{"id":1871,"date":"2024-10-28T10:22:50","date_gmt":"2024-10-28T10:22:50","guid":{"rendered":"https:\/\/blog.zhdk.ch\/subtexte\/?p=1871"},"modified":"2025-10-03T08:39:32","modified_gmt":"2025-10-03T08:39:32","slug":"subtexte-32","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/subtexte\/subtexte-32\/","title":{"rendered":"subTexte 32"},"content":{"rendered":"\n

The Paris Manuscript<\/h1>\n\n\n\n

The Early Draft Rediscovered<\/h3>\n\n\n\n

In the early 1930s, during his first years of exile and 20 years before the publication of his seminal work To the Actor,<\/em>Michael Chekhov made his first incursion into the challenging task of writing about an actor’s experience and his vision of the craft: the so-called ‚Paris Manuscript‘.  This manuscript was the result of Chekhov’s rich collaboration with Swiss theatre director, painter and illustrator Georgette Boner. As the popularity of the Michael Chekhov Technique continues to spread globally, the ‚Paris Manuscript‘ offers a timely invitation for actors to take a step back and (re)discover for themselves the structural foundations of Michael Chekhov’s vision.
Chekhov’s text has been translated, edited and abridged by Hugo Moss, co-founder and director of Michael Chekhov Brasil.<\/p>\n\n\n\n

Reviewed by the journal \u201eCritical Stages \/ Sc\u00e8nes critiques\u201d: Read review<\/a><\/p>\n\n\n\n

Edited by: Hugo Moss<\/p>\n\n\n\n

Published: Dec 12 2024
Format: Ebook (Epub & Mobi)
Edition: 1st
Extent: 208
ISBN: 9781350437401
Series: Theatre Makers<\/a>
Publisher: Bloomsbury Publishing<\/p>\n\n\n\n

\n
Buch kaufen<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Paris Manuscript The Early Draft Rediscovered In the early 1930s, during his first years of exile and 20 years before the publication of his seminal work To the Actor,Michael Chekhov made his first incursion into the challenging task of writing about an actor’s experience and his vision of the craft: the so-called ‚Paris Manuscript‘.  This […]<\/p>\n","protected":false},"author":6337,"featured_media":1865,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1871","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"czr-hentry"},"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/posts\/1871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/users\/6337"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/comments?post=1871"}],"version-history":[{"count":6,"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/posts\/1871\/revisions"}],"predecessor-version":[{"id":1916,"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/posts\/1871\/revisions\/1916"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/media\/1865"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/media?parent=1871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/categories?post=1871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/subtexte\/wp-json\/wp\/v2\/tags?post=1871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}