{"id":12484,"date":"2023-02-02T18:11:58","date_gmt":"2023-02-02T17:11:58","guid":{"rendered":"https:\/\/blog.zhdk.ch\/zdok\/?page_id=12484"},"modified":"2023-02-28T18:46:44","modified_gmt":"2023-02-28T17:46:44","slug":"filme-zdok-23","status":"publish","type":"page","link":"https:\/\/blog.zhdk.ch\/zdok\/zdok-23\/filme-zdok-23\/","title":{"rendered":"Filme"},"content":{"rendered":"

An der Tagung werden die unten aufgelisteten Filme behandelt. Angemeldete Teilnehmer:innen k\u00f6nnen eine Auswahl vom 15.3. bis zum 26.3. kostenfrei streamen.<\/p>\n

The films listed below will be discussed at the conference. Registered participants can stream a selection free of charge from 15.3. to 26.3.<\/em><\/p>\n

 <\/p>\n

\n

A History Of The World According To Getty Images<\/h3>\n

Written and edited by Richard Misek<\/a>, 2022
\n> Referat: The World According To Getty Images<\/a><\/p>\n

\"\"<\/a><\/p>\n

\u201cThis thought-provoking short film examines the meaning of the term \u201cpublic domain,\u201d and what happens to images whose copyright has expired and theoretically become freely available to all. Why is it that this type of image so often falls into the hands of commercial organizations such as Getty Images, which then requires payment to use them? What are the implications of putting images of historical events behind a paywall?\u201d \u00a0IDFA 2022<\/a><\/p>\n

> Website<\/a> (incl. download of the film for free)<\/p>\n

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Bella Ciao – per la libert\u00e0<\/h3>\n

Directed by Giulia Giapponesi<\/a>, 2022
\n> Referat: Discovering Hidden Origins<\/a>
\n
\n\"\"<\/a><\/p>\n

\u201cFor decades, wherever people have fought against injustice, they have sung \u201cBella ciao.\u201d It is said to have been the anthem of Italian partisans fighting against fascism in the Second World War, but there are those who doubt the truth of this. The origins of the song are unclear. Was it a folk song favored by exploited workers in the rice fields in Italy? The research is based on various speakers and archive material\u2026In the film, the song connects the struggles for liberation by different generations in various countries.\u201d \u00a0\u00a0IDFA 2022<\/a><\/p>\n

> Trailer<\/a> \u00a0| > IMDB<\/a><\/p>\n

\n

Nelly & Nadine<\/h3>\n

Directed by Magnus Gertten<\/a>, 2022
\n> Referat: The Secrets of an Archive Film Reel<\/a><\/p>\n

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\u00abInmitten des Konzentrationslagers Ravensbr\u00fcck ert\u00f6nt die Stimme der Operns\u00e4ngerin Nelly. Es ist Weihnachten im Jahr 1944 als Nelly und Nadine sich zum ersten Mal begegnen. Heute stellt sich Nellys Enkelin Sylvie dem in einer Kiste verschlossenen Verm\u00e4chtnis ihrer Gro\u00dfmutter. In Fotografien, Super-8- und Audioaufnahmen sowie in poetischen und ersch\u00fctternden Tagebucheintr\u00e4gen st\u00f6\u00dft die Enkelin nicht nur auf die Erinnerungen ihrer Gro\u00dfmutter an das KZ, sondern auch auf Zeugnisse eines gemeinsamen Lebens mit Nadine\u00bb. Berlinale 2022<\/a><\/p>\n

> Trailer<\/a> \u00a0| > IMDB<\/a><\/p>\n

\n

Fragile Memory<\/h3>\n

Directed by Igor Ivanko,<\/a> 2022
\n> Referat: Private Memories, Collective Loss<\/a><\/p>\n

\"\"<\/a><\/p>\n

Der sowjetische Kameramann Leonid Burlaka arbeitete in den 1960er Jahren in seiner Geburtsstadt Odesa f\u00fcr das Odesskaja kinostudija in der damaligen Ukrainischen Sozialistischen Sowjetrepublik an Filmen, die um die Welt gingen. Heute ist er achtzig Jahre alt, und mit der Diagnose Alzheimer verblasst sein Ged\u00e4chtnis zusehends. Der Filmemacher Igor Ivanko folgt den Spuren, die sein Gro\u00dfvater hinterlie\u00df, und entdeckt in der Garage ein Archiv von immensem Wert\u2026Ivanko erkennt, dass er einen Schatz von historischer Aussagekraft in den H\u00e4nden h\u00e4lt. DOK Leipzig 2022<\/a><\/p>\n

> Website (incl. Trailer)<\/a><\/p>\n

\n

The Beatles: Get Back<\/h3>\n

Directed by Peter Jackson (UK, USA, NZ 2021)
\n> Referat\u00a0von Maurizius Staerkle Drux:\u00a0Get Back to Being There<\/a><\/p>\n

\"\"<\/a><\/p>\n

In January 1969, the Beatles convened in Twickenham Film Studios. The fascinating thing about watching Get Back, the eight-hour documentary, is how capacious the actual story feels\u2026The intimacy of the footage is not just astonishing, it is surreal. Jackson has labored over this footage for untold hours, piecing together bits of audio with pictures and using AI to isolate and clean up formerly inaudible tracks. He has, in other words, created a narrative. But Get Back flows with the feeling of unmediated reality, of simply being in the room with the Beatles as they existed. Pitchfork\/Jayson Greene 2021<\/a><\/p>\n

> Trailer<\/a><\/p>\n

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A Tour Through Some of Alan Berliner’s Films<\/span><\/b><\/h3>\n

> Referat: Compilation, Collage, Counterpoint<\/a><\/p>\n

\"\"<\/a>
Alan Berliner explores his personal archive during the production of „Letter to the Editor“ (2019).<\/figcaption><\/figure>\n

Alan Berliner will talk about his specific approach with found footage over time, using excerpts from key films of his oeuvre. One of his films will be available for streaming.<\/p>\n

><\/strong> For a comprehensive overview of Berliner\u2019s work see\u00a0here<\/strong><\/a>.
\n><\/strong> For an excerpt of Nobody’s Business see here<\/a>.<\/p>\n

\n

Cause of Death<\/h3>\n

Directed by Jyoti Mistry<\/a>, 2020
\n> Referat: Fabulating Documentary<\/a><\/p>\n

\"\"<\/a><\/p>\n

\u201cA timeless and universal phenomenon: violence against women and femicide. Jyoti Mistry expresses her thoughts on the subject through archive material, mainly dating from the first three decades of the last century (from Eye Filmmuseum, Amsterdam). The violence is suggested in short, unrelenting animations that are intertwined or merge with the archive footage. In the background we hear a lament in spoken-word poetry: Cause of death is woman.\u201d IDFA 2020<\/a><\/p>\n

> Trailer<\/a><\/p>\n

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Yugoslavia, How Ideology Moved Our Collective Body<\/h3>\n

Directed by Marta Popivoda,<\/a> 2013
\n> Referat: Between Memory, History and Ideology<\/a><\/p>\n