{"id":4606,"date":"2024-01-23T14:32:20","date_gmt":"2024-01-23T14:32:20","guid":{"rendered":"https:\/\/blog.zhdk.ch\/zfiction\/?p=4606"},"modified":"2024-02-29T14:07:44","modified_gmt":"2024-02-29T14:07:44","slug":"anja-kloech-en","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/zfiction\/2024\/01\/23\/anja-kloech-en\/","title":{"rendered":"Anja Kl\u00f6ck (EN)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-4602\" src=\"https:\/\/blog.zhdk.ch\/zfiction\/files\/2024\/01\/Anja_Kloeck_Foto-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/blog.zhdk.ch\/zfiction\/files\/2024\/01\/Anja_Kloeck_Foto-200x300.jpg 200w, https:\/\/blog.zhdk.ch\/zfiction\/files\/2024\/01\/Anja_Kloeck_Foto.jpg 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>Anja Kl\u00f6ck, PhD, is a Professor at the Acting Institute \u201eHans Otto\u201c, University of Music and Theatre in Leipzig, Germany. She teaches scene studies\/acting as well as acting theory and theatre history. She has researched and published on acting and media theories since the early modern times, historical avant-garde, theatre and acting in the East-West-conflict, theatre and politics, as well as contemporary theatre. A current research focus includes the scope of professional acting and digital transformations. Her research on acting training in Germany between 1945 and 1989\/90 was funded by the German Research Association (DFG). She ist co-head of the working group \u201eActing Theories\u201c of the German Association of Theatre Research and co-founder of the network TiFLikA fostering an exchange among researchers and teachers in artistic training programs in the Performing Arts.<\/p>\n<p>She studied Stage Directing, Drama and Theatre Studies at the Universities of Canterbury (UK), Munich (GER) and Minneapolis (USA) and received her PhD in Theatre Historiography with a thesis on \u201cTechnologies of Representation and the Women of Italian Futurist Theatre\u201d. Independent artistic work in directing, performing, writing and dramaturgy.<\/p>\n<p><strong>Selection of relevant publications:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.nomos-elibrary.de\/10.5771\/9783748928553\/theater-und-tanz?hitid=04&amp;search-click&amp;page=1\">\u201eIV.3.2 Schauspiel(en)\u201c<\/a>, in: Theater und Tanz. Handbuch f\u00fcr Wissenschaft und Studium. Baden-Baden: Nomos, 2023, S. 625-338.<\/li>\n<li><a href=\"https:\/\/www.verbrecherverlag.de\/shop\/brecht-und-das-theater-der-interventionen\/\">\u201eAgitprop als Intervention?\u201c<\/a>, in: Brecht und das Theater der Interventionen. Berlin: Verbrecher Verlag (lfb Texte 17), 2023, S. 157-179.<\/li>\n<li><a href=\"https:\/\/www.narr.de\/forum-modernes-theater-33-1-2-11400-2\/\">\u201eSpielr\u00e4ume professionellen Schauspielens.\u201c<\/a> (hg. zus. m. W.-D. Ernst) = Sonderband FORUM MODERNES THEATER, 1\/22.<\/li>\n<li><strong>\u201eTechnik von der Hand in den Mund? Geste, Gestus und gestisches Sprechen aus der Perspektive der Technikreflexion&#8220;<\/strong> in: Kathrin Dreckmann, Maren\u202fButte, Elfi Vomberg (Hg.): Technologien des\u202fPerformativen: Das Theater und seine Techniken.\u202fBielefeld: transcript 2020, S. 215-222.<\/li>\n<li><strong>\u201eActing on the Cold War: Imperialist Strategies, Stanislavsky, and Brecht in German Actor Training after 1945\u201d<\/strong>, in: Balme, Christopher\/Szymansky-D\u00fcll, Berenika (Hg.): Theatre, Globalization and the Cold War. New York: Palgrave, 2017, S. 239-257.<\/li>\n<li><strong>\u201eKulturen des H\u00f6rens und Sprechens: Schauspielen und H\u00f6rspielen im Medienwandel der 1970er Jahre\u201c<\/strong>, in: Ernst, Wolf-Dieter\/ Niethammer, Nora\/ Szymanski-D\u00fcll, Berenika\/ Mungen, Anno (Hg.): Sound und Performance. Positionen, Methoden, Analysen. W\u00fcrzburg: K\u00f6nigshausen &amp; Neumann (Reihe Thurnauer Schriften Bd. 27), 2015, S. 175-189.<\/li>\n<li><strong>\u201eDas Andere der anderen Szene: Schauspielausbildung und westdeutsche Fernsehdokumentation im Spannungsfeld Ost-West\u201c<\/strong>, in: Diekmann, Stefanie (Hg.): Die andere Szene: Theaterarbeit und Theaterproben im Dokumentarfilm. Berlin: Theater der Zeit (Recherchen Bd. 91), 2014, S. 224-242.<\/li>\n<li><strong>\u201eThe Politics of Being on Stage: An Introduction\u201d<\/strong>, in: Kl\u00f6ck, Anja (Hg.): The Politics of Being on Stage. Hildesheim\/Z\u00fcrich\/New York: Olms, 2012, S. 7-24.<\/li>\n<li><strong>Hei\u00dfe West- und kalte Ostschauspieler? Diskurse, Praxen, Geschichte(n) zur Schauspielausbildung in Deutschland nach 1945<\/strong>. Berlin: Theater der Zeit (Recherchen Bd. 62), 2008.<\/li>\n<li><strong>\u201eActing on the Media: the actor&#8217;s modes of being on stage in an age of technological mediation\u201d<\/strong>, in: Performance Research: On Theatre 10.2 (2005), S. 114 \u2013 126.<\/li>\n<\/ul>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/01\/23\/anja-kloeck\/\">&gt;&gt; Deutsche Version<\/a><\/p>\n<div><span style=\"font-size: 1.5rem\">___<br \/>\n<\/span><strong style=\"font-size: 1.5rem\">&gt; Lecture at ZFICTION.24 <\/strong><span style=\"font-size: 1.5rem\">| <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/29\/spielraeume\/\"><span class=\"NormalTextRun SCXW131033310 BCX4\">Spielr\u00e4ume professionellen Schauspielens und digitale Transformation<\/span><span class=\"NormalTextRun SCXW131033310 BCX4\">en<\/span><\/a><\/span><\/div>\n<div>\n<div>\n<hr class=\"ttfmake-hr\" style=\"border-style: solid;border-top-width: 1px\" \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/\"><strong>&gt;HOME<\/strong><\/a>\u00a0|<a href=\"https:\/\/blog.zhdk.ch\/zfiction\/programm-zfiction-24\/\"><strong>\u00a0&gt;PROGRAMM<\/strong><\/a> | <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/zfiction-info\/\"><strong>&gt;TICKETS<\/strong><\/a><\/h4>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Anja Kl\u00f6ck, PhD, is a Professor at the Acting Institute \u201eHans Otto\u201c, University of Music and Theatre in Leipzig, Germany. She teaches scene studies\/acting as well as acting theory and theatre history. She has researched and published on acting and media theories since the early modern times, historical avant-garde, theatre and acting in the East-West-conflict, &hellip;<\/p>\n","protected":false},"author":6337,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,6,4],"tags":[],"class_list":["post-4606","post","type-post","status-publish","format-standard","hentry","category-10","category-speakers","category-talks"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts\/4606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/users\/6337"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/comments?post=4606"}],"version-history":[{"count":7,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts\/4606\/revisions"}],"predecessor-version":[{"id":5389,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts\/4606\/revisions\/5389"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/media?parent=4606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/categories?post=4606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/tags?post=4606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}