{"id":12194,"date":"2023-01-31T15:07:42","date_gmt":"2023-01-31T14:07:42","guid":{"rendered":"https:\/\/blog.zhdk.ch\/zdok\/?p=12194"},"modified":"2023-02-16T09:04:24","modified_gmt":"2023-02-16T08:04:24","slug":"fabulating-documentary","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/zdok\/2023\/fabulating-documentary\/","title":{"rendered":"Fabulating Documentary"},"content":{"rendered":"
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Abstract by Jyoti Mistry<\/a><\/h5>\n

Archival materials often serve as evidence of events and encounters between people in places.<\/span>\u00a0<\/span>As repositories of documents, images\u00a0and artefacts, archives<\/span>\u00a0<\/span>commonly<\/span>\u00a0<\/span>validate the discourses of those in power.<\/span>\u00a0<\/span>By<\/span>\u00a0<\/span>re-examining<\/span>\u00a0<\/span>the archive<\/span>\u00a0<\/span>those<\/span>\u00a0<\/span>stories and experiences that<\/span>\u00a0<\/span>are<\/span>\u00a0<\/span>not<\/span>\u00a0<\/span>visible<\/span>\u00a0<\/span>are made visible<\/span>\u00a0<\/span>as a<\/span>\u00a0<\/span>political<\/span>\u00a0<\/span>necessity,<\/span>\u00a0<\/span>to<\/span>\u00a0<\/span>reclaim\u00a0marginal narratives<\/span>\u00a0<\/span>and<\/span>\u00a0<\/span>experiences that<\/span>\u00a0<\/span>have<\/span>\u00a0<\/span>otherwise not been<\/span>\u00a0<\/span>seen and told.<\/span>\u00a0<\/span>\u00a0This<\/span>\u00a0<\/span>presentation<\/span>\u00a0<\/span>will focus on the use of archives in<\/span>\u00a0<\/span>fabulating<\/span>\u00a0<\/span>stories<\/span>\u00a0<\/span>and<\/span>\u00a0<\/span>socio-political<\/span>\u00a0<\/span>commentary on the elided<\/span>\u00a0<\/span>histories of marginal peoples<\/span>\u00a0<\/span>in the archive.<\/span>\u00a0<\/span>The case study is a trilogy on race, gender and sexuality drawn principally from the EYE Film Museum archive<\/span>\u00a0<\/span>in Amsterdam. Each<\/span>\u00a0<\/span>of the discrete film projects\u00a0aims to explore<\/span>\u00a0<\/span>the potentiality of archival sources towards\u00a0reconfiguring<\/span>\u00a0<\/span>documentary forms. The intention is<\/span>\u00a0<\/span>to<\/span>\u00a0<\/span>revitalize<\/span>\u00a0<\/span>the<\/span>\u00a0<\/span>connections between<\/span>\u00a0<\/span>an<\/span>\u00a0<\/span>ethics\u00a0of representation in film and the<\/span>\u00a0<\/span>politics<\/span>\u00a0<\/span>of its<\/span>\u00a0<\/span>practice.\u00a0\u00a0Excerpts from each of the films will be used to exemplify some of the issues at stake in the proposition\u00a0of<\/span>\u00a0<\/span>working with<\/span>\u00a0<\/span>archival traces to<\/span>\u00a0<\/span>create<\/span>\u00a0<\/span>critical fabulations<\/span>\u00a0<\/span>of histories and experiences that<\/span>\u00a0<\/span>have overlooked in\u00a0the construction and description of archival<\/span>\u00a0<\/span>resources.<\/span><\/p>\n

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\n> Jyoti Mistry<\/strong><\/a><\/p>\n

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> HOME<\/a><\/strong> \u00a0 | \u00a0 > FILME<\/a>\u00a0<\/strong> \u00a0 | \u00a0 > \u00a0PROGRAMM<\/strong> <\/a>\u00a0 | \u00a0 > TICKETS<\/strong><\/a><\/h4>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Abstract by Jyoti Mistry Archival materials often serve as evidence of events and encounters between people in places.\u00a0As repositories of documents, images\u00a0and artefacts, archives\u00a0commonly\u00a0validate the discourses of those in power.\u00a0By\u00a0re-examining\u00a0the archive\u00a0those\u00a0stories and experiences that\u00a0are\u00a0not\u00a0visible\u00a0are made visible\u00a0as a\u00a0political\u00a0necessity,\u00a0to\u00a0reclaim\u00a0marginal narratives\u00a0and\u00a0experiences that\u00a0have\u00a0otherwise not been\u00a0seen and told.\u00a0\u00a0This\u00a0presentation\u00a0will focus on the use of archives in\u00a0fabulating\u00a0stories\u00a0and\u00a0socio-political\u00a0commentary on the elided\u00a0histories of marginal …<\/p>\n","protected":false},"author":6337,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8524,511129,638,593945],"tags":[],"class_list":["post-12194","post","type-post","status-publish","format-standard","hentry","category-filme","category-gaeste","category-referate","category-zdok-23"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts\/12194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/users\/6337"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/comments?post=12194"}],"version-history":[{"count":4,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts\/12194\/revisions"}],"predecessor-version":[{"id":12861,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts\/12194\/revisions\/12861"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/media?parent=12194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/categories?post=12194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/tags?post=12194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}