Ute Holl teaches at the Department of Media Studies in Basel and conducts research on the history of knowledge and perception in audiovisual media, particularly the aesthetics of cinema, as well as acoustic and electroacoustic media, archives and archiving strategies, and questions of subjectification and agency under conditions of AI. 

Recent publications include: Radiophonic Cultures. (ed.) Heidelberg, vols. 1&2, 2018/2024; “Calculating with Images. Data/Networks/Behaviour,‘ in F. Liptay (ed.) Taking Measures, Zurich, 2024, ’Glitch and the Ecologies of Sound Worlds,‘ in Glitch – The Art of Disruption, catalogue of the Pinakothek der Moderne, Munich 2023; ’Models of the Psyche, Technical Media and the Problem of Intelligence,” in: Julia Weber and Bernd Bösel (eds.) The Power of Psychotechnics, Frankfurt/New York, Campus Verlag 2025. 

Together with Peter Ott, she made the films Traum, Wolken, Off, Exil (2017) and Die Amitié (D 2023). 

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> The presentation at ZFICTION.26 | The Weight of Walls and the Void of Rooms: Staging Memory Loss in Vortex and The Father