![\"\"](\"https:\/\/blog.zhdk.ch\/zdok\/files\/2025\/01\/RandBeiruty_104-288x300.jpg\")
<\/p>\n<\/p>\n
Rand Beiruty is a writer, director and co-founder of Shaghab Films, a production company based in Amman, Jordan. She holds a practice-based Ph.D. revolving around questions of representation and participatory filmmaking from Film University Babelsberg KONRAD WOLF. Beiruty has pitched her projects on international platforms and received awards from Tribeca Film Institute, Mifa Animation du Monde, Arab Cinema Center and European Network of Young Cinema among others.<\/p>\n
Her debut feature documentary TELL THEM ABOUT US was awarded best pitch at the Reception of German Film Schools and Haus Am See scholarship. The film celebrated its world premiere at CPH:DOX 2024 and received the ECFA Award for Best European Feature Documentary for Young Audience at the 64th Zl\u00edn International Film Festival. Her short animated documentary SHADOWS celebrated its world premiere at the 81st Venice International Film Festival and won the World Animation Award at the Leeds International Film Festival.<\/p>\n
Filmography\u00a0(selection):
\n2024 SHADOWS – Animated documentary | 12\u2019
\n2024 TELL THEM ABOUT US – Feature documentary
\n2018 NUDAR – Short documentary | 20\u2019 | DE
\n2017 HALFWAY – Short animated documentary | 4\u2019 | DE<\/p>\n
Publications: Webseite: https:\/\/randbeiruty.com\/<\/a><\/p>\n __<\/strong> Rand Beiruty is a writer, director and co-founder of Shaghab Films, a production company based in Amman, Jordan. She holds a practice-based Ph.D. revolving around questions of representation and participatory filmmaking from Film University Babelsberg KONRAD WOLF. Beiruty has pitched her projects on international platforms and received awards from Tribeca Film Institute, Mifa Animation du …<\/p>\n","protected":false},"author":3673,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[437,511129,593947],"tags":[593949,593963],"class_list":["post-13873","post","type-post","status-publish","format-standard","hentry","category-english","category-gaeste","category-zdok-25","tag-praxis","tag-referat"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts\/13873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/users\/3673"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/comments?post=13873"}],"version-history":[{"count":21,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts\/13873\/revisions"}],"predecessor-version":[{"id":15850,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/posts\/13873\/revisions\/15850"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/media?parent=13873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/categories?post=13873"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zdok\/wp-json\/wp\/v2\/tags?post=13873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u2013 Contribution to \u201cPositions and Perspectives on Artistic Research in Film\u201d,
\n….<\/span>IJFMA No.1 GEECT \u2013 Transversal Entanglement, P118. (2022)
\n\u2013 Towards a Participatory Approach: Reversing the Gaze when (re)presenting Refugees
\n….<\/span>in nonfiction film, International Journal of Film and Media Arts (2020)<\/p>\n
\nZDOK.25 contribution:
\n<\/strong>> Building Collaborative Relationships and Participatory Re\/enactments<\/a><\/strong>
\nFilm:
\n> <\/strong> TELL THEM ABOUT US<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"