{"id":10463,"date":"2021-06-10T10:53:19","date_gmt":"2021-06-10T08:53:19","guid":{"rendered":"https:\/\/blog.zhdk.ch\/zdok\/?p=10463"},"modified":"2021-06-28T14:48:22","modified_gmt":"2021-06-28T12:48:22","slug":"abstract-midge-costin","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/zdok\/2021\/abstract-midge-costin\/","title":{"rendered":"MAKING WAVES IN DOCUMENTARY"},"content":{"rendered":"<h5>A Keynote SpeEch by <a href=\"https:\/\/blog.zhdk.ch\/zdok\/2021\/midge-costin\/\">Midge Costin<\/a><\/h5>\n<div><\/div>\n<p>As the American documentary filmmaker Michael Moore has said: \u201cThe audience will forgive you for bad picture quality but they won\u2019t forgive you for bad sound.\u201d The way we experience sound in the world is through a filter we call the brain. A microphone records sound technically, but not necessarily the way we actually experience sound in our lives. This is why sound design is a crucial element in reality-based filmmaking. With the common use of heavily edited voice-over narration created from much longer, on-location interviews, it\u2019s important to have well-recorded, well sound edited, and well mixed dialogue.<\/p>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zdok\/2021\/midge-costin\/\">Midge Costin<\/a> will discuss the use of well recorded and edited sound in documentary films from the perspective of her role as a documentary sound editor and through her experience as the producer\/director of the award-winning feature documentary MAKING WAVES: THE ART OF CINEMATIC SOUND.<\/p>\n<div><a href=\"https:\/\/blog.zhdk.ch\/zdok\/2021\/keynote-speach-von-midge-costin-de\/\">&gt; Deutsche Version<\/a><\/div>\n<div><\/div>\n<p>&nbsp;<\/p>\n<div><\/div>\n<div>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" title=\"Making Waves: The Art Of Cinematic Sound - Official Trailer\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/WsIE4x3xU0Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>A Keynote SpeEch by Midge Costin As the American documentary filmmaker Michael Moore has said: \u201cThe audience will forgive you for bad picture quality but they won\u2019t forgive you for bad sound.\u201d The way we experience sound in the world is through a filter we call the brain. A microphone records sound technically, but not &hellip;<\/p>\n","protected":false},"author":6337,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8524,511129,638,593943],"tags":[],"class_list":["post-10463","post","type-post","status-publish","format-standard","hentry","category-filme","category-gaeste","category-referate","category-zdok-21"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts\/10463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/users\/6337"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/comments?post=10463"}],"version-history":[{"count":14,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts\/10463\/revisions"}],"predecessor-version":[{"id":11081,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts\/10463\/revisions\/11081"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/media?parent=10463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/categories?post=10463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/tags?post=10463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}