{"id":6707,"date":"2026-02-03T13:57:36","date_gmt":"2026-02-03T13:57:36","guid":{"rendered":"https:\/\/blog.zhdk.ch\/zfiction\/?page_id=6707"},"modified":"2026-03-17T18:37:24","modified_gmt":"2026-03-17T18:37:24","slug":"programm-zfiction-26","status":"publish","type":"page","link":"https:\/\/blog.zhdk.ch\/zfiction\/programm-zfiction-26\/","title":{"rendered":"Programm ZFICTION.26"},"content":{"rendered":"

Mittwoch, 18. M\u00e4rz 2026<\/strong><\/p>\n

09:15 | Meet & Greet, Official Opening by ZFICTION organizers<\/p>\n

09:30 | STRAW INTO GOLD: Neorealism of the „Berliner Schule“<\/a> | Beatrice Schultz<\/a>, Reinhild Blaschke<\/a>, Silke Fischer<\/a><\/p>\n

10:30 | TO USE IS TO MISUSE: Ozu Yasujiro’s domestic environments<\/a> |\u00a0Volker Pantenburg<\/a><\/b><\/p>\n

11:15 | Break<\/p>\n

11:45 | FROM TOILETS TO SEWERS; Cinematic Journeys through Abject Spaces<\/a> |\u00a0Francis Pheasant-Kelly<\/a><\/strong><\/p>\n

12:30 | THE SETTING AS PROTAGONIST<\/a> | Reynold Reynolds<\/a><\/p>\n

13:15 | Lunch Break \/\/ Exhibition Reynold Reynolds<\/p>\n

14:30 | ORDINARY BEAUTY<\/a> | Jacqueline Abrahams<\/strong><\/a><\/p>\n

15:30 | Break \/\/ Exhibition Reynold Reynolds<\/p>\n

16:00 | COMPARING THE FILMS „VORTEX“ and „THE FATHER“<\/a> | Ute Holl<\/a><\/strong>, Birgit Glombitza<\/a><\/p>\n

17:15 | End of Day 1<\/p>\n

 <\/p>\n

Donnerstag, 19. M\u00e4rz 2026<\/strong><\/p>\n

09:15 | Arrival<\/p>\n

09:30 | THE GARDEN AS A MODEL<\/a> | Thomas Kissling<\/a><\/p>\n

10:15 | EVERYTHING EVERYWHERE ALL AT ONCE<\/a> | Kelsi Ephraim<\/b><\/a>, Jason Kisvarday<\/strong><\/a><\/p>\n

11:15 | Break<\/p>\n

11:45 | DESIGNING A FRAME FOR FEELING<\/a>\u00a0| Lucy Fife Donaldson<\/strong><\/a><\/p>\n

12:30 | PANEL, moderated by Georg Bringolf<\/a> | Kelsi Ephraim<\/b><\/a>, Jason Kisvarday<\/a>, Lucy Fife Donaldson<\/a>, Jacqueline Abrahams<\/a><\/strong><\/p>\n

13:15 | Lunch Break \/\/ Exhibition Reynold Reynolds<\/p>\n

14:30 | THE CINEMATIC HOME<\/a><\/span> | Jane Barnwell<\/strong><\/a><\/p>\n

15:15 | FEMINISM AT THE KITCHEN TABLE<\/a> | Gina Dellagiacoma<\/strong><\/a><\/span><\/p>\n

16:00 | Break \/\/ Exhibition Reynold Reynolds<\/p>\n

16:30 | THE ORDINARY AND THE MUNDANE: A Sketch<\/a> | Fabienne Liptay<\/strong><\/a><\/p>\n

17:15 | CLOSING PANEL<\/p>\n

17:45 | End of Day 2<\/p>\n

\n

HOME<\/a> | ZEITPLAn<\/a> | Tickets<\/a><\/h3>\n","protected":false},"excerpt":{"rendered":"

Mittwoch, 18. M\u00e4rz 2026 09:15 | Meet & Greet, Official Opening by ZFICTION organizers 09:30 | STRAW INTO GOLD: Neorealism of the „Berliner Schule“ | Beatrice Schultz, Reinhild Blaschke, Silke Fischer 10:30 | TO USE IS TO MISUSE: Ozu Yasujiro’s domestic environments |\u00a0Volker Pantenburg 11:15 | Break 11:45 | FROM TOILETS TO SEWERS; Cinematic Journeys …<\/p>\n","protected":false},"author":6337,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6707","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/pages\/6707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/users\/6337"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/comments?post=6707"}],"version-history":[{"count":19,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/pages\/6707\/revisions"}],"predecessor-version":[{"id":7154,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/pages\/6707\/revisions\/7154"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/media?parent=6707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}