{"id":7052,"date":"2026-02-27T15:20:34","date_gmt":"2026-02-27T15:20:34","guid":{"rendered":"https:\/\/blog.zhdk.ch\/zfictionenglish\/?p=7052"},"modified":"2026-02-27T15:20:53","modified_gmt":"2026-02-27T15:20:53","slug":"the-ordinary-and-the-mundane-a-sketch","status":"publish","type":"post","link":"https:\/\/blog.zhdk.ch\/zfictionenglish\/2026\/02\/27\/the-ordinary-and-the-mundane-a-sketch\/","title":{"rendered":"THE ORDINARY AND THE MUNDANE &#8211; A SKETCH"},"content":{"rendered":"<p><strong>ABSTRACT BY <a href=\"https:\/\/blog.zhdk.ch\/zfictionenglish\/2026\/02\/25\/fabienne-liptay\/\">FABIENNE LIPTAY<\/a><\/strong><\/p>\n<p><span class=\"TextRun SCXW180292007 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">The lecture approaches production design\u00a0<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">of films\u00a0<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">from a conceptual perspective.\u00a0<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">How can the \u201cordinary\u201d and the \u201c<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">mundane<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">\u201d be outlined and distinguished from one another\u00a0<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">with regard to<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">\u00a0film history?<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">\u00a0How do they relate, on the one hand, to what Carlo Ginzburg called the \u201cevidentia<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">ry<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">\u00a0paradigm\u201d<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">,\u00a0<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">the reading of traces according to which everything is meaningful, even the smallest detail<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">,\u00a0<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">and, on the other hand, to what Roland Barthes described as the \u201creality effect,\u201d according to which nothing is meaningful beyond its mere relation to reality? Using works by Omer Fast as examples, the lecture also explores the question of how things and bodies that appear ordinary or\u00a0<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">mundane<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">\u00a0relate to one another, and under what conditions they lead a life of their own when we are not\u00a0<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">watching<\/span><span class=\"NormalTextRun SCXW180292007 BCX0\" data-ccp-parastyle=\"Normal (Web)\">.<\/span><\/span><span class=\"EOP SCXW180292007 BCX0\" data-ccp-props=\"{&quot;134233117&quot;:true,&quot;134233118&quot;:true}\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ABSTRACT BY FABIENNE LIPTAY The lecture approaches production design\u00a0of films\u00a0from a conceptual perspective.\u00a0How can the \u201cordinary\u201d and the \u201cmundane\u201d be outlined and distinguished from one another\u00a0with regard to\u00a0film history?\u00a0How do they relate, on the one hand, to what Carlo Ginzburg called the \u201cevidentiary\u00a0paradigm\u201d,\u00a0the reading of traces according to which everything is meaningful, even the smallest &hellip;<\/p>\n","protected":false},"author":6954,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7052","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/posts\/7052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/users\/6954"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/comments?post=7052"}],"version-history":[{"count":2,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/posts\/7052\/revisions"}],"predecessor-version":[{"id":7056,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/posts\/7052\/revisions\/7056"}],"wp:attachment":[{"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/media?parent=7052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/categories?post=7052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.zhdk.ch\/zfictionenglish\/wp-json\/wp\/v2\/tags?post=7052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}