Marja-Riitta Koivumäki

Marja-Riitta Koivumäki ist Dozentin für Drehbuchschreiben an der Aalto-Universität, School of Art and Design, Abteilung für Film, TV und Produktionsdesign, Finnland. Sie hat als Drehbuchautorin, Drehbuchredakteurin und Dozentin für Drehbuchschreiben auch im Vereinigten Königreich und in Dänemark gearbeitet.

Sie erwarb 1991 einen MA in Theaterwissenschaft und Russisch an der Universität Helsinki. Von 1991 bis 1993 absolvierte sie ein weiteres Filmstudium an der Moskauer Filmschule VGIK (The Gerasimov Institute of Cinematography) in Russland. 2016 promovierte sie über die Theorie des Dramas und der Dramaturgie sowie den poetischen Ansatz beim Drehbuchschreiben.

Sie war Mitglied eines Drehbuch-Forschungsteams, „Aristoteles im Wandel“, das von der Finnischen Akademie 2008-2012 finanziert wurde. Seit 2008 ist sie Mitglied des internationalen Screenwriting Research Network.

Publikationen (Auswahl)

  • Koivumäki, Marja-Riitta (2016); Dramaturgical Approach in Cinema: Elements of Poetic Dramaturgy in A. Tarkovsky’s Film
  • The aesthetic independence of the screenplay, Journal of Screenwriting, 2.1, 25-40
  • Poetic dramaturgy in Andrey Tarkovsky’s Ivan’s Childhood (1962): Conflict and contrast, two types of narrative principles, Journal of Screenwriting, 3.1, 27-43

> English Version

The Promise: Storytelling meets Virtual Production (EN)

What is Virtual Production? Where does it come from and where is the journey going? Is post-production increasingly becoming a part of production? Is real film increasingly becoming a sub-form of animated film?

In their introductory talk, Christian Iseli, head of the Immersive Arts Space at the ZHdK, and Michael Schaerer, professor of Film Editing, clarify the most important terms and, with the help of examples, show the development, the latest status and the possibilities opening up for Virtual Production, also in this country.

> Tuesday, 29.06., 09:15 – 10:00h > Programme

 

Virtually Real: Shooting in Virtual Spaces

What does working with virtual production tools mean in concrete terms for the director? How does immersion and spatial perception change when the same feature film – once shot in real motifs and once with photogrammetrically captured virtual spaces in front of greenery – is compared in effect?

Research associate Norbert Kottmann and media psychologist Miriam Loertscher will provide insight into the practical aspects of the ZHdK research project Virtually Real and the associated audience research.

> Tuesday 29.6, 10:45 – 11:15h > Programme

Norbert Kottmann (EN)

Norbert Kottmann is a research associate in the field of post production and virtual production in the film department at Zurich University of the Arts. At the Immersive Arts Space he develops the previsualisation software „cineDESK“.

He studied Master in Computer Science at the University of Bern and Bachelor Film at the Zurich University of the Arts and worked as a software developer and film editor. His film „Digital Immigrants“ won the prize for the best Swiss graduation film.

> ZFICTION.21 Talk: Virtually Real: Shooting in Virtual Spaces, presented together with Miriam Loertscher.

> deutsche Version