{"id":10169,"date":"2021-03-11T09:24:09","date_gmt":"2021-03-11T08:24:09","guid":{"rendered":"https:\/\/blog.zhdk.ch\/zdok\/?p=10169"},"modified":"2021-03-11T10:37:48","modified_gmt":"2021-03-11T09:37:48","slug":"paradigm-shifts-in-documentary-aesthetics","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/zdok\/2021\/paradigm-shifts-in-documentary-aesthetics\/","title":{"rendered":"Paradigm Shifts in Documentary Aesthetics"},"content":{"rendered":"<p><em>Abstract by <\/em><a href=\"https:\/\/blog.zhdk.ch\/zdok\/2021\/john-ellis\/\"><em>John Ellis<\/em><\/a><\/p>\n<p>John Ellis will outline how documentary makers took advantage of the affordances of various digital devices as they arrived in the period from 1995-2015. This transitional period is one of uneven development. Each innovation brought fresh requirements for changes elsewhere in the production process. Digital cameras required digital editing; sound mixing and dubbing were slow to catch up. Temporary \u2018solutions\u2019 were developed and trialled. Production and post-production services struggled to cope with the changes, especially in the traditional large broadcasting organisations. Then, quite suddenly, it was all over. The durable infrastructure of film-based production almost vanished in an astonishing short period of time. Digital production had established a new set of routines and standards. Complaints about the \u2018problems of the digital\u2019 gave way to regret for the lost disciplines of film-based production.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Abstract by John Ellis John Ellis will outline how documentary makers took advantage of the affordances of various digital devices as they arrived in the period from 1995-2015. This transitional period is one of uneven development. Each innovation brought fresh requirements for changes elsewhere in the production process. Digital cameras required digital editing; sound mixing &hellip;<\/p>\n","protected":false},"author":6337,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[511129,638,593942],"tags":[],"class_list":["post-10169","post","type-post","status-publish","format-standard","hentry","category-gaeste","category-referate","category-zdok-special-21"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts\/10169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/users\/6337"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/comments?post=10169"}],"version-history":[{"count":1,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts\/10169\/revisions"}],"predecessor-version":[{"id":10171,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts\/10169\/revisions\/10171"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/media?parent=10169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/categories?post=10169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/tags?post=10169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}