{"id":3,"date":"2021-04-26T14:20:38","date_gmt":"2021-04-26T14:20:38","guid":{"rendered":"https:\/\/blog.zhdk.ch\/subtexte\/?page_id=2"},"modified":"2024-10-28T12:08:12","modified_gmt":"2024-10-28T12:08:12","slug":"sample-page","status":"publish","type":"page","link":"https:\/\/blog.zhdk.ch\/subtexte\/","title":{"rendered":""},"content":{"rendered":"\n

Die Reihe subTexte<\/em> vereinigt Originaltexte zu jeweils einem Untersuchungsgegenstand aus den beiden Forschungsschwerpunkten \u00abPerformative Praxis\u00bb und \u00abFilm\u00bb. Sie bietet Raum f\u00fcr Texte, Bilder oder digitale Medien, die zu einer Forschungsfrage \u00fcber, f\u00fcr oder mit Darstellender Kunst oder Film entstanden sind. Als Publikationsgef\u00e4ss tr\u00e4gt die Reihe dazu bei, Forschungsprozesse \u00fcber das ephemere Ereignis und die Einzeluntersuchung hinaus zu erm\u00f6glichen, Zwischenergebnisse festzuhalten und vergleichende Perspektiven zu \u00f6ffnen. Vom Symposiumband bis zur Materialsammlung verbindet sie die vielseitigen, reflexiven, erg\u00e4nzenden, kommentierenden, divergierenden oder dokumentierenden Formen und Ans\u00e4tze der Auseinandersetzung mit den Darstellenden K\u00fcnsten und dem Film. (English version)<\/a><\/p>\n\n\n\n

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subTexte 33<\/h6>\n\n\n\n

Performative Arts and Social Transformation. <\/a><\/h4>\n\n\n\n

The Potential of In-Between Spaces<\/p>\n\n\n\n

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subTexte 32<\/h6>\n\n\n\n

The Paris Manuscript<\/a><\/h4>\n\n\n\n

The Early Draft Rediscovered<\/p>\n\n\n\n

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subTexte 31<\/h6>\n\n\n\n

Live Performance and Video Games<\/a><\/h4>\n\n\n\n

Inspirations, Appropriations and Mutual Transfers<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 30<\/h6>\n\n\n\n

Acoustics of the Vowel<\/a><\/h4>\n\n\n\n

Indices<\/p>\n\n\n\n

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subTexte 29<\/h6>\n\n\n\n

Die dunkle Seite des Spiels<\/a><\/h4>\n\n\n\n

Theater zwischen Spiel, Wirklichkeit und Fiktion<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 28<\/h6>\n\n\n\n

Unsichtbares und Ungesagtes <\/a><\/h4>\n\n\n\n

10 Female * Feminist * Gazes<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 27<\/h6>\n\n\n\n

Actor & Avatar<\/a><\/h4>\n\n\n\n

A Scientific & Artistic Catalog<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 26<\/h6>\n\n\n\n

Der Schauspieler ist das Theater<\/a><\/h4>\n\n\n\n

New Yorker Vortr\u00e4ge 1942<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 25<\/h6>\n\n\n\n

Michael Simon \u2013 FERTIG gibt\u2019s nicht<\/a><\/h4>\n\n\n\n

B\u00fchnenbild. Prozesse<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 24<\/h6>\n\n\n\n

Dance & Costumes<\/a><\/h4>\n\n\n\n

A History of Dressing Movement<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 23<\/h6>\n\n\n\n

Filmen, Forschen, Annotieren<\/a><\/h4>\n\n\n\n

Handbuch Research Video<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 22<\/h6>\n\n\n\n

Trotz allem. Gardi Hutter<\/a><\/h4>\n\n\n\n

Biografie<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 21<\/h6>\n\n\n\n

Performative Sammlungen<\/a><\/h4>\n\n\n\n

Begriffsbestimmung eines neuen k\u00fcnstlerischen Formats<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 20<\/h6>\n\n\n\n

Sinn und Sinne im Tanz<\/a><\/h4>\n\n\n\n

Perspektiven aus Kunst und Wissenschaft<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 19<\/h6>\n\n\n\n

DisAbility on Stage<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n
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subTexte 18<\/h6>\n\n\n\n

Minor Cinema: Experimental Film in Switzerland<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n
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subTexte 17<\/h6>\n\n\n\n

Ausweitung der Spielzone<\/a><\/h4>\n\n\n\n

Experten, Amateure, behinderte Darsteller im Gegenwartstheater<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 16<\/h6>\n\n\n\n

IPF \u2013 Die erste Dekade<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n
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subTexte 15<\/h6>\n\n\n\n

ausgewandert, eingetanzt<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n
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subTexte 14<\/h6>\n\n\n\n

Impro Talks<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n
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subTexte 13<\/h6>\n\n\n\n

Wiederholung und Ekstase<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n
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subTexte 12<\/h6>\n\n\n\n

Acoustics of the Vowel<\/a><\/h4>\n\n\n\n

Preliminaries<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 11<\/h6>\n\n\n\n

Freilichttheater \u2013 eine Tradition auf neuen Wegen<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n
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subTexte 10<\/h6>\n\n\n\n

Disembodied Voice<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n
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subTexte 09<\/h6>\n\n\n\n

Lektionen f\u00fcr den professionellen Schauspieler<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n
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subTexte 08<\/h6>\n\n\n\n

Akustik des Vokals<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n
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subTexte 07<\/h6>\n\n\n\n

\u00c4sthetische Kommunikation im Kindertheater<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n
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subTexte 06<\/h6>\n\n\n\n

Wirkungsmaschine Schauspieler<\/a><\/h4>\n\n\n\n

Vom Menschendarsteller zum multifunktionalen Spielemacher<\/p>\n<\/div>\n<\/div>\n\n\n\n

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SubTexte 05<\/h6>\n\n\n\n

Theater Vermittlung Schule<\/a><\/h4>\n\n\n\n

Ein Dialog<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 04<\/h6>\n\n\n\n

research@film<\/a><\/h4>\n\n\n\n

Forschung zwischen Kunst und Wissenschaft<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 03<\/h6>\n\n\n\n

K\u00fcnstlerische Forschung<\/a><\/h4>\n\n\n\n

Positionen und Perspektiven<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 02<\/h6>\n\n\n\n

Wirklich?<\/a><\/h4>\n\n\n\n

Strategien der Authentizit\u00e4t im aktuellen Dokumentarfilm<\/p>\n<\/div>\n<\/div>\n\n\n\n

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subTexte 01<\/h6>\n\n\n\n

Attention Artaud<\/a><\/h4>\n<\/div>\n<\/div>\n\n\n\n
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The subTexte<\/em> series of the IPF-Institute for the Performing Arts and Film, is dedicated to presenting original research within two fields of inquiry: Performative Practice and Film. The series offers a platform for the publication of texts, images, or digital media emerging from research on, for, or through the performative arts or film. The series contributes to promoting practice-based art research beyond the ephemeral event and the isolated monograph, to reporting intermediate research findings, and to opening up comparative perspectives. From conference proceedings to collections of materials, subTexte<\/em> gathers a diverse and manifold reflections on, and approaches to, the performative arts and film.<\/p>\n\n\n\n

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Die Reihe subTexte vereinigt Originaltexte zu jeweils einem Untersuchungsgegenstand aus den beiden Forschungsschwerpunkten \u00abPerformative Praxis\u00bb und \u00abFilm\u00bb. Sie bietet Raum f\u00fcr Texte, Bilder oder digitale Medien, die zu einer Forschungsfrage \u00fcber, f\u00fcr oder mit Darstellender Kunst oder Film entstanden sind. Als Publikationsgef\u00e4ss tr\u00e4gt die Reihe dazu bei, Forschungsprozesse \u00fcber das ephemere Ereignis und die Einzeluntersuchung […]<\/p>\n","protected":false},"author":3679,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"custom-page.php","meta":{"footnotes":""},"class_list":["post-3","page","type-page","status-publish","czr-hentry"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/pages\/3","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/users\/3679"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/comments?post=3"}],"version-history":[{"count":87,"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/pages\/3\/revisions"}],"predecessor-version":[{"id":1893,"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/pages\/3\/revisions\/1893"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/media?parent=3"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}