{"id":1744,"date":"2015-09-01T20:44:51","date_gmt":"2015-09-01T18:44:51","guid":{"rendered":"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/?p=1744"},"modified":"2015-11-15T15:26:03","modified_gmt":"2015-11-15T14:26:03","slug":"transculturality-in-the-arts","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/2015\/09\/01\/transculturality-in-the-arts\/","title":{"rendered":"Transculturality in the Arts"},"content":{"rendered":"<h2>Lecture\u00a0by\u00a0Roger M. Buergel<\/h2>\n<h4>Curator (Curator Documenta 12, Director Johan Jacobs Museum Zurich)<\/h4>\n<h2>The migration of form<\/h2>\n<p>Certain things can be regarded as prisms in which the world reveals itself in the play of their global refractions. Seventeenth-century Persian ceramics, for instance, which imitate Chinese porcelain. Or the &#8222;Black Madonnas&#8220; that travelled to Haiti with Polish mercenaries at the end of the 18th century.<\/p>\n<p>Objects like these need to be regarded in a way that places less emphasis on their discreteness than on their place in the design of things: they are parts of a historical and political network of relations. This relational network \u2013 a tableau comprising colonial wars, Oriental fantasies, a genuine love of special items and trading monopolies \u2013 has still to be examined in depth.<\/p>\n<hr \/>\n<p>Tuesday, September\u00a001 \u2013 7pm<br \/>\nJacobs Museum Zurich<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lecture\u00a0by\u00a0Roger M. Buergel Curator (Curator Documenta 12, Director Johan Jacobs Museum Zurich) The migration of form Certain things can be regarded as prisms in which the world reveals itself in the play of their global refractions. Seventeenth-century Persian ceramics, for instance, which imitate Chinese porcelain. Or the &#8222;Black Madonnas&#8220; that travelled to Haiti with Polish &hellip; <a href=\"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/2015\/09\/01\/transculturality-in-the-arts\/\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eTransculturality in the Arts\u201c <\/span>weiterlesen<\/a><\/p>\n","protected":false},"author":2387,"featured_media":1962,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[76],"tags":[],"class_list":["post-1744","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/wp-json\/wp\/v2\/posts\/1744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/wp-json\/wp\/v2\/users\/2387"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/wp-json\/wp\/v2\/comments?post=1744"}],"version-history":[{"count":9,"href":"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/wp-json\/wp\/v2\/posts\/1744\/revisions"}],"predecessor-version":[{"id":1968,"href":"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/wp-json\/wp\/v2\/posts\/1744\/revisions\/1968"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/wp-json\/wp\/v2\/media\/1962"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/wp-json\/wp\/v2\/media?parent=1744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/wp-json\/wp\/v2\/categories?post=1744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/transculturalcollaboration\/wp-json\/wp\/v2\/tags?post=1744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}