Category: Uncategorized

Baptiste is a saxophone and recorder player from France and a student at the Pôle Aliénor in Poitiers. He became involved in the AEC-Strengthening Music in Society project in 2018, as a member of both the student working group and the so-called ‘Diversity, Identity and Inclusiveness’. He is involved in many ways in the student representation of his institution, trying to debate wherever he goes across Europe from his subjects of predilections.

Anna Jakobsson (SE) is an artist-researcher, stage-director, and producer based in Stockholm. Her practice expands over the fields of contemporary performance, opera, and theatre and is distinguished by an interest in feminine narratives and non-hierarchical working methods. Since 2017 she is the creative producer of Konstmusiksystrar (Sisters in Contemporary music).

Anke Charton is Assistant Professor of Theatre with the Department of Theatre, Film and Media Studies at the University of Vienna. She studied at the universities of Leipzig, Bologna and Berkeley and holds a PhD in Theatre Studies from Leipzig University. Her work is centered at the intersection of Performance Studies, Musicology and Gender Studies; recent publications include papers on migration, agency and queerness and the historicity of gendered voice aesthetics.

Anja Wernicke studied Cultural Studies and Aesthetic Practice at the University of Hildesheim as well as Cultural Mediation of Art at the University of Provence in Marseille. Since 2013 she lives in Basel and works among other things as managing director and production manager for the festival ZeitRäume Basel as well as scientific assistant in the research department of the University of Music FHNW in Basel. In 2018 she completed the part-time continuing education course “curating in the scenic arts” at the University of Salzburg. She also works as a music theater dramaturge.