{"id":4588,"date":"2024-01-23T13:35:48","date_gmt":"2024-01-23T13:35:48","guid":{"rendered":"https:\/\/blog.zhdk.ch\/zfiction\/?page_id=4588"},"modified":"2026-03-03T09:19:28","modified_gmt":"2026-03-03T09:19:28","slug":"zfiction-24-en","status":"publish","type":"page","link":"https:\/\/blog.zhdk.ch\/zfictionenglish\/zfiction-24-en\/","title":{"rendered":"ZFICTION.24 Archiv (EN)"},"content":{"rendered":"<p>The third Zurich Feature Film Conference, ZFICTION.24, was dedicated to the art of film acting. Under the title \u2018Future Bodies \u2013 Screen Acting in the Digital Age\u2019, the conference examined contemporary and future developments in film acting against the backdrop of digital transformation and new models of participation and diversity.<\/p>\n<p>What is \u2018film acting\u2019? Under what conditions does it arise? How can the collaboration between actors, coaches and directors succeed artistically and personally? Who is allowed to play which role \u2013 and why? Are actors becoming data suppliers for digital workflows with AI? What constitutes contemporary training?<\/p>\n<pre>ZFICTION.24 fand am <strong>21. und 22. M\u00e4rz 2024<\/strong> live auf der B\u00fchne A in der Gessnerallee in Z\u00fcrich statt.<\/pre>\n<hr \/>\n<h2><strong>Donnerstag, 21. M\u00e4rz 2024<\/strong><\/h2>\n<h4>Begr\u00fcssung<\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/990769235?h=e36ef1d818&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2020\/01\/20\/mike-schaerer\/\">Michael Schaerer<\/a> &amp; Miriam Loertscher<\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/29\/spielraeume\/\"><span class=\"NormalTextRun SCXW131033310 BCX4\">Spielr\u00e4ume professionellen Schauspielens und digitale Transformation<\/span><span class=\"NormalTextRun SCXW131033310 BCX4\">en<\/span><\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/990918632?h=83bdf4725d&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/01\/23\/anja-kloeck\/\">Anja Kl\u00f6ck<\/a>\u00a0| <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/29\/spielraeume\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/13\/era-deepfakes-ai\/\">Acting in the era of deepfakes and AI<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/990918459?h=e57cbc97c3&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/07\/dominic-lees-en\/\">Dominic Lees<\/a> | <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/13\/era-deepfakes-ai\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/21\/coaching-actors\/\">Coaching Actors \u2013 Roles, Techniques, and Challenges<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/990918344?h=3c3b5ba48f&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/01\/23\/mel-churcher-en\/\">Mel Churcher<\/a>\u00a0<span style=\"font-size: 1.5rem\">| <\/span><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/21\/coaching-actors\/\">Abstract<\/a><span style=\"font-size: 1.5rem\">\u00a0<\/span><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/08\/character-work-bringing-text-to-life\/\">Character work \u2013 Bringing text to life<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/990918159?h=7e82b4c5a6&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/07\/ella-rumpf\/\">Ella Rumpf<\/a>\u00a0| <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/08\/character-work-bringing-text-to-life\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/20\/ai-and-art-world\/\">AI and the Art World: Change, Challenge and Opportunity<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/990917888?h=b342187780&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/13\/luba-elliott-en\/\">Luba Elliott<\/a>\u00a0<span style=\"font-size: 1.5rem\">| <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/20\/ai-and-art-world\/\">Abstract<\/a>\u00a0<\/span><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/20\/pe-cap\/\">Differences in role creation for performance capture and screen<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/990918019?h=61998dec24&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/16\/cheryl-burniston-2\/\">Cheryl Burniston<\/a> | <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/20\/pe-cap\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/20\/schauspiel-virtuell\/\">Lebendiges Schauspiel in virtuellen Welten<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/990917719?h=8c6fa06024&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/01\/23\/luis-august-krawen\/\">Luis August Krawen<\/a> | <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/20\/schauspiel-virtuell\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/26\/robots\/\">Human Machines: Improvisation Comedy with Large Language Models<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/990767414?h=de84d8d983&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/01\/23\/piotr-mirowski-en\/\">Piotr Mirowski<\/a> | <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/26\/robots\/\">Abstract<\/a><\/p>\n<div class=\"mceTemp\"><\/div>\n<hr \/>\n<h2><strong>Freitag, 22. M\u00e4rz 2024<\/strong><\/h2>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/21\/stylistic-change\/\">Stylistic change and the norms that guide spectators\u2019 appraisal of screen performances<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/994473550?h=e7cbd48e8d&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/01\/23\/johannes-riis-en\/\">Johannes Riis<\/a>\u00a0<span style=\"font-size: 1.5rem\">| <\/span><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/21\/stylistic-change\/\">Abstract<\/a><span style=\"font-size: 1.5rem\">\u00a0<\/span><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/20\/components\/\">The Psychological Components of Acting Characters<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/994473893?h=bb79b57f38&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/01\/23\/thalia-r-goldstein-en\/\">Thalia R. Goldstein<\/a>\u00a0<span style=\"font-size: 1.5rem\">| <\/span><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/20\/components\/\">Abstract<\/a><span style=\"font-size: 1.5rem\">\u00a0<\/span><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/20\/trauma-informed\/\">Trauma Informed Pedagogy in an \u2018erotic\u2019 art<\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/994474221?h=201c03e7d8&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/01\/23\/jessica-hartley-en\/\">Jessica Hartley<\/a>\u00a0| <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/20\/trauma-informed\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><span class=\"s2\"><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/07\/verletzlichkeit-in-der-beziehung-schauspiel-regie\/\">Verletzlichkeit in der Beziehung Schauspiel-Regie<\/a><\/span><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/994474508?h=e71e356e2f&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/07\/katalin-goedroes\/\">Katalin G\u00f6dr\u00f6s<\/a>\u00a0| <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/07\/verletzlichkeit-in-der-beziehung-schauspiel-regie\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><span class=\"s2\">Inviting Proximity: Cultivating Intimacy Through Screen Acting<\/span><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/994474977?h=50ccff2935&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/02\/21\/maryam-touzani-en\/\">Maryam Touzani<\/a><\/p>\n<hr \/>\n<h4><span class=\"TextRun SCXW170081536 BCX4\" lang=\"DE-CH\" xml:lang=\"DE-CH\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW170081536 BCX4\"><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/08\/narrative-und-besetzung-im-wechselspiel\/\">Narrative und Besetzung im Wechselspiel<\/a><\/span><\/span><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/994475207?h=de89018178&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/07\/raquel-kishori-dukpa\/\">Raquel Dukpa<\/a>\u00a0<span style=\"font-size: 1.5rem\">| <\/span><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/08\/narrative-und-besetzung-im-wechselspiel\/\">Abstract<\/a><\/p>\n<hr \/>\n<h4><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/08\/narrative-und-besetzung-im-wechselspiel\/\"><span class=\"TextRun SCXW170081536 BCX4\" lang=\"DE-CH\" xml:lang=\"DE-CH\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW170081536 BCX4\">Panel Diskussion \u2013 Diversity Casting<\/span><\/span><\/a><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/994475541?h=659b1362ff&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/08\/narrative-und-besetzung-im-wechselspiel\/\"><span class=\"TextRun SCXW170081536 BCX4\" lang=\"DE-CH\" xml:lang=\"DE-CH\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW170081536 BCX4\">Gespr\u00e4ch mit <\/span><\/span><\/a><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/07\/raquel-kishori-dukpa\/\">Raquel Kishori Dukpa<\/a>, <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/07\/corinna-glaus\/\">Corinna Glaus<\/a>, <a href=\"https:\/\/blog.zhdk.ch\/zfiction\/2024\/03\/15\/kay-kysela\/\">Kay Kysela<\/a><\/p>\n<hr \/>\n<h4><strong>Panel \u2013 Conclusion with speakers from the conference day 1 and 2<\/strong><\/h4>\n<div class=\"ttfmake-embed-wrapper aligncenter\" style=\"max-width: 960px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/994477794?h=2d40494193&amp;dnt=1&amp;app_id=122963\" width=\"960\" height=\"540\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<div class=\"mceTemp\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The third Zurich Feature Film Conference, ZFICTION.24, was dedicated to the art of film acting. Under the title \u2018Future Bodies \u2013 Screen Acting in the Digital Age\u2019, the conference examined contemporary and future developments in film acting against the backdrop of digital transformation and new models of participation and diversity. What is \u2018film acting\u2019? Under &hellip;<\/p>\n","protected":false},"author":6954,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4588","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/pages\/4588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/users\/6954"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/comments?post=4588"}],"version-history":[{"count":2,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/pages\/4588\/revisions"}],"predecessor-version":[{"id":7114,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/pages\/4588\/revisions\/7114"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/media?parent=4588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}