{"id":3936,"date":"2022-03-04T09:31:49","date_gmt":"2022-03-04T09:31:49","guid":{"rendered":"https:\/\/blog.zhdk.ch\/zfiction\/?p=3936"},"modified":"2022-03-04T14:11:23","modified_gmt":"2022-03-04T14:11:23","slug":"ruediger-suchsland-2","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/04\/ruediger-suchsland-2\/","title":{"rendered":"R\u00fcdiger Suchsland (EN)"},"content":{"rendered":"

\"R\u00fcdiger<\/a><\/p>\n

R\u00fcdiger Suchsland is a film critic and director. He studied history and philosophy in Munich. After graduating, he worked as a freelance journalist for various cultural editorial departments.\u00a0Since 1998, he has worked mainly in the field of film criticism. As an author, he writes for the FAZ, film-dienst, Telepolis, Deutschlandfunk and various other national and regional publications.\u00a0Since 1997 he has been an editor at artechock. In addition to all his reviews and in-depth interviews, he regularly publishes loose notes there with the irregular column „Cinema Moralia“, which combines current observations, short reviews, gossip, film politics and many indispensable tips into a text form that is free in every respect.\u00a0From 1998 to 2004 he was a staff member of the Filmfest M\u00fcnchen and since 2002 at the Filmfestival Mannheim-Heidelberg as well as at the „Festival des deutschen Films“ in Ludwigshafen. From 2004-2008 and again since 2012, he has been a board member at the Association of German Film Critics.
\nSuchsland says about his work as a film critic: „Film criticism is of course subjective. But it should definitely be committed and always curious. Film criticism always keeps some distance, always identifies with cinema, but only to a limited extent with ‚the film industry‘. A really good film critic is always also a social and cultural critic.“<\/p>\n

> Cinema Moralia on artechock.de (in German)<\/a><\/p>\n

> Deutsche Version<\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

R\u00fcdiger Suchsland is a film critic and director. He studied history and philosophy in Munich. After graduating, he worked as a freelance journalist for various cultural editorial departments.\u00a0Since 1998, he has worked mainly in the field of film criticism. As an author, he writes for the FAZ, film-dienst, Telepolis, Deutschlandfunk and various other national and …<\/p>\n","protected":false},"author":6330,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,6],"tags":[],"class_list":["post-3936","post","type-post","status-publish","format-standard","hentry","category-8","category-speakers"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts\/3936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/users\/6330"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/comments?post=3936"}],"version-history":[{"count":4,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts\/3936\/revisions"}],"predecessor-version":[{"id":3960,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts\/3936\/revisions\/3960"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/media?parent=3936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/categories?post=3936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/tags?post=3936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}