude\u00bb |\u00a0Lautsprecherbewegung:\u00a0Desmophone in motion B Belfiore, Rapha\u00ebl: — Study for moving speaker in open spaces\u00a0SIM3 SIM3 –Live-Elektronik: Study …<\/p>\n","protected":false},"author":231,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1196","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/pages\/1196","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/users\/231"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/comments?post=1196"}],"version-history":[{"count":189,"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/pages\/1196\/revisions"}],"predecessor-version":[{"id":1200,"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/pages\/1196\/revisions\/1200"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/media?parent=1196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

J<\/h1>\n

Jurt, Rita Maria:
\n<\/strong><\/span>— Rundgang mit Wasser<\/strong><\/a>\u00a0SIM1
\n<\/span><\/span>— Ve<\/strong>rlage<\/strong>rn<\/strong><\/a>\u00a0<\/span>SIM2
\n<\/span><\/span>— Gezeichnet<\/strong><\/a>\u00a0SIM3
\n— \u00abSong of myself\u00bb<\/strong><\/a> SIM4&5
\n<\/span><\/span><\/big><\/strong>—<\/span><\/span><\/span><\/span><\/big> Et\u00fcde f\u00fcr zwei Aggregatlautsprecher <\/strong><\/span><\/span><\/span><\/big><\/strong><\/a>SIM6<\/span><\/span><\/big><\/span>
\n<\/strong><\/span><\/span><\/span><\/big><\/strong><\/span>—<\/span><\/span><\/big><\/a><\/span> Uma esperan\u00e7a – die Hoffnung\u00a0<\/span><\/big><\/a>SIM7
\nSIM1 – Klang:\u00a0Rundgang mit Wasser
\n<\/em>SIM2\u00a0– <\/em>Lautsprecher- und Mikrofonbewegung:\u00a0Change Signalling
\n<\/em><\/em>SIM3 – Performance: Gezeichnet | <\/em><\/em>Speaker Swinging: ‚Doppler Waves‘
\n<\/em><\/em>SIM4&5 – Initial Movement:\u00a0spr><><><ngs
\n<\/em><\/em><\/span><\/big><\/span><\/strong><\/span>SIM6 – Speaker turner:\u00a0Desmophone in motion
\n<\/em><\/em>SIM7 – Speaker turner: \u00abMourning\u00bb<\/em><\/em><\/span><\/big>
\n<\/span><\/strong><\/span><\/p>\n