{"id":4193,"date":"2022-03-23T17:55:08","date_gmt":"2022-03-23T17:55:08","guid":{"rendered":"https:\/\/blog.zhdk.ch\/zfiction\/?p=4193"},"modified":"2022-03-23T17:56:13","modified_gmt":"2022-03-23T17:56:13","slug":"in-search-of-the-third-cinema","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/zfiction\/2022\/03\/23\/in-search-of-the-third-cinema\/","title":{"rendered":"In search of the „third cinema\u201d"},"content":{"rendered":"
ABSTRACT BY R\u00dcDIGER SUCHSLAND<\/a><\/h5>\n

What kind of films would Romy Schneider (be able to) make today? Or Jean-Paul Belmondo? <\/em><\/p>\n

Observations of a cinema-goer<\/strong><\/p>\n

In my lecture I will try to formulate some theses on the situation of cinema in the present. Roughly speaking, I would like to start by outlining a certain type of film that exists much less today, perhaps not at all. It is a type of film that combines high standards with sophisticated entertainment, excess with depth.<\/p>\n

I call this type of film, for lack of a better term, „the third cinema\u201d. This „third cinema“ is neither a (post)modern blockbuster driven by fantasy and world transcendence, nor that (post)modern art cinema that has already halfway made it\u2019s way into the gallery.<\/p>\n

At the same time, „the third cinema“ has always been the synthesis between elements of these two types of films.<\/p>\n

In the lecture, quite classically without images, I try to define this blank space and formulate my assumptions about its reasons.<\/p>\n

It is important to note: I am not arguing against a cinema that exists today, but I plead for a cinema that existed in the past and that I miss today.<\/p>\n

I understand my lecture as an impulse to remember these films and the many unused possibilities of cinema again – if it goes well, then all the filmmakers present become quite wistful afterwards and immediately feel like making such films again themselves.<\/p>\n

><\/strong> Deutsche Version<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

ABSTRACT BY R\u00dcDIGER SUCHSLAND What kind of films would Romy Schneider (be able to) make today? Or Jean-Paul Belmondo? Observations of a cinema-goer In my lecture I will try to formulate some theses on the situation of cinema in the present. Roughly speaking, I would like to start by outlining a certain type of film …<\/p>\n","protected":false},"author":6337,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,6,4],"tags":[],"class_list":["post-4193","post","type-post","status-publish","format-standard","hentry","category-8","category-speakers","category-talks"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts\/4193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/users\/6337"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/comments?post=4193"}],"version-history":[{"count":2,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts\/4193\/revisions"}],"predecessor-version":[{"id":4199,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts\/4193\/revisions\/4199"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/media?parent=4193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/categories?post=4193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/tags?post=4193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}