{"id":418,"date":"2020-10-14T18:56:44","date_gmt":"2020-10-14T18:56:44","guid":{"rendered":"https:\/\/blog.zhdk.ch\/soundinmotion\/?page_id=418"},"modified":"2024-09-30T08:03:00","modified_gmt":"2024-09-30T08:03:00","slug":"sound-in-motion-2","status":"publish","type":"page","link":"https:\/\/blog.zhdk.ch\/soundinmotion\/sound-in-motion-2\/","title":{"rendered":"Sound In Motion 2"},"content":{"rendered":"
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\n Sound In Motion 2 <\/h3>\n
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June 22, 2019<\/h5>\n

What happens acoustically, musically and visually when speakers are moved? What creative possibilities are there?
In the workshop concert of the course Composing with and for Moving Loudspeakers II,<\/em> moving loudspeakers can be heard, seen and experienced in seven new works.
During one semester we worked on electroacoustic settings and dealt with the question of a spatial sound aesthetic that focuses on the loudspeaker itself. Standard settings of contemporary sound reinforcement strategies do not play a role here. Rather, it is about media strategies that take the loudspeaker seriously as an independent instrument and mediator.<\/p>\n

Works by: Antonio D’Amato, Peter F\u00e4rber, Rita Maria Jurt, Eric Larrieux, Luca Magni, Annkathrin P\u00f6pel, Philip Tschiemer
Peter F\u00e4rber: Direction<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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22.6.2019<\/h5>\n

Was passiert akustisch, musikalisch und visuell, wenn Lautsprecher bewegt werden? Welche gestalterischen M\u00f6glichkeiten bieten sich?
Im Werkstattkonzert des Kurses Komponieren mit und f\u00fcr bewegte Lautsprecher II<\/em>\u00a0sind in sieben neue Arbeiten bewegte Lautsprecher zu h\u00f6ren, zu sehen und zu erleben.
W\u00e4hrend eines Semesters arbeiteten wir an elektroakustischen Settings und besch\u00e4ftigten uns mit der Frage einer Raumklang\u00e4sthetik, die den Lautsprecher selbst ins Zentrum r\u00fcckt. Dabei spielen Standardsettings zeitgem\u00e4sser Beschallungsstrategien keine Rolle. Vielmehr geht es um mediale Strategien, den Lautsprecher als eigenst\u00e4ndiges Instrument und Mittler ernst zu nehmen.<\/p>\n

Mit Werken von: Antonio D’Amato, Peter F\u00e4rber, Rita Maria Jurt, Eric Larrieux, Luca Magni, Annkathrin P\u00f6pel, Philip Tschiemer
Peter F\u00e4rber: Leitung<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n

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\n\t\t\t\t\t\tEric Larrieux\t\t\t\t\t<\/h4>\n
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It don\u2019t mean a thing<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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<\/figure>\n
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\n\t\t\t\t\t\tPeter F\u00e4rber\t\t\t\t\t<\/h4>\n
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RK 3<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\tPhilip Tschiemer\t\t\t\t\t<\/h4>\n
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Change Signalling<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\tRita Maria Jurt\t\t\t\t\t<\/h4>\n
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Verlagern<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\tLuca Magni\t\t\t\t\t<\/h4>\n
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In the Eyes<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\tAntonio D\u2019Amato\t\t\t\t\t<\/h4>\n
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Un certain vertige<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\tAnnkathrin P\u00f6pel\t\t\t\t\t<\/h4>\n
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Sounding blood II<\/h4>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n
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\n Program notes (8 pages) <\/h3>\n
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\nProgrammheft-II-V03<\/a>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n
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\"\"<\/p>\n<\/p><\/div>\n<\/p><\/div>\n

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ICST<\/big><\/strong>
Institute for Computer Music and
Sound Technology<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

Sound In Motion 2 June 22, 2019 What happens acoustically, musically and visually when speakers are moved? What creative possibilities are there?In the workshop concert of the course Composing with and for Moving Loudspeakers II, moving loudspeakers can be heard, seen and experienced in seven new works.During one semester we worked on electroacoustic settings and …<\/p>\n","protected":false},"author":231,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-builder.php","meta":{"footnotes":""},"class_list":["post-418","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/pages\/418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/users\/231"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/comments?post=418"}],"version-history":[{"count":39,"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/pages\/418\/revisions"}],"predecessor-version":[{"id":3410,"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/pages\/418\/revisions\/3410"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/soundinmotion\/wp-json\/wp\/v2\/media?parent=418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}