List of Films 2009 So Long No See, video, couleur, 16 min. 2009 Voicing Through Saussure, video, couleur, 64 min. 2007 Poble No, video, couleur, 30 min. 2005 Hans Schmidt, architecte, video, couleur, 45 min 2005 Agbar, video, couleur, 11 min. 1999 Backstage, video, couleur, 6 min 1998 Le 18 octobre, Super 8, couleur et noir-blanc, 7 min. 1996 K e nw i n, 16mm, couleur, 85 min. 1992 Soliloque 3, 16 mm, couleur, 37 min. 1991 Perfect Life, 16 mm, couleur, 82 min. 1988 Caprices, 16mm, couleur, 56 min.…
Author: aeea
Rencontres internationales du cinéma expérimental de Toulouse
Rencontres internationales du cinéma expérimental de Toulouse From 07/03/00 to 10/03/00 and 15/03/00 to 19/03/00 Place: Toulouse, France Number of Editions Sections Curators Filmmakers, Artists Films, Works: Voyage jusqu’à l’aube, Christiane Kolla Prizes Catalogues and Leaflets Press Circulation of the event
Voyage jusqu’à l’aube
Voyage jusqu’à l’aube, Christiane Kolla, SWITZERLAND 1981, 16mm, color, sound, 14 Min. [Forein Language Titles] Versions Credits Production Cast Camera: Erwin Huppert Music: Peate Ehrnrooth Other Synopsis The film is a love story about a couple who experience or relive a passionnate episode in a journey from sunset to dawn. Distribution Screenings First screening: Other screenings: Rencontres internationales du cinéma expérimental de Toulouse, France. Awards Materials
Züri brännt
Züri brännt, Videoladen Collective, SWITZERLAND 1980, format, bw/color, sound, 100 Min. [Forein Language Titles] Versions Credits Production: Videoladen Collective Cast Camera Music: TNT, Shift, Schläckschtängel, Barbara Fuchs, Bucks. Other Synopsis [up to 10 lines] Distribution Screenings First screening: Other screenings: Awards Materials: Alain Freudiger, “Quand Zurich brûlait. Urgence et permanence du document Züri brännt”, Décadrages. Cinéma, à travers champs, no 16-17, 130-137. ZuriBrannt
27 Min. 45 Sek.
27 min. 45 Sek., Gerd Dahlmann, GERMANY, FRANCE, SWITZERLAND 1963, format, bw/color, sound, 00 Min. [Forein Language Titles] Versions Credits Production Cast Camera Music Other Synopsis [up to 10 lines] Distribution Screenings exprmntl, Knokke, 1963. First screening: Other screenings: Awards Materials
exprmntl 4 Knokke 1967/68
exprmntl 4, filmexprmntlfilm, casino knokke From 25/12/1967 to 02/01/1968 Place: Knokke-le-Zoute Number of Editions Sections Curators Filmmakers, Artists Films, Works Prizes Catalogues and Leaflets exprmntl 4 Press Report in “Spiegel” Spiegelbericht_Knokke_1967:68 Circulation of the event Materials EXPRMNTL69_Haas_BriefAnLedoux_690529 EXPRMNTL69_Buache_Lettre Communique No. 7 from the EXPRMNTL. Announcement of Film-Coop Meeting. Among the announced Coops is the Film Forum Zurich (Kirby Siber)
Krienser Filmtage / VIPER
Krienser Filmtage / Viper From 1980 to 2006 Place: Kriens, Luzern, Basel Number of Editions 1. Krienser Filmtage 1980 2. Krienser Filmtage 1981 3. Krienser Filmtage 1982 4. Krienser Filmtage, 21.-30. Oktober 1983 5. Film-Video-Performance Tage Kriens, 21.-25. Nov, 1984 6. Film-Video-Performance Tage Luzern, 26. Nov-1. Dez, 1985 7. Film-Video-Performance Tage Luzern, 28. Okt-2. Nov, 1986 8. Film-Video-Performance Tage Luzern, 3.-8. Nov, 1987 9. Film-Video-Performance Tage Luzern, 24.-30. Okt, 1988 10. Film-Video-Performance Tage Luzern, 23.-29. Okt, 1989 11. Film-Video-Performance Tage Luzern, 23.-27. Okt, 1990 Sections Curators Filmmakers, Artists Films,…
Cléo Uebelmann
List of Films Mano Destra, Cléo Uebelmann, CH 1986, 53 Min. Bio *1963 Der Film Mano Destra löste mit seinen sadomasochistischen Liebesszenen zwischen Frauen in der feministischen Szene der 80-er Jahre heftige Diskussionen aus. Heute lebt Cléo Uebelmann als freie Fotografin und Filmemacherin in Luzern. Articles about (and from) the Author and his Work Screenings (Places and Dates) . Holdings of Films in Collections LUX, London
Fred Schmid
List of Films Bio *1899, Mühlhausen; †1968, Locarno Der Wissenschaftler und Philosoph Alfred Schmid war eine bedeutende Persönlichkeit in der Jugendbewegung. Er gründete den grauen Corps, der sich von der Deutschen Freischar abspaltete und 1934 von den Nationalsozialisten verboten und aufgelöst wurde.1961 beeinflusste er die Gründung der grauen jungenschaft. Articles about (and from) the Author and his Work Alfred Schmid, Die Diffusionsgaselektrode, Enke, Stuttgart, 1923. Alfred Schmid, Die kinetische Katalyse, Enke, Stuttgard, 1925 Alfred Schmid, Leonardo: Brief und Siegel, Der weiße Ritter Verlag, Potsdam,…
Werner von Mutzenbecher
List of Films I/68, Werner von Mutzenbecher, CH 1968, 8 Min. IX/75 Schlachthof, Werner von Mutzenbecher, CH 1975, 20 Min. XVII Projektionen, Werner von Mutzenbecher, CH 1985, 9 Min. XIX 88 4 mal 8, Werner von Mutzenbecher, 1988, 3 Min. XX/88 Pelcyn, Werner von Mutzenbecher, 1988, 12 Min. XVIII/85/89 Untergrund, Werner von Mutzenbecher, 1989, 5 Min. XXIV Fenster IV, Werner von Mutzenbecher, 1999, 3 Min. Bio *1937, Frankfurt am Main Werner von Mutzenbecher studierte ein Jahr lang Germanistik und Philosophie an der Universität Basel, bevor er 1957 in die Malerei Klasse der Allgemeinen…
Rolf Winnewisser
List of Films Franz Film, Rolf Winnewisser (mit Franz Windlin), CH, 1970, 16mm. London, Rolf Winnewisser, CH, 1970, 16mm. Venedit mit Martin Disler, Rolf Winnewisser, CH, 1976, 8mm. Erste USA Reise mit Martin Disler, Rolf Winnewisser, CH, 1977, 8mm. Südamerika Reise, Rolf Winnewisser, CH, 1978, 8mm. Franz Film II, Rolf Winnewisser, CH, 1979, 8mm. Die Musiker, Rolf Winnewisser (mit Serge Desarnault une Reinhard Febel), CH, 1979, 16mm. Bomben Schaffner, Rolf Winnewisser, CH, 1980, 8mm. 5er Film, Rolf Winnewisser (mit Theo Kneubühler une Hugo Suter), CH, 1981, 8mm. Split Horizon,…
Immer wieder, zurück
Immer wieder, zurück, Rolf Winnewisser, SWITZERLAND 1984, 16mm, bw/color, sound, 00 Min. [Forein Language Titles] Versions Credits Production Cast Camera Music Other Synopsis [up to 10 lines] Distribution Screenings First screening: Other screenings: Awards Materials (1984) IMMER WIEDER, ZURÜCK. Ein film von Rolf Winnewisser, Schweizer Institut in Rom.
Eva Lurati
List of Films Film des Morts Sourissiens, Eva Lurati, CH 1968, 11 Min. Dimanche, Eva Lurati, CH 1969, 22 Min. On the Back Side, Eva Lurati, CH 1970, 20 Min. Baka, Eva Lurati, CH 1970, 5 Min. Torse, Eva Lurati, CH 1971 Symphonie en vert, Eva Lurati, CH 1972 Bio *1944 Paris Eva Lurati travelled through Europe between 1964 and 1965. From 1966 onwards she lived in Zurich. Articles about (and from) the Author and his Work Eva Lurati appears in several Fluxus related…
Revue belge du cinéma, 41(1), 2002.
Revue belge du cinéma EXPRMNTL. Festival hors-normes. Knokke 1963 1967 1974 Issue No 43, Vol. 1, Brussels, Year 2002. Editors: ULB, Faculté de Philosophie et Lettres Contributors: Xavier Garcia-Bardon (ed.), Nicole Brenez Sections: Features: Special issues: Material: exprmntl rbc 43(1) Links:
Knokke 1949
Deuxième Festival Mondial du Film et des Beaux-Arts de Belgique From 18/06/1949 to 10/07/1949 Place: Knokke-le-Zoute, Belgium Number of Editions Sections Curators: Hermann Teirlinck (President) Filmmakers, Artists Films, Works Prizes Catalogues and Leaflets: Le cinéma à Knokke-le-Zoute, Textes et documents réunis par René Micha, Festival Mondial du Film et des Beaux-Arts de Belgique (ed.), Palais des Beaux-Arts, Bruxelles. knokke 1949 Press Circulation of the event
CINEMA – Kein Kult der Zerstreuung! Alternative Filmarbeit in der Schweiz
CINEMA Kein Kult der Zerstreuung! Alternative Filmarbeit in der Schweiz Issue No 1, Vol. xx, Place, Year 1978. Editors: Arbeitsgemeinschaft CINEMA/Groupe de travail CINEMA Redaktionskommission: Hans M. Eichenlaub, Bernhard Giger (Bern), Jörg Huber, Martin Schaub (Zürich). Ständige Mitarbeiter: Laurent Bonnard (Lausanne), Martin E. Girod (Basel), Werner (Jehle (Basel), Alex E. Pfingsttag (Fribourg), Karl Saurer (Köln), Claude Vallon (Lausanne), Verena Zimmermann (Basel). Contributors: Hans M. Eichenlaub, Martin E. Girod (Redaktion), Roland Cosandey, Bruno Jaeggi, Urs Jaeggi, Fabien Landry, Catherine Grandjean, Martin Schaub, Fred Zaugg, Christian Zeender, Verena Zimmermann. Sections: Features: “Violanta”…
CINEMA – Vidéo & Cie
Cinéma Vidéo & Cie. Unabhängige schweizerische Filmzeitschrift – Revue cinématographique indépendante suisse. 23. Jahrgang/année Issue No 4, Vol. xx, Place, Year 1977. Editors: Arbeitsgemeinschaft CINEMA/Groupe de travail CINEMA, Paul Bader (Basel), Jean-Pierre Brossard (La Chaux-de-Fonds), Hans M. Eichenlaub (Niedererlinsbach), Marianne Fehr (Fribourg), Bernhard Giger (Bern), Martin E. Girod (Basel), Jörg Huber (Bern), Werner Jehle (Basel), Alex E. Pfingsttag (Fribourg), Karl Saurer (Köln), Martin Schaub (Zürich), Claude Vallon (Lausanne), Walter Vian (Winterthur), Verena Zimmermann (Basel). Contributors: François Albera, René Berger, Hans M. Eichenlaub, (Jean-Luc) Godard, Werner Jehle, Beatrice Leuthold, Francis Reusser,…
Sans titres
Sans titres, Michel Favre, SWITZERLAND, 1988, 16mm, bw, silent, 9.40 Min. [Forein Language Titles] Versions Credits Production Cast Camera Music Other Synopsis [up to 10 lines] Distribution Screenings First screening: Other screenings: Awards Materials Sans titres, Michel Favre
L’An
L’An, Michel Favre, SWITZERLAND Super 8, color, sound, 8.40 Min. [Forein Language Titles] Versions Credits Production Cast Camera Music Other Synopsis [up to 10 lines] Distribution Screenings First screening: Other screenings: Awards Materials L\’An M Favre
Suspendus à un fil
Suspendus à un fil, Michel Favre, SWITZERLAND 1986, Super 8, b/w, Music: DROSS (Digital Research for Optimal Sound System – Franz Treichler & The Young Gods), 6.21 Min. [Forein Language Titles] Versions Credits Production Cast Camera Music Other Synopsis [up to 10 lines] Distribution Screenings First screening: Other screenings: Awards Materials Michel Favre \”Suspendus à un fil\”
Espaces 76. Art vidéo: recherches et expériences
Art vidéo: recherches et expériences. Bauermeister, Minkoff, Olesen, Otth, Urban From 10/03/1976 to 13/03/1976 Place: Porte de la Suisse, Paris. Number of Editions: 1 Sections: 10 – 13 March: Exhibition; 9 March: Conference by René Berger entitled “Introduction à l’art vidéo. Démonstrations analyses”; 10 – 13 March (evenings): “Animations et créations” by the artists. Curators: René Berger (on behalf of Pro Helvetia) Filmmakers, Artists: René Bauermeister, Gérald Minkoff, Muriel Olesen, Jean Otth, Janos Urban. Films, Works: see catalogue. Prizes Catalogues and Leaflets: Espaces 76 Press Circulation of the event
Mano Destra
Mano Destra, Übelmann Cleo, Switzerland 1986, 16mm, b/w, sound (magnetic), 53 Min. [Forein Language Titles] Versions Credits Production Cast Camera Music by The Vyllies Other Synopsis ‘Mano Destra’ is an enigmatically stylised and exquisitely photographed study of the body as object. Achieving cult status among the S&M Underground, the film however confronts the paradox of S&M: the consensual nature of the relationship. The domina, Cleo Uebelmann herself – cool, detached,competent and precise, sculpts the body of her’Victim’/’Client’ into an aesthetic object. The audience, however, wonders if Domina and client are…
Territoires singuliers du cinéma
Territoires singuliers du cinéma From 02/10/1987 to 17/10/1987 Place: Centre Culturel Suisse Paris Number of Editions Sections Curators Filmmakers, Artists: Jürg Hassler and Ursula L.-M.; Isa Hesse-Rabinovitch; Xavier Koller; Erich Langjahr; Walter Marti & Reni Mertens; Christian Schocher. Films, Works: See program hereunder Prizes Catalogues and Leaflets Press Circulation of the event
Luto Albert
List of Films Couleur et sons, Albert Luto, CH 1969 Le rêve impossible, Albert Luto, CH 1970 Cubisme, Albert Luto, CH 1972 Articles about (and from) the Author and his Work All Albert Luto files (from the Cinémathèque Suisse) Luto1 Screenings (Places and Dates) Festival international du film amateur de Cannes: 1969; 1970; 1972 (also very likely 1971). Holdings of Films in Collections . Awards and residencies Diplôme d’honneur pour Couleurs et sons, 22e Festival international du film amateur de Cannes, 1969. Médaille d’argent…
Quinzaine des Réalisateurs
Quinzaine des Réalisateurs From 00/00/1969 to 00/00/1969 Cannes Number of Editions Sections Curators Filmmakers, Artists: Schoenherr; Reusser Films, Works: Vieilles Lunes; Vive la mort; Yvon Yvonne; Das Kaputte Kino Prizes Catalogues and Leaflets Press Circulation of the event
Michael Snow. Works 1969-1978, Films 1964-1976
Michael Snow. Works 1969-1978, Films 1964-1976 From 04/03/1979 to 22/04/1979 Kunstmuseum Luzern Number of Editions: 1 Sections: Films: Works Curators: Martin Kunz; Armin Zweite Filmmakers, Artists: Michael Snow Films, Works Prizes Catalogues and Leaflets: Michael Snow. Kunstmuseum Luzern 1979, Martin Kunz (ed.), Mengis & Sticher, Luzern, 1979. Press Circulation of the event: Rheinisches Landesmuseum Bonn (2 August – 9 September 1979); Städisches Galerie im Lenbachhaus Munich (16 October – 25 November 1979).
New Forms in Film. Montreux 1974
New Forms in Film From 03/08/74 to 24/08/74 Montreux Number of Editions: 2 1972: Guggenheim Museum, New York (“Festival” as part of the Summer Arts Festival) 1974: Montreux (as “Exhibition”) Sections Curators: Annette Michelson Filmmakers, Artists Films, Works Prizes Catalogues and Leaflets: New Forms in Film, Annette Michelson (ed.), Montreux, 1974. Press release of 1972 edition, Guggenheim Museum Press Release Press: Articles from L’Est vaudois, July and August 1974: NewFormsInFilmLocalPress Mappe: New Forms in Film, Montreux. Dokumentationsstelle CSZ: Mappe_NewFormsInFilm_DokustelleCS Journal de Genève, 20 July 1974 Article – Un festival…
Research trip in Paris
August 30 – September 3 2010 Research at the following institutions: Bibliothèque Kandinsky (part of Pompidou Centre) Bibliothèque du film (bifi – part of the Cinémathèque française) Light Cone
Im roten Wald verliert sich eine Herde
Im roten Wald verliert sich eine Herde, Sebastian Dellers, CH 1992, 16 mm, couleur, sonore, 5 Min. Click here to watch film on Light Cone’s website. Versions Titre en français: Un troupeau se perd dans la forêt rouge Credits Production Cast Camera Music Other Synopsis Violence, Peur, Passion, Révolution, Plaisir, Forme, Couleur, Mouvement, Surimpression, Montage saccadé, Image par image, Démence, Destruction de l’environnement, Catastrophe, Mort et Renaissance. Distribution Light Cone, Paris Screenings First screening: Other screenings: Awards Materials
LE VERRE N’EST JAMAIS SI BLEU QU’À SA BRISURE by Eric LANZ
1981 / Super 8mm ou Beta SP / couleur / silencieux / 8′ 00 Un film de couleur bleue, avec quelques moments rouges. Il s’agit en effet d’un essai de peinture avec la caméra, pour tenter d’approcher, au travers des associations/oppositions d’objets, d’éléments, de couleurs, toute une part de tactilité assumée par le visuel. La caméra Super-8, souvent tenue à la main comme un crayon ou un pinceau, produit une somme de croquis que le montage a essayé d’articuler. (La composante rythmique de celui-ci m’a fait renoncer à toute sonorisation). Click…
Peter Stämpfli
List of Films Firebird, Peter Stämpfli, 16mm, 1969 Ligne Continue, Peter Stämpfli, 16mm, 1974 Sitges 1900, Peter Stämpfli, 16mm, 1980 Experts of his first two films can be seen on cinédoc: Firebird (1969) Ligne Continue (1974) Bio *1937, Deisswill, CH Peter Stämpfli attended the École des Beaux-Arts de Bienne in 1954. Originally trained as a painter, Stämpfli realized three films. Peter Stämpfli lives in Paris since 1960. Articles about (and from) the Author and his Work Featured in Dominique Noguez’s Trente ans de cinéma experimental en France (1950-1980), Paris, A.R.C.E.F, 1982…
Travelling – Revue de cinéma
Lausanne-based film journal founded by Marcel Leiser