![\"\"](\"https:\/\/blog.zhdk.ch\/zfiction\/files\/2024\/03\/2023_01_27_Raquel4-230x300.jpg\")
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Raquel Kishori Dukpa is a screenwriter, film producer and casting director. She studied at the University Hildesheim, specialising in film, queer feminist theory and popular culture. She has been part of J\u00dcNGLINGE since 2016, working as a casting director, in production and research for their debut film FUTUR DREI. Together with Arpana Berndt, she is the editor of the catalogue „I See You – Gedanken zum Film <\/span>Futur Drei<\/span><\/i>“ (edition assemblage). Since then, Raquel Dukpa develops and produces various feature film and series projects as part of the collective J\u00dcNGLINGE together with Faraz Shariat and Paulina Lorenz. Together with Tara Afsah and Lilian Pfeuffer she curates CINEMA+CONTEXT at the Volksb\u00fchne Berlin. The focus is on films and their contextualisation from a decolonial and intersectional feminist perspective.<\/span><\/p>\n 2020 Raquel Dukpa was the screenwriter and casting director for the sixth season of the youth series \u201cDRUCK\u201d (ZDF\/funk). In 2021, Raquel was awarded the German Acting Award for her Casting achievement in the series „DRUCK“. She wrote for the medical series \u201cKRANK\u201d (ZDF) and for the anthology-series \u201cZEIT VERBRECHEN\u201d she is the screenwriter for the episode \u201cLOVE BY PROXY\u201d (together with Faraz Shariat and Paulina Lorenz), which celebrated it\u2019s premiere at the Berlinale 2024 in the section Panorama.<\/span>\u00a0<\/span><\/p>\n >> Deutsche Version<\/a><\/p>\n Raquel Kishori Dukpa is a screenwriter, film producer and casting director. She studied at the University Hildesheim, specialising in film, queer feminist theory and popular culture. She has been part of J\u00dcNGLINGE since 2016, working as a casting director, in production and research for their debut film FUTUR DREI. Together with Arpana Berndt, she is …<\/p>\n","protected":false},"author":6337,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,6,4],"tags":[],"class_list":["post-5473","post","type-post","status-publish","format-standard","hentry","category-10","category-speakers","category-talks"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts\/5473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/users\/6337"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/comments?post=5473"}],"version-history":[{"count":5,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts\/5473\/revisions"}],"predecessor-version":[{"id":5781,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/posts\/5473\/revisions\/5781"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/media?parent=5473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/categories?post=5473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfiction\/wp-json\/wp\/v2\/tags?post=5473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}___
\n<\/span>> Lecture at ZFICTION.24 <\/strong>| The interplay between narrative and casting<\/a>
\n<\/span><\/div>\n\n\n
\n>HOME<\/strong><\/a>\u00a0|\u00a0>PROGRAMM<\/strong><\/a> | >TICKETS<\/strong><\/a><\/h4>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"