{"id":6868,"date":"2026-02-25T13:26:45","date_gmt":"2026-02-25T13:26:45","guid":{"rendered":"https:\/\/blog.zhdk.ch\/zfictionenglish\/?p=6868"},"modified":"2026-03-03T09:52:31","modified_gmt":"2026-03-03T09:52:31","slug":"jacqueline-abrahams","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/zfictionenglish\/2026\/02\/25\/jacqueline-abrahams\/","title":{"rendered":"JACQUELINE ABRAHAMS"},"content":{"rendered":"<p><a href=\"https:\/\/blog.zhdk.ch\/zfiction\/files\/2026\/01\/jabrahams.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6319\" src=\"https:\/\/blog.zhdk.ch\/zfiction\/files\/2026\/01\/jabrahams-254x300.jpg\" alt=\"\" width=\"254\" height=\"300\" srcset=\"https:\/\/blog.zhdk.ch\/zfictionenglish\/files\/2026\/01\/jabrahams-254x300.jpg 254w, https:\/\/blog.zhdk.ch\/zfictionenglish\/files\/2026\/01\/jabrahams.jpg 589w\" sizes=\"auto, (max-width: 254px) 100vw, 254px\" \/><\/a><\/p>\n<p><b><span data-contrast=\"auto\">Jacqueline Abrahams<\/span><\/b><span data-contrast=\"auto\">\u00a0<\/span><span data-contrast=\"none\">is\u00a0a British production designer.\u00a0<\/span><span data-contrast=\"none\">She\u00a0has\u00a0received\u00a0a BIFA Award\u00a0for\u202f<\/span><i><span data-contrast=\"none\">His House<\/span><\/i><span data-contrast=\"none\">\u202fand a BAFTA Award\u00a0for\u00a0the\u00a0television\u00a0series\u202f<\/span><i><span data-contrast=\"none\">Wallander<\/span><\/i><span data-contrast=\"none\">.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">After\u00a0training\u00a0in Fine Art\u00a0with\u00a0a\u00a0specialisation\u00a0in\u00a0performance\u00a0and live\u00a0art,\u00a0she\u00a0worked\u00a0for\u00a0four\u00a0years\u00a0as\u00a0a\u00a0scenic\u00a0painter\u00a0before\u00a0transitioning\u00a0into\u00a0production\u00a0design.\u00a0<\/span><span data-contrast=\"none\">She\u00a0has\u00a0since\u00a0contributed\u00a0to a\u00a0wide\u00a0range of productions,\u00a0encompassing\u00a0both\u00a0large-scale\u00a0studio\u00a0builds\u00a0and location-based\u00a0work. Abrahams has\u00a0designed\u00a0for\u00a0feature\u00a0films, short films,\u00a0television\u00a0drama,\u00a0children\u2019s\u00a0drama, and\u00a0theatre,\u00a0collaborating\u00a0with\u00a0acclaimed\u00a0directors\u00a0including\u00a0Yorgos\u00a0Lanthimos, Yann Demange, and Michael\u00a0Winterbottom.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">She\u00a0is\u00a0particularly\u00a0known\u00a0for\u00a0her\u00a0work\u00a0on\u202f<\/span><b><i><span data-contrast=\"none\">The\u00a0Lobster<\/span><\/i><\/b><span data-contrast=\"none\">\u202f(2015,\u00a0dir.\u00a0Yorgos\u00a0Lanthimos;\u00a0premiered\u00a0in\u00a0competition\u00a0at the Cannes Film Festival, Jury\u00a0Prize),\u202f<\/span><b><i><span data-contrast=\"none\">Lady Macbeth<\/span><\/i><\/b><span data-contrast=\"none\">\u202f(2016,\u00a0dir. William\u00a0Oldroyd),\u202f<\/span><i><span data-contrast=\"none\">His\u00a0House<\/span><\/i><span data-contrast=\"none\">\u202f(2020,\u00a0dir. Remi\u00a0Weekes),\u202f<\/span><b><i><span data-contrast=\"none\">Wallander<\/span><\/i><\/b><b><span data-contrast=\"none\">\u202f<\/span><\/b><span data-contrast=\"none\">(2008, BBC\u00a0television\u00a0series),\u202f<\/span><b><i><span data-contrast=\"none\">The Look of Love<\/span><\/i><\/b><span data-contrast=\"none\">\u202f(2012,\u00a0dir.\u00a0<\/span><span data-contrast=\"none\">Michael Winterbottom), and\u202f<\/span><b><i><span data-contrast=\"none\">How I Live\u00a0Now\u00a0<\/span><\/i><\/b><span data-contrast=\"none\">(2013, dir. Kevin Macdonald).<\/span><span data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Jacqueline Abrahams\u00a0<\/span><span data-contrast=\"none\">is\u00a0a\u00a0member\u00a0of\u00a0the\u00a0European\u00a0<\/span><span data-contrast=\"auto\">Filmakademie.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/www.unitedtalent.com\/talent\/production-artist\/jacqueline-abrahams\">https:\/\/www.unitedtalent.com\/talent\/production-artist\/jacqueline-abrahams<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jacqueline Abrahams\u00a0is\u00a0a British production designer.\u00a0She\u00a0has\u00a0received\u00a0a BIFA Award\u00a0for\u202fHis House\u202fand a BAFTA Award\u00a0for\u00a0the\u00a0television\u00a0series\u202fWallander.\u00a0 After\u00a0training\u00a0in Fine Art\u00a0with\u00a0a\u00a0specialisation\u00a0in\u00a0performance\u00a0and live\u00a0art,\u00a0she\u00a0worked\u00a0for\u00a0four\u00a0years\u00a0as\u00a0a\u00a0scenic\u00a0painter\u00a0before\u00a0transitioning\u00a0into\u00a0production\u00a0design.\u00a0She\u00a0has\u00a0since\u00a0contributed\u00a0to a\u00a0wide\u00a0range of productions,\u00a0encompassing\u00a0both\u00a0large-scale\u00a0studio\u00a0builds\u00a0and location-based\u00a0work. Abrahams has\u00a0designed\u00a0for\u00a0feature\u00a0films, short films,\u00a0television\u00a0drama,\u00a0children\u2019s\u00a0drama, and\u00a0theatre,\u00a0collaborating\u00a0with\u00a0acclaimed\u00a0directors\u00a0including\u00a0Yorgos\u00a0Lanthimos, Yann Demange, and Michael\u00a0Winterbottom.\u00a0 She\u00a0is\u00a0particularly\u00a0known\u00a0for\u00a0her\u00a0work\u00a0on\u202fThe\u00a0Lobster\u202f(2015,\u00a0dir.\u00a0Yorgos\u00a0Lanthimos;\u00a0premiered\u00a0in\u00a0competition\u00a0at the Cannes Film Festival, Jury\u00a0Prize),\u202fLady Macbeth\u202f(2016,\u00a0dir. William\u00a0Oldroyd),\u202fHis\u00a0House\u202f(2020,\u00a0dir. Remi\u00a0Weekes),\u202fWallander\u202f(2008, BBC\u00a0television\u00a0series),\u202fThe Look of Love\u202f(2012,\u00a0dir.\u00a0Michael Winterbottom), and\u202fHow I Live\u00a0Now\u00a0(2013, dir. Kevin Macdonald).\u00a0 Jacqueline Abrahams\u00a0is\u00a0a\u00a0member\u00a0of\u00a0the\u00a0European\u00a0Filmakademie.\u00a0 https:\/\/www.unitedtalent.com\/talent\/production-artist\/jacqueline-abrahams<\/p>\n","protected":false},"author":6954,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,9,11],"tags":[],"class_list":["post-6868","post","type-post","status-publish","format-standard","hentry","category-7","category-speakers","category-talks"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/posts\/6868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/users\/6954"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/comments?post=6868"}],"version-history":[{"count":2,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/posts\/6868\/revisions"}],"predecessor-version":[{"id":7126,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/posts\/6868\/revisions\/7126"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/media?parent=6868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/categories?post=6868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/tags?post=6868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}