{"id":4248,"date":"2022-06-28T12:38:50","date_gmt":"2022-06-28T12:38:50","guid":{"rendered":"https:\/\/blog.zhdk.ch\/zfiction\/?page_id=4248"},"modified":"2026-02-08T14:47:38","modified_gmt":"2026-02-08T14:47:38","slug":"zfiction-22-archiv","status":"publish","type":"page","link":"https:\/\/blog.zhdk.ch\/zfiction\/zfiction-archiv\/zfiction-22-archiv\/","title":{"rendered":"ZFICTION.22 Archiv"},"content":{"rendered":"<p>Die zweite Z\u00fcrcher Spielfilmtagung\u00a0<strong>ZFICTION.22<\/strong>\u00a0mit dem Titel \u00abPlease Don\u2019t Tell \u2013 Storytelling Beyond Magic Formula\u00bb <span class=\"docData;DOCY;v5;2326;BQiAAgAAEYQCAAAGiAIAAAOYCAAABaYIAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAADAYAAAAHBgAAAWgAAAABBgAAAAAJBgAAAAAaBlAAAAAEBhwAAABIAGUAbAB2AGUAdABpAGMAYQAgAE4AZQB1AGUABQYcAAAASABlAGwAdgBlAHQAaQBjAGEAIABOAGUAdQBlAAgEFgAAABYEFgAAABsGAAAAAAKVBQAABW8BAAABUAAAAAQGHAAAAEgAZQBsAHYAZQB0AGkAYwBhACAATgBlAHUAZQAFBhwAAABIAGUAbAB2AGUAdABpAGMAYQAgAE4AZQB1AGUACAQWAAAAFgQWAAAACBUBAAAAEAEAAHMAZQB0AHoAdAAgAHMAaQBjAGgAIABtAGkAdAAgAGQAZQBuACAAVABoAGUAbQBlAG4AIABOAGEAcgByAGEAdABpAG8AbgAgAHUAbgBkACAAUgBlAHoAZQBwAHQAaQBvAG4AIABhAHUAcwBlAGkAbgBhAG4AZABlAHIALgAgAFcAaQBlACAAbQD8AHMAcwBlAG4AIAAeIFMAdABvAHIAaQBlAHMAIgAgAGgAZQB1AHQAZQAgAGUAcgB6AOQAaABsAHQAIAB3AGUAcgBkAGUAbgAsACAAdQBtACAAdQBuAHMAIAB6AHUAIAD8AGIAZQByAHIAYQBzAGMAaABlAG4APwAgAFcAZQBsAGMAaABlACAABX8AAAABUAAAAAQGHAAAAEgAZQBsAHYAZQB0AGkAYwBhACAATgBlAHUAZQAFBhwAAABIAGUAbAB2AGUAdABpAGMAYQAgAE4AZQB1AGUACAQWAAAAFgQWAAAACCUAAAAAIAAAAHAAcwB5AGMAaABvAGwAbwBnAGkAcwBjAGgAZQBuACAABQEBAAABUAAAAAQGHAAAAEgAZQBsAHYAZQB0AGkAYwBhACAATgBlAHUAZQAFBhwAAABIAGUAbAB2AGUAdABpAGMAYQAgAE4AZQB1AGUACAQWAAAAFgQWAAAACKcAAAAAogAAAE0AZQBjAGgAYQBuAGkAcwBtAGUAbgAgAHcAZQByAGQAZQBuACAAYQBuAGcAZQByAGUAZwB0ACwAIAB3AGUAbgBuACAAdwBpAHIAIAB1AG4AcwAgAGEAdQBmACAARQByAHoA5ABoAGwAbQB1AHMAdABlAHIAIABlAGkAbgBsAGEAcwBzAGUAbgA\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\">setzte sich mit den Themen Narration und Rezeption auseinander. Wie m\u00fcssen \u201eStories&#8220; heute erz\u00e4hlt werden, um uns zu \u00fcberraschen? Welche <\/span>psychologischen Mechanismen werden angeregt, wenn wir uns auf Erz\u00e4hlmuster einlassen? Klassische Dramaturgien, moderne Narrationsmodelle und zeitgen\u00f6ssische Anforderungen wurden einander diskursiv gegen\u00fcbergestellt.<\/p>\n<pre>ZFICTION.22 fand am <strong>24. und 25. M\u00e4rz 2022<\/strong> live auf der B\u00fchne A in der Gessnerallee in Z\u00fcrich statt.<\/pre>\n<hr \/>\n<h2><strong>Donnerstag, 24. M\u00e4rz 2022<\/strong><\/h2>\n<h4>Begr\u00fcssung<\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/722929473?h=a39eef0196&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2020\/01\/20\/mike-schaerer\/\">Michael Schaerer<\/a>\u00a0&amp; <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/06\/28\/stefan-jaeger\/\">Stefan J\u00e4ger<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/01\/das-narrative-gehirn\/\">Das narrative Gehirn<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/722944313?h=26c7b3ee0f&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/01\/18\/fritz-breithaupt\/\">Fritz Breithaupt<\/a>\u00a0| <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/01\/das-narrative-gehirn\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/13\/audiences-are-the-new-avantgarde\/\">Audiences are the new avantgarde<\/a><\/h4>\n<div class=\"mceTemp\">\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/723059511?h=f1f7a3452d&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/02\/vinca-wiedemann-2\/\">Vinca Wiedemann<\/a> | <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/13\/audiences-are-the-new-avantgarde\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/03\/von-der-realitaet-zur-fiktion-und-zurueck-case-study-la-mif\/\">From Reality to Fiction and back \u2013 Case study \u201cLa Mif\u201d<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/723134342?h=a51393c55c&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/02\/07\/fred-baillif\/\">Fred Baillif<\/a> | <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/03\/von-der-realitaet-zur-fiktion-und-zurueck-case-study-la-mif\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/03\/developing-fiction\/\">Was besch\u00e4ftigt die Branche: Stoffentwicklung bei Serien und Filmen<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/723228167?h=fe38bf298d&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/02\/08\/lars-wiebe\/\">Lars Wiebe<\/a> und <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/02\/08\/jan-bennemann\/\">Jan Bennemann<\/a> (Netflix)\u00a0| <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/03\/developing-fiction\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/01\/politisches-erzaehlen-in-populistischen-zeiten\/\">Politisches Erz\u00e4hlen in populistischen Zeiten<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/723246271?h=a61b7891ea&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/02\/07\/christian-schwochow\/\">Christian Schwochow<\/a> | <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/01\/politisches-erzaehlen-in-populistischen-zeiten\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/01\/die-grenzen-verschieben-vom-alten-lernen-das-neue-schaffen\/\">Pushing Boundaries: Learn from the Old, Create the New<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/723612764?h=4cabccf975&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/02\/07\/linda-seger\/\">Linda Seger<\/a> (online)\u00a0|<a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/01\/die-grenzen-verschieben-vom-alten-lernen-das-neue-schaffen\/\"> Abstract<\/a><\/p>\n<hr \/>\n<h4>Schlusspanel Tag 1<\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/723488177?h=0904394d6e&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/01\/18\/fritz-breithaupt\/\">Fritz Breithaupt<\/a>, <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/02\/vinca-wiedemann-2\/\">Vinca Wiedemann<\/a>, <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/02\/08\/lars-wiebe\/\">Lars Wiebe<\/a>, <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/02\/07\/christian-schwochow\/\">Christian Schwochow<\/a>\u00a0&amp; <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/02\/07\/linda-seger\/\">Linda Seger<\/a><\/p>\n<hr \/>\n<h2><strong>Freitag, 25. M\u00e4rz 2022<\/strong><\/h2>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/03\/beobachtungen-eines-kinogaengers\/\">Auf der Suche nach dem \u201cdritten Kino\u201d<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/723476744?h=04463ad5d7&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/04\/ruediger-suchsland\/\">R\u00fcdiger Suchsland<\/a>\u00a0(online)\u00a0| <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/03\/beobachtungen-eines-kinogaengers\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/01\/concept-of-dramaturgy-and-a-dramaturgical-case-study-tarkovsky-from-a-screenwriters-perspective\/\">Dramaturgical case study from a screenwriter\u2019s perspective<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/723465423?h=92424e7928&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/01\/13\/marja-riitta-koivumaeki\/\">Marja-Riitta Koivum\u00e4ki<\/a> | <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/01\/concept-of-dramaturgy-and-a-dramaturgical-case-study-tarkovsky-from-a-screenwriters-perspective\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/03\/ausweitung-der-dramaturgischen-form\/\">Erz\u00e4hlen abseits der Schablone \u2013 Offene Erz\u00e4hlstrukturen in Filmausbildung und Dramaturgie<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/723442684?h=36db1622ad&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/02\/24\/kathrin-resetarits\/\">Kathrin Resetarits<\/a> |<a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/03\/ausweitung-der-dramaturgischen-form\/\"> Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/03\/collecting-real-fictions\/\">Collecting Real Fictions \u2013 Case Study \u201cGiraffe\u201d<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/723430583?h=a10f0d2a46&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/02\/08\/anna-sofie-hartmann\/\">Anna Sofie Hartmann<\/a> | <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/03\/collecting-real-fictions\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/01\/europaeisches-storytelling-episch-offen-vielfaeltig\/\">European Storytelling: epic, open, diverse<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/723418056?h=3957188ffc&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/01\/13\/christine-lang\/\">Christine Lang<\/a> | <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/01\/europaeisches-storytelling-episch-offen-vielfaeltig\/\">Abstract<\/a> |\u00a0<a href=\"https:\/\/blog.zhdk.ch\/zfiction\/files\/2022\/06\/ZFICTION22_Christine-Lang_-Dramaturgie-in-Titane-und-Happy-End-von-C.Lang_.pdf\">Text<\/a><\/p>\n<hr \/>\n<h4>Schlusspanel Tag 2<\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/728388871?h=25ba235632&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/04\/ruediger-suchsland\/\">R\u00fcdiger Suchsland<\/a>\u00a0(online), <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/01\/13\/marja-riitta-koivumaeki\/\">Marja-Riitta Koivum\u00e4ki<\/a>, <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/02\/24\/kathrin-resetarits\/\">Kathrin Resetarits<\/a>, <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/02\/08\/anna-sofie-hartmann\/\">Anna Sofie Hartmann<\/a>\u00a0&amp; <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2022\/01\/13\/christine-lang\/\">Christine Lang<\/a><\/p>\n<div class=\"mceTemp\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Die zweite Z\u00fcrcher Spielfilmtagung\u00a0ZFICTION.22\u00a0mit dem Titel \u00abPlease Don\u2019t Tell \u2013 Storytelling Beyond Magic Formula\u00bb setzte sich mit den Themen Narration und Rezeption auseinander. Wie m\u00fcssen \u201eStories&#8220; heute erz\u00e4hlt werden, um uns zu \u00fcberraschen? Welche psychologischen Mechanismen werden angeregt, wenn wir uns auf Erz\u00e4hlmuster einlassen? Klassische Dramaturgien, moderne Narrationsmodelle und zeitgen\u00f6ssische Anforderungen wurden einander diskursiv gegen\u00fcbergestellt. &hellip;<\/p>\n","protected":false},"author":6337,"featured_media":0,"parent":3086,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4248","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/pages\/4248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/users\/6337"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/comments?post=4248"}],"version-history":[{"count":66,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/pages\/4248\/revisions"}],"predecessor-version":[{"id":6457,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/pages\/4248\/revisions\/6457"}],"up":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/pages\/3086"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/media?parent=4248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}