Mugen

Mugen is an multidisciplinary immersive opera, that is based on Japanese writer Natsume Soseki’s (1867-1916) first dream from his short story “10 Nights of Dreams” (1908). The piece is divided into 7 x 7 minute parts following the character’s symbolic journey, that forms the emotional core of “Mugen”, while its themes of death, love, longing and the ambiguous syntheses of time and space create a rich character.

“The dreamer realises that he is sitting with his arms folded next to a woman lying on a bed, and she quietly confesses to the figure that she will soon die. This surreal encounter with the woman doesn’t faze the dreamer, and he asks her when she will die and whether she has to die. She confesses that she cannot change her fate and that she would like to ask the figure to bury her after her certain death. He is instructed to dig her grave with a large shell, bury her in it and erect a gravestone with a fragment of a fallen star. Finally, he is to wait in a hundred-year vigil for her self-proclaimed return. The dreamer follows her instructions and begins to count the days that pass as the sun moves from east to west. After some time, he wonders whether the woman has betrayed him. Unexpectedly, a white lily begins to grow from the fresh grave. At the end of its blooming period, he finally knows that 100 years have passed and the mysterious return of the woman is imminent.”

It will be a seated show, with audio-visual interaction on projection, with lights programmed to the music, dance, live music. 

The shows will take place on 31st October, 1st November (two shows) and 2nd November 2024. Tickets can be reserved [here]

Credits:
MUSIC & CONCEPT:   PAUL TARO SCHMIDT
DRAMATURGY: LEONARD LAMPERT
CHOREOGRAPHY:     IVANA BALABNOVA
DANCERS: COKO DE WINDT
COSTUME DESIGN/MAKE-UP: CAROLINA MISTZELLA
VISUAL ART: WEIDI ZHANG
ART DESIGN/POSTER: OLGA ANTONOVA
LIGHT DESIGN: CHI HIM CHIK
SOUND DESIGN: JONAS FULLEMANN
PHOTOGRAPHY: ARDENNES ORNATI, PAUL TARO SCHMIDT
VIDEOGRAPHY: BENJAMAT HESS, JUAN PABLO SALAZAR,  OLIVER KIMBER
FILM EDITOR: BENJAMAT HESS
PROJECT_MANAGER: OLENA IEGOROVA

MUSICIANS
NARRATION ERI OSHIKAWA
SHO NAOMI SATO
VOCALS SALOME CAVEGN, ALEKSANDRA SUCUR
DOUBLE BASS AZUNA OISHI
PERCUSSION BARBARA RIBEIRO
PIANO PAUL TARO SCHMIDT
VOICES ARDENNES ORNATI, DMITRY SMIRNOV, ALEKSANDRA SUCUR, CHI HIM CHIK, SAIKO SASAKI, STEPHAN TEUWISSEN, OLGA ANTONOVA
STRINGS MAX BAILLIE, ALESSANDRO RUISI, GRETTA MUTLU, OLI LANFORD, HÉLÈNE CLEMENT, ANNE BEILBY, KIRSTEN JENSON, COLIN ALEXANDER
MUSIC CONTRACTOR ELEONORE, SUSIE GILLIS
RECORDED BY JOHN BARRETT AT ABBEY ROADS STUDIO 2


Kikk Festival

24th to 27th October 2024
reconFIGURE will be showcased at KiKK Festival in Namur (Belgium)

Founded in 2011, Kikk International Festival of Digital & Creative Cultures is a city-wide exhibition space and market place for designer, scientists, makers, entrepreneus, artists, musicians and many more.
This year`s festival asks the questions “Can we still believe in visuals?” and “Can we distinguish between true and false in the digital age and the development of generative AI?” We live more and more in a world, where the line between reality and illusion is blurred. Our online presence has become a meticulously curated representation—a manifestation of the “selfie society.” Social networks thrive on self-promotion and the relentless pursuit of validation through likes and followers. The content we consume and create is standardized, shaped by influencers and algorithms, creating a disjunction between our digital personas and authentic identities (see more here).


More infos [here].


Probing XR’s Futures: Opening Workshop 

“Extended reality” (XR) devices like Apple’s recently announced Vision Pro or Meta’s Oculus Quest 3 enable new possibilities for mixing the real world with a computationally generated one, promising to “change interaction as we know it.” What are we to make of this claim?  

To tackle this question, Probing XR’s Futures brings together designers, scholars, artists and curators during a 4-year SNF-funded research project. Its opening workshop on Wednesday, 19 June 2024, will bring together project partners, collaborators, and interested researchers at the Immersive Arts Space to take a first stab at core issues relating to XR from contrasting perspectives. These perspectives include design fiction, sensory ethnography, video analysis, critical disability studies, STS and more. 

The opening workshop at the IAS offers an apt opportunity to engage interdisciplinary conversation on design fiction, bodily experience, and critical inquiry, while providing a forum for instructive exchange between upcoming scholars and established researchers. Confirmed participants include Sabine Himmelsbach (HeK Basel), David Howes (Concordia), Lorenza Mondada (Basel), Pilar Orero (Barcelona), Andreas Uebelbacher (Zugang für Alle, Zurich).    

Workshop participation is upon invitation. For those interested in joining, please contact Joëlle Kost at IAS. 

Where: ZHdK | Immersive Arts Space | 1.J30
When: 19.06.2024

Zurich Art Weekend @ Immersive Arts Space

At the Zurich Art Weekend, the Immersive Arts Space will provide insights into two ongoing research projects that deal with the transfer of the visitor’s body into the digital domain in different ways. The multiuser mixed reality experience Doppelgänger invites visitors to a confrontation with their own self as a three-dimensional double in a real environment. In the installation A Hero’s Return, the viewers’ bodies provide the starting point for generative heroic images in real time.

When: 07.06.24 | 17:00 – 21:00
08.06.24 | 13:00 – 17:00
09.06.24 | 13:00 – 16:00
Where: ZHdK | Immersive Arts Space | 1.J30


G.–Ai performance by Victoria Cheredeeva

The digital world is a place where reality collapses, and it seems that everything is possible. Become an idol and perform in front of an audience, where the avatar you created transforms the space into a brilliant show—an attempt to create a digital realm where everyone can be an idol, no matter the limits. “G.–Ai performance” uses constructed narratives in the idol industry and tries to reinvent and deform them.  

When: June 5, 2024 | 18:00 and 18:30
Where: ZHdK | Immersive Arts Space | 1J.30


Credits: 
Claudio Linares Burbat (composer and producer) 
Antonia Orfanou (cartographer and performer) 
Lea Bishoff (singer) 
Alberto Mancini (audio engineer) 
Stella Speziali (Immersive Arts Space support) 
 
The performance is part of Victoria’s diploma project for her Master in Interaction Design at ZHdK. 


Talk/workshop Jayachandran Palazhy

Tuesday, 12th September 2023 | 18:15-19:30
Immersive Arts Space (1.J30)

Jay Palazhy, founder and artistic director of the internationally renowned Attakkalari Centre for Movement Arts from Banaglore/India, is visiting the Zurich Unversity of the Arts and will hold a talk/workshop in the Immersive Arts Space on Tuesday, 12 September. He will give theoretical and possibly practical insights into his work and the Attakkalari Centre. 

Please, register via email at immersive.arts@zhdk.ch

Places are limited. 

Further Infos: https://attakkalari.org


afterdust // afterglow

Performance, 22nd September 2023 | 19:00
Immersive Arts Space (1.J30)

The phenomenon of phantom pain is when an individual experiences pain to a limb or an organ that is not physically part of the individual’s body, but perhaps once was and was removed—or was never even there in the first place.

In a radical empathy–turned hallucination, afterdust//afterglow makes allusions to the coping rituals we create around phantom pain, mourning, and death—the literal and the metaphorical, the overlooked witherings that occur within and between us and those right in front of us. Bright, blinding eulogies amidst unwavering resilience. It is the obsession of revisiting a memory in an attempt to find more life inside of it—even as we distort the memory with each access, and these distortions become our truths. 

Concept/sound/visual composition/performance by STUDIO ZYKLOS (Melody Chua, Chi Him Chik, Aiii, AIYA) 

Please register [here]


Luzifers Dream: An Immersive Concert

Work number 51 ½ for piano solo: Scene number 1 of the opera SAMSTAG (Saturday) from Stockhausen’s opera cycle LICHT (Light). Stockhausen`s  first playing instruction: “The piano piece XIII should be performed like a magic spook”. Lucifer lies in a trance on a chair while the assistant Majella plays his dream on the piano.

A fever dream.

Lucifer is a drone. Every whistling, singing and tapping of the assistant on the piano is alienated. The Immersive Arts Space is immersed in animations choreographed by artificial intelligence. Concertgoers can move freely in the hall and listen to the various sound events. A game between man and machine, art and artificially generated values.

Performances took place on: 15th & 16th June 2023

Credits:
Piano : Arianna Congedi
Sound design, visuals: Jonas Renato Fuelmann
AI Programming : Yuchen Chang
Mentorship : Philippe Kocher
Musical supervision: Till Fellner
Dramaturgical advice: Annette Uhlen

Further support by : Kristina Jungic, Eric Larrieux, Martin Fröhlich, Marek Lamprecht, Paulina Zybinska, Antonella and Ruggero Congedi, Rama Gottfried, Federico Foderaro, Lara Wedekind, Mischa Cheung, Jean-Christophe Hannig, Hirschmann Foundation, Voice Technologies Switzerland.


Atmospheric Forest VR Experience

You are kindly invited to the opening reception of Atmospheric Forest by artists Rasa Smite and Raitis Smite  (RIXC Center for New Media Culture Riga, Latvia), featuring an immersive screening and VR experience, and apéro, taking place on Wednesday, March 8, 2023
in the Immersive Arts Space.

The VR Experience event is following the public lecture by Rasa Smite On Atmospheric Forest taking place a day before – on Tuesday, March 7th 2023.


Book Launch: Conflict Minerals INC.

Thursday, June 30th, 2022

The term “conflict minerals” regroups artisanal tin, tantalum (coltan), tungsten and gold originating from war zones in Central Africa. In his book, Christoph N. Vogel tells the story of how well-intended efforts to solve a global problem have led to white-washing and abetting the continued exploitation of Congo’s resource wealth.

Conflict Minerals INC focuses on a topic that is also addressed by a a joint production of the Immersive Arts Space and the Department of Geography of the University of Zurich. The exhibition Kamituga | Digital Gold allows insights behind the shiny surface of the mobile tech industry and invites the visitors to engage with the concrete challenges and living conditions of artisanal gold miners in the region of Kamituga (Democratic Republic of Congo). [more]