{"id":416,"date":"2020-10-14T18:56:44","date_gmt":"2020-10-14T18:56:44","guid":{"rendered":"https:\/\/blog.zhdk.ch\/soundinmotion\/?page_id=416"},"modified":"2024-09-30T08:01:13","modified_gmt":"2024-09-30T08:01:13","slug":"sound-in-motion-1","status":"publish","type":"page","link":"https:\/\/blog.zhdk.ch\/soundinmotion\/sound-in-motion-1\/","title":{"rendered":"Sound In Motion 1"},"content":{"rendered":"
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\n Sound In Motion 1 <\/h3>\n
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January 19, 2019<\/h5>\n

During one semester we worked on electroacoustic settings and the question of a spatial sound aesthetic that focuses on the loudspeaker itself. Standard settings of contemporary sound reinforcement strategies do not play a role here. Rather, the focus is on media strategies that take the loudspeaker seriously as an independent instrument and mediator.<\/p>\n

Works by: Ernesto Coba Antequera, No\u00e9mi B\u00fcchi, Peter F\u00e4rber, Tobias Holzer, Rita Maria Jurt, Eric Larrieux, Thekla Molnar, Annkathrin P\u00f6pel, Philip Tschiemer.
Peter F\u00e4rber: Direction<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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19.1.2019<\/h5>\n

W\u00e4hrend eines Semesters arbeiteten wir an elektroakustischen Settings und der Frage einer Raumklang\u00e4sthetik, die den Lautsprecher selbst ins Zentrum r\u00fcckt. Dabei spielen Standardsettings zeitgem\u00e4sser Beschallungsstrategien keine Rolle. Vielmehr geht es um mediale Strategien, den Lautsprecher als eigenst\u00e4ndiges Instrument und Mittler ernst zu nehmen.<\/p>\n

Mit Werken von: Ernesto Coba Antequera, No\u00e9mi B\u00fcchi, Peter F\u00e4rber, Tobias Holzer, Rita Maria Jurt, Eric Larrieux, Thekla Molnar, Annkathrin P\u00f6pel, Philip Tschiemer.
Peter F\u00e4rber: Leitung<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n

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<\/figure>\n
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\n\t\t\t\t\t\tErnesto Coba Antequera\t\t\t\t\t<\/h4>\n
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Matroska<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\tTobias Holzer\t\t\t\t\t<\/h4>\n
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synthesis for 3 voices<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\tAnnkathrin P\u00f6pel\t\t\t\t\t<\/h4>\n
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Sounding Blood<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\tRita Jurt\t\t\t\t\t<\/h4>\n
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Rundgang mit Wasser<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\tEric Larrieux\t\t\t\t\t<\/h4>\n
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If it ain’t got that swing<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\tPeter F\u00e4rber\t\t\t\t\t<\/h4>\n
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Standing Waves with Mobile Speakers<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\tThekla Molnar\t\t\t\t\t<\/h4>\n
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\u00a0Jouissance intense<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\tNo\u00e9mi B\u00fcchi\t\t\t\t\t<\/h4>\n
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Impromptu<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\tPhilip Tschiemer\t\t\t\t\t<\/h4>\n
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Interferenzen<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n
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\n Program notes (8 pages) <\/h3>\n
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\nProgrammheft-V05<\/a>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n
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\"\"<\/p>\n<\/p><\/div>\n<\/p><\/div>\n

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\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n
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ICST<\/big><\/strong>
Institute for Computer Music and
Sound Technology<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

Sound In Motion 1 January 19, 2019 During one semester we worked on electroacoustic settings and the question of a spatial sound aesthetic that focuses on the loudspeaker itself. Standard settings of contemporary sound reinforcement strategies do not play a role here. Rather, the focus is on media strategies that take the loudspeaker seriously as …<\/p>\n","protected":false},"author":231,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-builder.php","meta":{"footnotes":""},"class_list":["post-416","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/pages\/416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/users\/231"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/comments?post=416"}],"version-history":[{"count":133,"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/pages\/416\/revisions"}],"predecessor-version":[{"id":3406,"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/pages\/416\/revisions\/3406"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/media?parent=416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}